Author Archive for burn magazine

Page 2 of 313

Alain Laboile – Quotidian

Alain Laboile

Quotidian

[ EPF 2017 – SHORT LIST ]

In his giant outdoor studio where he controls space, time and light, Alain Laboile watches his six children. He captures moments of nothing, the unexpected as the expected, the blooming as the outbreak, imagination as banality. His tracking shots put everything on hold: the passage of time, the waltz of the clouds, the leaves in the wind. He shapes the humble material of everyday life like organic matter, enchanting it. It is certainly not paradise, nor the angels’ dream life. It is simply life; just life and nothing else.

 

 

Short Bio

Born on May 1, 1968 in Bordeaux, France, Alain Laboile is a photographer and father of six.

In 2004, as he needed to put together a portfolio of his work as a sculptor, he acquired a camera, and thus developed a taste for macrophotography, spurred by his passion for entomology.

Later on, he pointed his lens towards his growing family which became his major subject, in a realistic depiction of their atypical lifestyle in rural France.

 

Related Links

 

laboile.com

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Brooklynn Kascel – Fear/Loving : A personal narrative of aging, intimacy and separation.

Brooklynn Kascel

Fear/Loving : A personal narrative of aging, intimacy and separation

[ FUJIFILM / YOUNG TALENT AWARD 2017 – SHORT LIST ]

Fear/Loving is a self-reflective body of work, encompassing experiences shared by those closest to me. Fear of abandonment has been a weight I have carried my entire life, emerging into reality during my early twenties following the separation of my parents after 26 years of marriage. This divided union began to divide me. Investing time and energy into another person became unattainable; expressing my feelings toward another, crippling. Photographing became my coping mechanism, evoking emotional and physical connections which were previously undiscovered. I started becoming a witness to my fears taking hold of others just the same.

 

 

Growing older, we begin to break the mold of our inherent innocence, realizing that few things last forever. Losing the image we previously had of ourselves, we continue to tirelessly and obsessively look through our individual narratives, desperate to detect what may have gone wrong. An unavoidable and often paralyzing feeling begins to take hold, just as light fades among the trees, so do our past selves and past experiences. To find solace, we search among nature, vices, people – anchoring ourselves to something in order to cope.

 

 

Seeking attachment, satisfaction and support – we take refuge in love. An individualized experience which manifests into various forms over time. The type of connection one seeks; interpersonal, metaphysical, biophilic – temporary or permanent. The type of support we wish for; emotional, physical, financial. The types of relationships to be discovered; platonic, sexual, self-deprecating.

 

 

As aging continues, so do our bonds – they shift, manipulate themselves into unfamiliar faces, sometimes disappearing entirely. Tethering ourselves to family, friends and new loves, we try to dull the pain of fleeting affections – hoping they will morph into everlasting form. The individuals in these images fall into those descriptions.

Short Bio

Brooklynn T. Kascel graduated from The University of Iowa in 2016 with degrees in Journalism and Sociology. During her time in school, Brooklynn worked as a photographer for The Daily Iowan. While on staff, she received 5th place from the Associated Collegiate Press for the 2016 Multimedia Story of the Year Award with a photo slideshow documenting a political rally in support of Donald Trump. Upon graduation, she went on to accept an assistant position with VII Photo’s, Danny Wilcox Frazier. Frazier is a recipient of multiple grants and fellowships including: Aaron Siskind Foundation, Individual Photographer’s Fellowship (2016), Emergency Fund, Magnum Foundation (2016). Brooklynn’s work has been published by the Associated Collegiate Press and The Daily Iowan. She lives in Minneapolis, Minnesota.

 

Related Links

 

brooklynnkascel.com

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Bayu Wira Handyan – Three Weeks, Melancholia

Bayu Wira Handyan

Three Weeks, Melancholia

[FUJIFILM / YOUNG TALENT AWARD 2017 – SHORT LIST ]

My work presents the questions about existence of life and the things related with solitude. The solitude that causes feelings of anxiety, worry, and fear that led to a melancholia. My pictures are a result of myths that exist in my culture and surrealist things that appear from my fantasies.

 

 

 

 

Short Bio

Bayu Wira Handyan was born in 1993 in Purworejo, a small town on the south coast of Java. He currently studies Journalism at the Department of Communication in Diponegoro University and lives in Semarang.

 

Related Links

 

wirahandyan.com

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Joan Alvado – Cuban Muslims, Tropical Faith

Joan Alvado

Cuban Muslims, Tropical Faith

[ EPF 2017 – SHORT LIST ]

Cuba is one of the last countries in the world where Islam has entered. Although is still widely unknown, the number of Cubans embracing Islam has constantly increased in the recent years. This growth is strongly linked with the current scenario of changes in Cuba, which includes a higher tolerance towards religions.
With a current population around 3.000, Cuban Muslims are present in several districts of La Habana but also have expanded to many other provinces, like Camagüey, Santiago or Varadero. The growth of this community is strongly linked with the current scenario of changes in Cuba, which includes a higher tolerance towards religions.

 

 

Why a Muslim community is born in the middle of a Socialist Caribbean Island?

The “Cuban Muslims” project is not aiming to give closed answers, but provide clues for reflection. By delving into one of the most unique Muslim communities worldwide, an innovative approach to Cuba and Islam is generated. The goal is to break visual stereotypes, questioning issues like identity, faith and traditions.

 

 

Short Bio

Born in Altea in 1979, Joan Alvado has lived in Barcelona since 2005. His works have been published in media like The New York Times, Newsweek, CNN, The Washington Post, Bloomberg BusinessWeek, El Pais, La Repubblica, Der Spiegel, Hurriyet, VICE, Descobrir Catalunya, 7K magazine, Huffington Post, Voima or Le Point, among others. Part of his work has been exhibited in several events and photo festivals in Spain, Cuba, Turkey, France, Slovenia or Italy. Since 2013, he has collaborated with the collective of Turkish photographers NAR Photos. His archive is distributed by agencies like AFP, Getty Images, Laif and Luz Photo. In 2015, his project “School of Shepherds” received the “Lens Culture Emerging Talent Award.” In 2016, his project “Cuban Muslims” won the “New FNAC Photography Talent” award in Spain.

 

Related Links

 

joanalvado.com

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Karl Mancini – Amores Perros

Buenos Aires, Isla Maciel. The guys smoke a joint in their favorite place in the Isla, a former dump site in the old harbor area where they often gather to isolate, spend time in solitude, talk. The place is highly contaminated by the quaint Riachuelo flowing a few inches from them. They don’t care about the risk they run for their health. They love dangers and always live to the limit risking a lot. Life does not have a very high price for so many kids who live in these conditions and it is constantly threatened. All of them at least once in life thought of committing suicide. Riachuelo is one of the most contaminated rivers in the world. Its dirty waters delimit borders and people who have their houses in its proximity live in alarming conditions.

Karl Mancini

Amores Perros

 

In Buenos Aires the dirty waters of Riachuelo delimit borders and people who have their houses in its proximity live in alarming conditions. On one side it is Capital Federal, on the other it is Avellaneda, here Buenos Aires, there the Province. One of the suburbs on the river is called Isla Maciel. Amores Perros is a story of love and pain, a story of skin, street, drug, fight and violence. It is the story of some adolescents. Their stories are the stories of many Argentinean boys and girls who grow up on the streets, to whom the drug Paco has been sold since the age of eight years old because cocaine is too expensive (20 pesos is the cost of a dose of Paco, just over one euro), whose effects last about two minutes and condemn people to life of dependence and slavery, often to death.

 

 

Wrath, pain, impotence, misery not only economic are their daily lives. Everyone has inherited this situation by many factors: a family that doesn’t exist, violent, addicted or alcoholic parents, an absent government that ignores suburbs, a police often corrupt and accomplice who often comes to terms with the narcos. They have no life’s expectations. Being together is the only way to support each other, spending their days walking without rest looking for food, relieving anger in their raps, loving carnally and, at the same time, fighting like dogs.

A few minutes from the touristic and colorful barrio of la Boca (meaning due to the fact that it overlooks a stretch of Riachuelo, one of the most contaminated rivers in the world that flows into the Rio de la Plata) just taking a boat where an improvised Caronte drives you through the marsh waters to the opposite shore, it is possible to reach La Isla Maciel. It can also be reached by crossing the recently constructed Nicolas Avellaneda bridge, on both sides of which many drug dealers wait for phantoms who are looking for their goods.

La Isla was founded by Italian immigrants and port workers who dared to cross in the river and settle into what once was a swamp surrounded by the waters of Rio de la Plata, the dirty Riachuelo and the steam Maciel. Over time, a highway was constructed that cuts half the Isla delimiting two new zones, the favela of Villa Trankila and the Dock Sur with its towers and thanks to an infrastructure project over the past 10 years, Isla has lost its insular condition.

This division is now theater of conflicts, a war for territorial control made by Narcos groups. The only truce is possible on every Sunday in the football field located in the center of the Isla, where San Telmo plays, the barrio team, the team of everyone.

 

 

People who live in neighborhood like this are often labeled as criminals, discriminated, relieved of any opportunity to improve their status, to have access to structures that can help them or achieve a different job and future for themselves and their families. Abandoned people who organize themselves to not die. Here there are cases of 12-year-old’s adolescents who want to kill themselves having no life’s expectations. Being together is the only way to support each other. Some guys struggle to keep themselves from dying, others let themselves go with no chances to come back.

 

 

Bio

Karl Mancini (b.1978) is an Italian documentary photographer based out of Rome and Buenos Aires. He studied photojournalism in New York at the International Center of Photography (ICP). Since 2001 he has worked in more than 90 countries, with a particular preference for Asia and South America, as a freelance photojournalist and writer, following socio-historical and political events and focusing on issues such as gender violence (to which he is working on since 12 years), war aftermaths, minorities, human rights, migration, the tragic story of landmines. His longterm work “Ni una menos” about the feminicide and violence against women has been shortlisted at the Sony World Photography Award 2017, won the 3rd prize at the Luis Valtuena Humanitarian Photography Award, the 2nd prize at Days Japan International Photojournalism Award 2018, the 2nd prize at the Kolga Awards 2017 and was finalist at Lugano Photo Days 2017. His works have also been exhibited in USA, England, Russia, Australia, India, Japan, Italy, Greece, Spain, Switzerland and in many important international festivals, earning him several awards in many prestigious competitions. His stories have been featured in some of the most prominent magazines and newspapers from all over the world and he regularly collaborate with International NGOs and international magazines and newspapers such as Newsweek, Stern Magazine, Der Spiegel, Marie Claire, CNN, Vanity Fair, Internazionale, Amnesty International Wordt Vervolgd, El Pais, El Mundo, Io Donna, NZZ am Sonntag, Woz, il Venerdi, La Repubblica and many others. In 2014 he was selected as one of the Emerging European Talents by the online magazine LensCulture and was one of the finalists at Portfolio Italia-Fiaf. In 2015 he published his first book, ITALIANSKIJ, about the Italian community in Crimea persecuted during the Stalinian Purges.

He’s currently working on violence against women extending his long term project ‘Ni una menos’ to the other Latin American countries where the situation is alarming. The common line that sadly connect so many and different countries is gender violence in all its aspects (domestic, psychological, physical, economic, institutional, cultural, obstetrical). He strongly believes that it’s very important to give visibility and voice to victims who doesn’t have it, inspiring more of them to come forward to tell their stories and bring pressure on the governments. At the same time he’s working on an other long term “La linea invisible” about life in the suburbs of South America through the eyes of the youngsters.

Related Links

karlmancini.com

 

Ekkarat Punyatara – Black Day

Ekkarat Punyatara

Black Day

Thailand is one of the last countries in the world that most of the people still have so much love for the king. The king is the soul of the nation. I grew up in Thailand. As a Thai, I thought I had known well about the love of Thai people toward our king but not knowing well enough till the day King Bhumibol Adulyadej passed away. 

October 13, 2016 after the prime minister officially confirmed the news I quickly headed to Siriraj hospital, where the king’s body was for shooting. I got there about 8.30 pm. which was quite late. The soldiers already started removing people out of the hospital for a parade to deliver the body to Grand Palace for the funeral. I stuck in front of the gate with many people. Some people were still crying and many of them still had the crying mark on their faces. 

 

 

Time passing by but seems more and more people were coming. Some people started siting down on the street then many people followed. Some people started praying for the king then many people followed. Some people started singing a song for the king then many people followed. I asked if there is anyone know that the mourning event would happen but no one know. As a normal people I’m sure everyone knew that they won’t be able to get inside but they just wanted to be there.  I can feel at that time they didn’t even care what would happen actually they just wanted to be close by their beloved king. 

 

 

It was not just that day. It kept go on like this after the bureau placed the body at the Grand Palace for the formal funeral as well. Thousands of people everyday queuing for praying respect the king inside the Palace. And many more were sitting around the wall praying and even touching wall. The image of people touching the wall was magically moved me. I was very intrigued by the melancholy I felt and it was the feeling that made these people came so far for just touching the wall. It made me, not as a journalist but as a Thai awared that I need to document the feeling of myself and Thai people toward this important historical moment of the country. 

 

Black Day is my personal project during a year long mourning capturing the air of melancholy surrounded Thailand. It is the evidence of the emotion of Thais toward the lost of the people who is the heart of the country. It is the fiction I hope it is non-fiction.

 

Bio

Ekkarat Punyatara is a National Geographic Thailand’s photo editor and staff photographer based in Bangkok, Thailand. His photography is inspired by fascination in Thai culture that he was rooted since childhood by his conservative family. Beside worldwide assignments as an outsider, Ekkarat will be in his home country documenting and portraiting the lives of his beloved country as the sight of the insider. 

 

Related Links

David Arribas González – Scars / Cicatrices

Trabajo documental sobre el galgo en España después de la finalización de la temporada de caza.

David Arribas González

Scars / Cicatrices

[ EPF 2017 – SHORT LIST ]

Spain is one of the few countries where the hunting with greyhounds is a legal activity. What was a way of survival for the familiar core in rural areas, now (when it is not a vital activity anymore) has been reinvented and turned into a sport, preserving is practice into the traditional culture of the country.

At the ending of the hunting season, in February, the dogs that are not useful, either by injuries, lack of competivity or by the age, are abandoned or, in the worst of cases, are deleted using highly aggressive practices such as being hung.

 

Dog shelters and houses of reception try to give a dignified life to the higher quantity of this abandoned hounds, touching unfortunate conditions of overpopulation.

The spanish laws, that are not strict concerning animal rights, keep this situation going on each year.

 

Short Bio

(Spain. 1978) Arribas studied photography in Madrid from 2010 to 2015 and learnt a lot in different workshops and courses related to this branch of photography with photographers such as Antonio Heredia, Manu Brabo, Susana Giron, and Antoine d’Agata.

He continues studying self-taught photography and attending courses and seminars. At the moment, he is based in Madrid, Spain and dedicates himself to the accomplishment of photographic works of long route related to social projects and human character.

 

Related Links

 

davidarribas.com

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

 

Loulou d’Aki – Down by the Water

S. on the abandoned movie set and the last rays of sun.

Loulou d’Aki

Down by the Water

[ EPF 2017 – SHORT LIST ]
The first times I went to Iran I did so to work on a personal project about Iranian youth and their aspirations as a part of a larger project I was working on across the Middle East. My subjects and I spent a lot of time together during the portrait sessions and at some point they would all ask me what I had seen of the country so far. All of them seemed to agree that I really had to go down to the Persian Gulf and visit the islands Hormuz, Qeshm, and Kish where life seemed to be relatively free in comparison to Tehran and where many young people from the mainland would try to spend some time every year. 
 
 
 
 
Iran sits on one side of the Strait of Hormuz, which connects the Persian Gulf to the Arabian sea. It’s considered the world’s most important throughway for oil – 30% of the world’s seaborne traded oil goes through the strait but despite of its natural riches, the inhabitants along the Persian Gulf are amongst the poorest in the country. 5 kilometres off the mainland, southeast of the port city Bandar Abbas, lies Hormuz, once upon a time the main port in the strait, visited by Marco Polo who praised the island where tens of thousands had settled. For centuries, the countries on both sides of the Gulf were in good relations and people travelled the region without passports. Today the population is below 10,000 and unemployment is high ever since relations with Oman soured during Mahmoud Ahmadinejad’s presidency. Before, locals would go to Oman in the morning and return at night with smuggled goods to sell in the mainland city of Bandar Abbas.
 
 
 
 
The island Qeshm, 60 kilometres away, is a free trade zone where paperless Pakistani ship builders keep up the tradition of wooden ship construction, side by side with traditional islanders and where youngsters from the mainland travel to feel a bit more free, away from the watching eye of the Islamic republic on the mainland.
 
 

Short Bio

Loulou d’Aki is a photographer, member of Agence VU’. She was born and raised on the Swedish seaside and graduated with a Master in photography at ISFCI in Rome, Italy. Since then she has lived and worked across Europe, North America, Japan and the Middle East.

As a photographer she is interested in how human beings are affected by the society in which they live, the influence of borders and the idea of freedom.

Alongside commissioned work Lou focuses on various long term projects, such as Make a Wish, a photo essay looking at how the hopes and dreams of youth in conflict zones are conditioned by society. The project recently won Cortona on the Move dummy award and will be published as a book in 2018. Lou is a Swedish Arts council grantee for a project called Mother of choice, which she is currently working on, a documentary work about self chosen single motherhood in Sweden.

Lou was a singer before she became a photographer. She speaks five languages and lives in Athens.

 

Related Links

 

dakiloulou.com

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

 

Anton Polyakov & Anna Galatonova – Mahala

 

Anton Polyakov & Anna Galatonova

Mahala

In the early 1990s, when the Soviet Union was about to collapse and Moldova proclaimed its independence, one of the regions of the Moldavian Soviet Socialist Republic decided to go another way. Self-proclaimed republic of Transnistria is an approximately 200-km-long sliver of territory along the left bank of the Dniester river running between Moldova and Ukraine. For over 27 years the republic has had an indefinite status, none of the countries recognizes the transnistrian independence except Abkhazia, South Ossetia and Nagorno-Karabakh which are also unrecognized republics. During this time, the whole new generation, which identifies itself as “Transnistrians,” was raised. 

 

 

The protagonists of story are young people who live in the rural north of Transnistria. It seems at first that they have an idyllic life in the midst of rocks and hills covered in thick woods. They have a close relation to earth, nature, and farm animals, they are used to hard labor and love their native land. However, except the fact that their state is unrecognized, there is one more problem — the village is dying out. There are very few paid jobs, entertainment, or growth opportunities in their villages. That’s why at some point young people have to choose: stay in the village or leave their home to look for a better life. 

 

 

The title for story — Mahala — was borrowed from the local dialect of Moldavian. This word names an isolated part of the settlement populated by people who are generally friendly towards each other and feel that together they form a kind of a community. Our protagonists are also living their own secluded lives, are separated from the rest of the world and form a community that in the general sense is “mahala”: they have known each other their whole life, help each other with farming, celebrate holidays and grow up together.

 

 

Bio

Photographers Anton Polyakov & Anna Galatonova (both born in 1990) are among the first generation who identify themselves as “Transnistrians”. Their date of birth coincides with the date of establishment of the Republic of Transnistria, a small country between Moldova and Ukraine, that isn’t recognized anywhere. They both graduated from the Transnistrian State University, Anton – studied Geography, Anna – journalism. Currently photographers are interested in the topic of historical and cultural memory in the region in which they reside, as well as younger generation of people who were born in the unrecognized republics after the collapse of the Soviet Union: the question of their personal identification, the influence of the uncertain status of the country and what they face in their daily lives. 

 

Related Links

anton-polyakov.com

 

 

Juan Pablo Bellandi – Endless Countenances

Juan Pablo Bellandi

Endless Countenances

[ EPF 2017 – SHORT LIST ]

Countenances because the wheel of the imminent is so brutal that the “Great Picture” is sterile in front of the overwhelming human tragedy. Mothers waiting for murdered sons at the gates of overcrowded morgues under the Caribbean heat. Who find their own unhuman pain in the faces of the other mothers.
People allow themselves to go out to the street, only because they have already convinced each other long ago that death is awaiting at the next corner. And then it all becomes more believable.
Common and organized crime, narco and freak, corrupt and powerful.
Broken tiles, hands holding helmets, cocaine in a key, crack in a can.

 

 

The sound of motorcycles from military, police or gangsters are known to every one. Jump, skip, hide. Protest or throw stones, the power will shoot back with Glock or Russian made AK-47.
During the nights, gunshots are heard at the distance like the happy melody that sweetens our cities. Speed, speed, gunshot and internet.
The black boot and the red beret play the theatre of the absurd and grim, whilst the queue of hunger and death sweeps.
The violence as system
How to tell a story without a lesson but terror?
It is the dark hour of my land, Venezuela.
Aching Countenances, breaking point countenances.
Rumor has it that better hours will come, trace is the one who protests, writes and portrait.

 

 

Short Bio

Juan Pablo Bellandi was born in Mérida, Venezuela in 1990. He studied photography at the Escuela Argentina de Fotografia in Buenos Aires, majoring in photojournalism. The political situation in his homeland is the theme of his long-term projects: ‘En la Intimidad con el Levantamiento’ (Intimate with the Uprising) documents the demonstrations of Venezuelans against their government. The series was short-listed for the 2015 Ian Parry Scholarship, and was exhibited in London. In 2016, Juan Pablo was one of the 12 photographers as a finalist in the Leica Oskar Barnack Award with his work Chasing HAMPA. Additionally, he won the mentorship grant of the first masterclass organized by MeMo Agency. In 2017, he was a nominee for the Joop Swart Masterclass of World Press Photo. His work has been published by The Sunday Times Magazine, Photonews Germany, LFI, DOC!PHOTOMAGAZINE, Sueddeutsche Zeitung, and Gatopardo mx.

 

Related Links

 

@juanpablobellandi

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation