ellie brown – capsule relationship

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Ellie Brown

Capsule Relationship

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The story started with a Craigslist advertisement. The story ends with a true collaboration on the project. This resulted in a narrative of a truncated relationship based on social norms that both Zach Webber (the creator of the concept) and myself (the photographer) don’t necessarily fit into in our own minds. We wanted to try living this life in a way that is not making fun of those who choose this path, but rather to try it on for size so to speak. There were many unexpected emotional layers that surfaced for both of us during the project, mainly resulting from unexpected real reactions in fictional situations.  Mostly we are proud of how convincing this project was for us as well as the people we encountered along the way.  We didn’t know what to expect going into the project and the outcome was the result of an organic collaboration. In the end, we formed not only a working relationship, but a real romantic relationship within the boundaries of a fictional relationship. This brings into question the power of social scripting and how in trying to look at it critically, we fell into it. Like all relationships, the fictional and real relationship came to a perhaps predictable ending filled with emotional drama. Zach Webber chose to move on from the project and pursue a relationship outside of the work we did. He is no longer affiliated with the project and so all that remains is the documentation and experience of the project. The project was emotionally intense and difficult at times, but a wonderful mirror into how each one of us functions within the script of a relationship. Please read more details here: http://sevendayrelationship.blogspot.com/

below is a copy of the actual advertisement as it appeared on Craigslist:

Seeking partner for conceptual seven-day-long relationship
Reply to: xxxxx@craigslist.org
Date: 2009-03-24, 4:03AM
Okay, here’s my idea: 
I want to participate in a conceptual capsule relationship, which would essentially be an attempt to artificially concentrate a long-term relationship of several years into a period of seven days. During the seven-day span of our relationship, we’d move from the stage of initial flirtation into marriage, child-rearing, and finally divorce. This would involve a lot of play-acting at times, since once we set the relationship in motion, our actions and expressed emotions would be heavily shaped by the constructs of a stereotypical relationship. The goal would be to stick to our imposed guidelines as much as possible, placing ourselves in various situations in order to watch how the scenes play out between the two of us. It’s sort of the relationship equivalent of a haiku: very structured and very short. 
I’d imagine we’d want to talk prior to officially starting our relationship in order to hash out the details, but here’s a basic, day-by-day outline of what I’ve got in mind:

  • Day 1: We arrange to have a ‘chance meeting’ on the street, where we strike up a conversation and exchange numbers.
  • Day 2: We have our first date, we go out to dinner, catch a movie, maybe hold hands afterwards.
  • Day 3: We’re head-over-heels in love! We go on a romantic walk, we cuddle, we share a malted at a diner and stare deeply into one another’s eyes. 
-At some point during the day, I propose to you in a public place. You accept. 
-That night, we separately hold bachelor/bachelorette parties with our own groups of friends.
  • Day 4: Our Wedding Day. That morning we get somebody to pretend to marry us in a private ceremony. Maybe we can tie tin cans to the backs of our bikes and ride away. 
-After our wedding, we embark on our honeymoon. Regional Rail to Atlantic City, right?
  • Day 5: We’re expecting. You put a balloon under your shirt and we go around to baby stores, checking out the merchandise. We sure are excited!
  • Day 6: Having secured a thrift-store stroller and a baby doll, we heavily swaddle our child in blankets and push the little cutie around the city. -Unfortunately, we start to bicker. As the day wears on, this bickering worsens.
  • Day 7: Dramatically, we split up. One of us gains full custody of our child, and the other is deeply resentful. 
-In the final act of our capsule relationship, we bump into one another, once more, in a public place. This time, it’s very awkward. 
At this point, our capsule relationship will have ended, and we will be broken up.

NOTE: A friend of mine had an idea for an alternate ending that would involve you and I aging and gradually growing disenchanted with one another, which would necessitate rearranging some of the above “days” around to allow for a “boring domestic day” in which we’d spend a few hours sitting around the house watching serialized television together and not having too much to say to one another over dinner (spaghetti?) when we ask each other how our days have been. So, you know, all of this is totally up for discussion! 
I think it’d be a lot of fun, and I really hope somebody wants to do this with me. Even if you’re not interested in actually participating yourself, I’d love to get your feedback. And yes, I am willing to send a photo your way if you’re legitimately interested and feel that a photo is something you’ll need to see. 
Please email me with any questions or comments.


Related links:

sevendayrelationship.blogspot.com

vicky slater – colourblind

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ESSAY CONTAINS EXPLICIT CONTENT

Vicky Slater

Colourblind

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Alain de Botton wrote…..”Portraits can reveal sides of yourself that you are unused to seeing, over which you haven’t extended ownership….they can pick up on features that you don’t identify with and made no claim over….aspects of yourself that you don’t recognize and haven’t yet made friends with. Your character can be read from different angles, in different lights, through different lenses, through different lovers.”

It could explain why I can take a portrait of someone and think they look beautiful whilst they wrinkle up their nose and say it looks nothing like them. It could also explain some of my feelings about these photographs.

When I began this series it was simply an exploration of pinhole photography, something I hadn’t tried before. I soon found myself seduced by the saturated colours and the painterly qualities that pinholes could produce, all the time turning the camera on myself as  I was reluctant to ask someone else to give the amount of time that these pictures require. Obviously not being able to see through the lens, I couldn’t compose these long exposures so never really knew what I was going to get and there are many, many more failures than successes, especially as I am deliberately moving slightly during the exposure, to express a feeling of time and motion. And though I find it interesting how unfamiliar the images are to me, they are a “me” I don’t know…  it’s the colour, the abstractness and sense of passing time that keeps me making more.


Bio

Vicky Slater resides in Salisbury, Southern England with her husband and three children. She is passionate about photography, using mainly vintage film cameras and natural light. Whilst she loves all methods from pinholes to polaroids and digital to darkroom, she always finds herself returning to colour film and a medium format camera. Vicky is interested in the passing of time, memory, simple beauty and honesty, and has a headful of projects that she wishes to pursue, given the opportunity. She has had one solo portrait exhibition and contributed to many others. Her work has been published in various books and magazines, is part of many private collections, and has been merited with Fujifilm distinctions awards.


Related links

www.vickyslater.com

www.vickyslater.blogspot.com

www.photargo.com


Editor’s note:

Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

Emerging Photographer’s Fund grant 2010


The paraguayans

8×10 moonlight photograph by Alejandro Chaskielburg, 2009 EPF recipient, from his essay The High Tide


we now announce on Burn our third annual Emerging Photographer Fund grant …for 2010 we are offering a $15,000. stipend for an emerging photographer to finish an ongoing personal project…the deadline for entries will be April 15, 2010….funding for the EPF comes from generous anonymous donations from our audience here on Burn to the non-profit  Magnum Cultural Foundation…these are very specific donations to the MCF and are apart from the general subscriptions and donations to Burn….

this year we must set up things a bit different from the last two years…we have no choice but to have a $25. entry fee per submission….last year almost killed Anton Kusters and yours truly with the almost 1200 submissions….we cannot do that again…this year the $25. will be well spent…we will be using a program called Slideroom to facilitate you entering and us having the grant juried in a first class manner…..with Slideroom you open a free account and you will literally have a “room” where you can work on your edit for the next two months…i.e. put in one picture today, four next week, change your edit, play with the pictures, do whatever you want, then hit the  submit button on or before deadline..if you decide not to enter after all the editing etc., then simply do not hit submit and you are not charged…the system is way easier to use for all  than anything before and makes it possible for us to have a wide prestigious jury (to be named soon) who can view your work at their leisure online and yet be communicating with each other all along…

so the financial breakdown is:  $8. will go for this  Slideroom program which is of great benefit to all of us (this is their fee to us per entrant)…$5. will go to a Haitian relief agency…and $12. will go to cover our admin costs for the EPF at Burn,and the costs associated with creating a sophisticated slide show and presentation of finalists and winner at this  summer’s one time special Burn/Look3 event for emerging photographers in June…we realize this fee may keep some from entering….we considered this and came up with the lowest price we possibly could and still be able to continue this grant program at all …we do not feel this fee will discourage any serious entrants…

all details for the correct entering of project essay submissions will be seen under EPF 2010 in the right hand column of Burn…

i look forward to seeing all the new work….

-david alan harvey


The EPF grant 2010 submission link:

http://burn.slideroom.com


Deadline for submission: April 15, 2010

The winner will be announced in June, 2010


working….

br4br 1br3br7br5br12br 13br16

it is getting cold here in Rio…fall has arrived…everyone complaining of the rain…temperature has dropped to a chilling 68F….i am wearing a long sleeved shirt, pants and shoes…beach days are over (pictured above from non-NG shooting)..New Yorkers may scoff, but i am freezing….besides,  my time is up on this National Geographic shoot…..i am coming home next week…

i have written before that i do  some of my best work in the first few days of an assignment and some of the best in the last few days…the first ones from raw energy and beginners luck and the last ones from “damn, i had better get something”…i have pretty much been on the case here in Rio since New Year’s Eve, with a short but busy one week break in january…mentally on it the whole time…and, of course, i shall return…perhaps on assignment , perhaps not…for i am not finished..

i was actually secretly hoping i would not fall in love with Rio….i assumed a romantic relationship, but figured it would be over when it was over….i have several other projects to complete and have no time to get involved with any long term body of work, but alas she has me…real love is of course often painful…despite the beach scenes you may imagine as pictured, there is another whole world here…full of intrigue, passion, hate, sex, death, light, darkness, despair, cruelty and kindness…the gamut of human nature all played out on a stage like no other …

i have been sick , scared, injured, and upset…long days turned into long nights often with no result…many moving parts and often with the gears grinding….it is very hard for me to look at the work…but, i must soon….i am not one of those photographers who come home at night and rush to the computer  to see what i have done…quite the contrary…i hate to look….deep deep down inside i am assuming some good work….but any long term results seem now far far away….on top of it all, i must justify all of this to the editors who commissioned me to be here….i need an Advil…

yet now my home front porch beckons….but, will my cat remember me?  has my electricity been shut off ?  battery run down on my truck?  yes, my “real life” has been on hold…even patient family and friends are fed up with me…no responses to emails….missed events…forgotten birthdays…major responsibilities undone…of course no woman can put up with me…i will spend the next week apologizing to everyone about everything…and so it goes…

is this any way to live? or, is this the only way to live? i know my answer…what is yours?