Monthly Archive for November, 2011

mikolaj nowacki – odra

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Mikolaj Nowacki

Odra

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Odra is the second largest river in Poland. Its waters joins three countries: Czech, where it starts, Poland and Germany. I grew up on the banks of this river in the communist era playing with my best friend on boats and on a landfill of anchors, observing barges that transported coal. I often dreamed of jumping on such a barge and going to the unknown. When I was a teenager I often walked many kilometers along the river searching for rare species of birds as an amateur ornithologist. At that time, Odra was just a beautiful sewage – a mixture of water, fecal and toxic, irritating chemical substances.
Now, after 22 years of post-communist transformation  Odra is slightly cleaner but barges became a rarer view.
This project is a continuation of my fascination in this river. Through these photographs I want to explore people’s connections with Odra and to explore its natural beauty. I want to share my impressions with viewers hoping that this story will somehow increase peoples need of protecting this beautiful river.

 

Bio

Born in Wroclaw, Poland in 1972. Graduated at the Faculty of Law, Administration and Economics at the University of Wroclaw. Received Master’s degree in Law in 1997. Finished post graduate studies; his doctoral thesis covered International Space Law. He renounced law and discontinued his doctorate for photography. Mikolaj is a freelancer cooperating e.g. with “National Geographic Poland” and “Newsweek Poland”. Since 2006 he participated in numerous workshops with National Geographic photographer Tomasz Tomaszewski. In 2010 he became a student of the co-founder of VII agency Antonin Kratochvil.

 

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Mikolaj Nowacki

RIO ROCKS

 

 

 

I am just getting rolling in RIO.  I have just been here a bit over a week and starting to get into a rhythm. I mean you gotta get a beat going. You can’t just be “working”. Disaster. You have to be living it. That is for work that means something to you. RIO means lots of things. RIO is hedonism, it is war, it is sex, it is fun, it is pain, it is ballet, it is good surf, it is family life, it is about being lost. And more more. Enough grist for the creative mill for sure. Anyway, I am immersed. For three more weeks.

Join me:  www.theriobook.com    yes, you gotta get in for a buck99    For one thing there is some stuff i just could not show gratis on the net anyway. Listen, I don’t pay for info on the net either. This is not information. This is something that many of you can use. And amigos, it is as close to free as we could make it. For sure right now the hottest living it right now blog going. Cheapest demo workshop on the planet. Plus if you meet me in person, you know damned well I will buy the beer!!

Oh yes, almost forgot, this buck99 gets you a 10% discount on the book.

Please know that this is not any kind of crowd funding for myself.  I was on my way here anyway. Already had many weeks of funding earlier from NatGeo (story coming  2012). I am now simply using the tried and true old Magnum model of just GO. Don’t ask for an assignment. Make one. Do it.  And I just wanted to experiment with a pay wall. Perhaps as a model for others in the future. Quien sabe?

The pictures above shot in the last few days. I post several times a day. Answer as many questions as possible. My reporting to this audience IS THE ART of this part of my next book ONE NIGHT IN RIO  scheduled for spring of 2012. That is like right now. Every aspect of this is right now.  Check it out.

The surprise might be that the “making of” could become its own little book. Comments from the audience et al.

Anyway, pop on in, I have no clue what will happen next….All I know is that something either crazy, or poignant, or hot WILL happen.

 

cheers, David

juliette mills – brothers

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Juliette Mills

BROTHERS

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This is the story of my life with my two boys since moving to a special place where we all feel closer to nature than ever before. It’s a magical garden where we can fly. It’s a place where the boys can be free. Where they run, climb, wade through a giant pond and hide in a bamboo forest. Where we walk through long grass and beneath ancient trees to catch the school bus. It’s a place where they can watch ferns unfurl and tadpoles grow their legs. Where our day begins and ends with the resident song thrush singing his heart out and ends with the call of the Tawny owl interrupting our bedtime story.

And beyond the garden fence is a vast moorland to explore, where they can climb to the top of a huge tor and feel the strength of wind or the sound of silence. Where they can sit and watch wild ponies play and the sun going to bed.  The images also show a bond between two brothers growing day by day. This reminds me of the importance of family and fills me with recognition and gratitude for all my parents and siblings gave me growing up and continue to give.

At a time when half the world’s population is becoming urban and knowing less and less about nature, and in a country where less than 10% of all children play in woodlands, countryside or heaths, I want to show with this work the importance of the natural world in children’s lives, for health on all levels, as well as cognitive development and creativity.

But most of all this is simply the story of two brothers, just living.

 

Bio

Juliette Mills (born London 1972) is a British photographer based in Dartmoor, South West of England and has been taking pictures since a child. She grew up in a private zoo, surrounded by endangered species, with parents fired by passions for conservation and music, and she developed a love of travel and wildlife via her gallivanting father mixed with an appreciation of home and family through her rock of a mother. She graduated from Kings College London with a degree in French & Spanish, where she specialised in South American cultural identity and spent time living and studying in Paris and Buenos Aires. She went on to study film and photography in the UK.

After working freelance for several years shooting wildlife & travel and writing for magazines, she had her first solo photographic exhibition in London in 2001 – a collection of wildlife portraits, and has exhibited since in local galleries in Devon. Having children and moving to the countryside provoked a change in direction towards documentary work, with subjects closer to home. And the experience of a workshop in Oaxaca alongside some special people, had a huge effect on her way of working, inspiring self-belief and a much freer, more immersed approach to her work.

She works freelance and has several long term projects in progress.

 

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Juliette Mills

ONE NIGHT IN RIO

 

The above collage represents my first week in Rio reporting for  theriobook.com  For those of you who do not know, I am in Rio de Janeiro on assignment for my own book. The final chapter of my work here for the last couple of years on and off. While most of us do have an aversion to paying for information on the net, I think this lowest possible fee is for something tangible for many of you.

In fact a very low cost one month “workshop” where I am interacting with this audience while I finish up the shooting and am doing the major thinking about title , layout, and the overall feel for the book. Those of you who are interested in the photo essay and book making will benefit most. If you join us you will receive a 10% discount on the book which debuts in May of 2012.

While I am now self assigned this time in Rio, I was here prior on assignment for NatGeo Magazine which will also be published in 2012. All of the combined work from this NG assignment and my own subsidizing will be ONE NIGHT IN RIO. This now feels like I am in the process of making my best work, albeit will be controversial for some.

Why controversial? First it will not look like things I have done before. Stylistically looser. Second, some of the subject matter will be a bit edgier than my norm. Why change? Because I feel that photographers should never get stuck in their own parameter. Repeating is creative death. Besides RIO just feels loose. It feels like the collage above, which is a layout technique I never would have used for Divided Soul for example. I am NOT saying the above is the layout. I just know the layout will not look like Div Soul either. Maybe a combo. Maybe a tabloid. Thinking thinking.

ONE NIGHT IN RIO is a diary. Not fiction. Yet not a catalog of RIO either. Just one story, just one feeling. A representation of one night out that changed this author forever.  Done 99% with iPhone so far.. Join me for the final build out of  this essay. I have been here now for a week. I have three weeks to go. The work has just begun.

Beach Cowboy

Below an exerpt from: www.theriobook.com…..new title for the book is ( i think)  One Night in Rio …building the last chapter now

T-shirt vendor Everton Alves is known only as Cowboy on Copacabana Beach. The gold cow is part of an international street art project where the locally decorated cows are later auctioned off for charity benefit. There are 59 cows spread around Rio. Cowboy also writes songs and sometimes sings to his mostly tourist customers. He lives in Pavao-Pavaozinho, a favela that spills right down the hillside into Copacabana. Everton says “I live two minutes from here”

This is good old fashioned street photography. The kind of photography that can never be repeated and never be predicted. What not to love? I swear this kind of simple totally random spontaneous moment “discovery” of something you were not even looking for , is the secret of life as far as I am concerned. These kinds of surprises keep one young. Eager. Responsive. I do not know where this picture falls in my overall portfolio from Rio. Yet it is a keeper for now. Nothing so damned significant about it. All the journalism about it, is in that graph above.

The pleasure here is aesthetic and personal. I enjoyed meeting and to spend time talking with  Everton . Of course I bought a T-shirt. I needed one, he needed to sell one. I will meet him in the hood. Wanna know how I get where I go? This is how

francesca mancini – asylum seeking refuge

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Francesca Mancini

Asylum, seeking Refuge.

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This is the story of a young man aged twenty, this is the story of a man aged thirty, this is the story of a boy. This is the story of someone who, out of necessity or choice, is compelled to fight a system and to pay the consequences: forced escape.
He leaves everything behind. Family, home, girlfriend or often a wife and children, sometimes a good job and a bit of money. He has to say goodbye to the sweetness and the colours of his homeland for ever.
He leaves everything, otherwise they will kill him.
He’s an Iraqi, Eritrean, Nigerian. A Somali, Afghan or Kurd.
They have told him that he believes in the wrong god.
That land, where his people have always lived, does not belong to him.
They have ordered him to kill for a cause, whatever it might be.
So he escapes.
Convinced that his life is worth more. Knowing that he is young, that he can, and wants, to do anything: any kind of work, even the most humble, to have another chance, a new future, no matter where. He comes to Italy to forget.
The one thing, the only thing he’s looking for is a new system. To try and simply be what he is: a young man of twenty, a man of thirty, a boy.

 

Bio

Francesca Mancini made her debut as a professional photographer when she was 24, shooting her first international reportages on war refugees in the Balkans and southern Italy, and in Kosovo immediately after the war, and on the effects of pollution on the environment in Dhaka, Bangladesh.
After studying photography for three years in Rome, she worked for the Italian press and published her photos in leading daily newspapers.
From 2007 to 2008 she worked as a freelance between Kosovo and Serbia, documenting the social and political changes in the region and the difficulties linked to Kosovo’s independence.
In 2009 she started a project on political asylum seekers in Italy, which was published in the book Rifugiati by Christopher Hein.
Mancini’s photos have been published in Le Monde Magazine, The Independent, Newsweek Japan, Epsilon, Internazionale, L’Espresso, Panorama.
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Prospekt

HAPPY BIRTHDAY LANCE ROSENFIELD

photographed by Candy Pilar Godoy

HEY AMIGO…MISSING YOU HERE IN RIO….THIS IS A TOTALLY CRAZY SHOUT OUT FITTING FOR THIS OCCASION

Since you cannot be with us today, please join us theriobook.com

YOU are a star there right now. Anyway, behind the scenes today in Rio we are thinking of you. Hope I did not embarrass you. Again

 

Abrazos, Roberta, David, and Renata

PRIME

Lance Rosenfield

Three Things ALWAYS With Me

I take a camera everywhere. On assignment of course and to the grocery store too. Everywhere. In my camera bag, in a little waterproof bag that contains my passport etc, are the three items pictured that I would never go anywhere without.

A poker chip. Yes a Harvey family designated set of poker chips for our late night family reunion poker games where I always lose. My son Erin had these made for us.

A golf tee. From my father’s last golf shot. When my brother Gary and sister Patricia went out with my father Alan, we knew it was his last game. On his final drive, I picked up the tee and have held it for the last ten years since his death.

A faux carabiner. Yup for keys etc. I use it for clipping the aforementioned bag to my camera bag. So I don’t lose it. A little gift that became a big gift from my son Bryan that has become the oldest of my good luck talismans for over 25 years.

Superstitious? No , just sentimental. Couldn’t travel without these super precious items.

What does this have to do with my photography?

Everything.

Join the happening right now with me real time adventure in RIO and you will find out why theriobook.com

RIO IN 14 HOURS

This is not much of a picture to be posting on BURN. It is only a “proof of location” picture. Yup I am at gate D16 in Miami over where everybody gets life power by plugging in their mobile devices. I am one of them. On my way to Rio and only now officially announcing my one month long reportage. My final book chapter for Rio. Two years in the making. Ok now seated on plane and I will have to turn phone off soon.

Go please to: www.theriobook.com

All should become clear..Next picture on that site upon landing.

See you soonest in Rio

tomasz lazar – theater of life

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Tomasz Lazar

Theater of Life

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In 2008 we began working on the long term project entitled ‘Theater of life’. Themes are the changes occurring in our society under the influence of culture and technology, which are increasingly present in our everyday lives.

Historically, Platon developed the notion of Theatrum Mundi – Theatre of the World. Place where a man is only a puppet, an actor whose role is to play its normal role on stage of life. Planned by the powerful being known as the creator (Demiurg, God). At present, the place of this being has been taken by mass media.  Mass media, with which we have to deal every day. They have increasingly greater impact on us, our life and behavior. People under the influence of mass culture that comes straight from the television or the Internet, get lost in the border of two worlds: the real world in which they live and the world created by the media.

Topics touched upon in his essay can best be seen in most developed countries. Places where people use more and more technology, areas in which technology, the media have the greatest impact on people. Therefore, a further stage of the project is to travel to places like Tokyo (Japan), New York (USA), Las Vegas (USA), Hong Kong and Sydney (Australia). As well as to further develop this theme in my home country and the countries adjacent to it.

 

Bio

I was born in Szczecin(Poland), 31th march 1985. Studied Information Technology at Westpomeranian University of Technology. During my studies I discovered photography . After several months I discovered that it is my passion and that is what i want to do in my life. After three years I decided to begin photography studies at the European Academy of Photography. I studied under the guidance of Tomasz Tomaszewski, Lorenzo Castore, Michael Ackerman, Isabel Jaroszewska and others. Since December 2010 I started being apprentice in the biggest studio in Poland – Makata, to develop my capabilities with using artificial light in practice. I was also involved in various workshops, like with Tomasz Tomaszewski on photojournalism and photo edition. At present, I am planning to expand on my photography knowledge by studying at the Institute of Creative Photography in Opava (the Czech Republic).
Currently I am working on a project titled Theatre of life, whose task is to move aspects of everyday life and cultural changes taking place in society as a result of the development of media and technology in the world.
I am interested in mainly the impact of various factors on human life (such as culture, technology). I get pleasure from every moment of being with people and the possibility of taking pictures.

 

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Tomasz Lazar

baptiste giroudon – working with democracy

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Baptiste Giroudon

Working with Democracy

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This project is a photographic research of the concept of Democracy. As a photo reporter I try to work on contemporary issues implying a wider angle rather than just the next morning front page. As an artist I work with the single image process, which comes from a personal wish to show the world with a sharp and thoughtful point of view.

In every story I work on, I find myself facing a different situation that almost constantly brings up democracy. This isn’t advocacy for, or a critic of democracy, but the intention is to show where and how in different aspects of our globalized world, this concept can be understood, reclaimed and put forward. I have chosen democracy as a common factor not only to describe a blurry concept, but also to raise a question that everyone shares: what has democracy become today?

Art and photojournalism exist in what Susan Sontag has termed ‘febrile rivalry’ and my intentions equal those of a tightrope walker trying to express himself without falling to one side or another. My approach stands in the news media and I look for raw material in countries that make the headlines. The thread of the project is Lincoln’s famous quote: “the power to the people, by the people, for the people”, elections, demonstrations, public maters and revolutions are examples for me to draw sketches of pictorial symbols of Democracy.

I am aware of the effectiveness of both my experience and my naivety, I use them both as much as I can into the research, the act of photographing, the editing, and are my only weapons I can use to fight.

 

Bio

With my father’s old camera I left to Argentina when I was 17 years old. This is where I started photojournalism. In 2001 the country fell into a terrible economic crash. I understood that today Photojournalism should avoid the cynical perception; it should be used as a positive tool, not to mention the need to find new ways of assimilating and representing the real. After my first exhibition of the Argentina’s pictures, I worked on a long term project that focused on the backstage of the politic, fashion and cinema industries. It was exhibited as a personal show in Paris (AAA gallery) and Brussels (Jonas Gallery). After a few collective exhibition on my new project “Working with Democracy”, I just finished a story in Egypt: Life after the revolution. Today I keep working for magazines, newspaper and personal projects.

 

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Baptiste Giroudon

ann george – the three chapters of illumination: god calling

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Ann George

The Three Chapters of Illumination: God Calling

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This body of work represents a metaphorical journey of my advancement through Three Chapters Of Illumination; burden, enlightenment, and liberty. Throughout the series, I used the image and representation of the wolf to symbolize fear and the girl to signify mankind.

In Chapter One, fearfulness establishes an internal anxiety, a captivity of sort, which evokes feelings of hopelessness. There entangled, is an existence of wandering of being misguided by unwise choices. Howling in despair at never breaking through the barricade, it is as though one is always against the wall. Gravity’s power manifests in materialism and things of this world and it seems as if loneliness and desolation is the destiny of the grave.

Chapter Two reveals the opportunity for change. Coaxed by the messenger the truth is unearthed in the form of knowledge, the basis for all illumination… just trusting this wisdom moves one forward into the third and final chapter.

As confidence and trust is gained, power embraced, and victory unwrapped, the wolf remains. Now, with the authority of the truth as a weapon, he is controlled and powerless. It is in this power and the promise of it that one becomes fire proofed with freedom. Joy and purpose give rise to inspiration. This inspiration, infused with passion, participates in loving obedience and the gifts of truth. These now are shared others. As spiritual strength is gained through this journey, it is, in the end, the wolf that retreats. There is joyful liberty in a souls progress to freedom!

 

Bio

I’m visual artist who melds pixels, paper, and paint to create photographic fusions that celebrate my native Louisiana as well as people and places that move me. In an effort to create images that reflect a sense of nostalgia, I blend Photoshop techniques with oils, glazes, and waxes to create texture and depth. I meld pixels, paper and paint to create photographic fusions, I make an attempt to portray the role of inspirational storyteller through imagery, and look for ways to satisfy my vintage eye in the camera, in the computer, in the printing, and in the paint.

 

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Ann George

Tiger Blood

© Stefanie Mueller from her essay in BURN 02

THINKING OUT LOUD:

Who has tiger blood? Well, tigers have tiger blood. While drinking the blood of tigers and cobras and rhinos might be considered an aphrodisiac for some, it would seem to me that a bit of exercise, a good night’s sleep, a full moon, some good wine, and candle light might be a better way to go. My feeling is, leave wild animals alone. Reaching in vain for an elusive romantic notion has probably had everyone one of us make a mistake or two. Learning is of course the name of this game of life.

While I mostly feel I have so much to learn, I spend a whole lot of my time as a mentor. Not with huge quantities of knowledge. My only job as a mentor/teacher is to give those who seek it a solid dose of energy. Get ‘em fired up. Make them THINK they drank some tiger blood. Drive them just a little bit crazy. Make sure they do their very best work..

If you think it, if you believe it, then you are 90% of the way to having it. Most of my mentoring I do gratis. One of my responsibilities on this planet. Self imposed and as pay back for being lucky. Some of my mentoring I do for a tuition. As altruistic as I tend to be, I too must face earning a living. I do not need much, but my workshops do have a tuition attached. Any astute person, and there are many here on Burn, can certainly over time get on Burn whatever I teach in a workshop.. for free. Send me a link and I am going to give a review, some thoughts,  and hopefully get you going on a project. Audrey Bardou, Panos Skoulidas, and Erica McDonald, all with significant essays published on Burn are just three examples of emerging photographers I mentor with no compensation expected.

Others here have guaranteed my time by taking a week long shooting workshop. In New York, in Thailand, in Mexico. Wherever. Education usually does cost. Books, college fees, etc. If most of us feel that education is one of our most valued commodities, then we should all be willing to consider education as worth the price, assuming the stuff that gets learned is worth it. I always try to make it worth it for those I mentor gratis just as much as to those who compensate.

So I think I will use this same model of give most away, and be compensated for the rest on my work now in RIO. I would like to take  this Burn audience vicariously with me to Rio. Yes as an educational exercise.  As reportage. This 4th trip to Rio in the last 2 years will finish my last chapter for my personal book.  I have already completed my National Geographic assignment.  I am taking you with me with daily updates as i  finish the book. How I how think about a book, and a fast paced walk on the wild side in RIO.

For it is this “behind the scenes” approach I am taking by presenting a subscribing audience with a real time real view of “this is how it is”. A  very personal look  at play that is work, and work that is play . A party, too much fun to be serious? The party, well , yes. But a serious effort? Absolutely. My whole reputation as a photographer will be on the line. The National Geographic piece will most likely be out in late spring of 2012 and my RIO book and exhibition opening in Sydney , Australia at around the same time.

The NatGeo piece will be one thing hopefully of great value for one demographic , and my personal book will be perhaps my very best work. We will see. I am feeling it. Deep down. Anyway the process , both  the physical and  the psychological,  will i think be educational for those who seek it here on Burn. We may also do a super limited  workshop experience. 2-3 students max. Details to follow.

Some of this will be regular programming here on Burn. Yet the deepest behind the scenes will be a daily updated subscriber section. For a month. Those who choose this option will get a serious discount on the book. I must work out the exact numbers formula , but the  one month subscription will be less than a cup of good coffee and the discount on an expensive book will be about 20%.

In other words for example  you invest 2 dollars for the WHOLE MONTH (that is like 6 cents per day)  for  daily how to do it updates …then later get say 20 dollars off the price of the book. Or 10 or 15 , depending on exactly how expensive a book i do..  The exact numbers are now in flux, but I will have it all locked down in about a week.

So you will  see what I am doing in Rio now for a nominal monthly fee, and save serious money if you want the book. A good deal for you and might just help me get the book done. OR don’t subscribe, don’t buy the book , and you will get much of it here anyway. No hard feelings. I am going anyway. This is going down no matter what. But of course I will try to make the behind the scenes so damned compelling, you will go for the subscription !!  Use your imagination.

My case in point, and my next big feature,  is to  see what is up in RIO through my daily picture/text postings and dialogue with you.  I am leaving in about two weeks for a month of free style rocking crazy serious shooting. Gonna be intense. Can you handle it?

Better drink some tiger blood first!! Smiling…

 

 

BURN 02  and BURN ONLINE:

Everyone is trying to figure out ways for photographers to earn a living in the digi age. At Magnum we are working on this , as a member photographer I am doing the same. The main thing is to have original content. The model above , if it works, could be then used with many photographers. The readers in effect vote on content. In general, Burn in 2012 will have all content you will not have seen prior. We will pay for this of course. Hopefully with your donations which do keep us going already with EPF and original commissions as we did for Burn 02 with Paolo Pellegrin and Bruce Gilden. This is the model we want to use for everyone. This is our goal.

So our whole point, both with live “broadcasts” and with online and in print is original content. Seen first here. Perhaps a part of the new upcoming Magnum system of individual photographer “channels”. Stay tuned, more information later.

It is most likely to your personal advantage to give our small crew here at Burn your support. After all , we are only here to discover you. To find new work , from new photographers, and to light a candle as well to some icons who may lead the way for you. You will spend your earning on photography one way or another, and I can honestly say you will be doing yourself more good keeping the flames at Burn on blue hot level…We are photographers at Burn.  Not businessmen. Yes we need funds to keep going. Why wouldn’t we? We are not rich photographers. Burn struggles every month to survive. Mostly we want to be able to create fine objects. Fine books. Fine workshops. Give you good spirit.We want to stand for the high end of photographic pursuit and we intend to earn it.

You can easily see we have no advertising and our only sponsors are generous donors. We only owe you.

I am guessing that Burn 02 (available below) will be sold out or close to it by Christmas. I believe last year that 01 was gone by mid January. My friends at the traditional publishers of photo books tell me that Burn is rocking the boat. The few copies  of 01 we did hold back are now selling for double the original price. We did not hold back any for that reason, because this has been a total surprise. We expect 02 to be a collector item as well. Limited edition anything is always of best value.

Anyway, check us out. Hang out. All of you just being here helps us. Give us your ideas. Give us your pictures. No wait, SELL US your exclusive essay!! Photographer’s rights are my mainstay philosophy. Our whole constitution at Magnum is about photographer rights.

So  yes help out my staff with a bit of support if you possibly can. If you are a committed photographer this will come back to you in a very real way. Or if you simply enjoy looking at leading edge photography , then it will come back to you in a real way as well. Our donation button is in the right hand column. Buying 02 is another way to help all of US. Thank you.

 

 

BURN 02 PURCHASE

USA, Canada, MexicoAdd to Cart Rest of WorldAdd to Cart (For volume puchases (over 10 copies), please contact
Diego Orlando directly at diego@burnmagazine.org)
 

 

 

RIO WEATHER REPORT: