Monthly Archive for February, 2018

João Pina – 46750

A young man rides a horse inside the Morro da Mineira in northern Rio de Janeiro while the city’s financial district can be seen in the background. July 2011.

João Pina


In 2007, Rio de Janeiro, Brazil started the process of an enormous transformation process to host both the 2014 FIFA world cup, and the 2016 summer Olympic games. 
The economy was favorable, due to the surge of commodity prices which Brazil vastly produces. The country turned its eyes toward a huge investment in the sports infrastructure, while the investment in public services such has housing, health or security was minimal. 
In 2016, while the World watched the Olympics, according to the Public Safety Institute of Rio de Janeiro, homicides went up by 20% and robbery went up more then 40%. 
The question that remains in the air is: Why is the price to pay for the major sports events bringing cities to bankruptcy? 
46750 is a visual account of the last decade of the city. A grim portrait of the so-called “wonder city”, with all its contrasts and complexities. 46750 is also the number of homicides that occurred in the metropolitan area of Rio de Janeiro, an average of 13 homicides per day for the decade 2007-2016.
46750 will be João Pina’s third book and will be published on the spring of 2018. The book is currently in pre-sale




João Pina is a freelance photographer born in Portugal in 1980. He began working as a professional photographer at age eighteen, and graduated from the International Center of Photography’s Photojournalism and Documentary Photography program in New York in 2005. Pina’s photographs have been published in D Magazine, Days Japan, El Pais,Expresso, GEO, La Vanguardia, New York TimesNew YorkerNewsweek, Stern, Time, and Visão, among others.

His work has been exhibited at the Open Society Foundations (New York), International Center of Photography (New York), Point of View Gallery (New York), Howard Greenberg Gallery (New York), King Juan Carlos Center – NYU (New York), Canon Gallery (Tokyo), Museu de Arte Moderna (Rio de Janeiro), Museo de Arte do Rio (Rio de Janeiro), Paço das Artes (São Paulo), Centro de Fotografia (Montevideo), Museo de la Memoria y los Derechos Humanos (Santiago de Chile), Parque de la Memoria (Buenos Aires), Torreão Poente – Museu de Lisboa (Lisbon), KGaleria (Lisbon), the Portuguese Center of Photography (Porto), Visa pour L’Image (Perpignan), and Reencontres d’Arles (Arles).

In 2007, Pina published his first book, Por Teu Livre Pensamento, featuring the stories of twenty-five former Portuguese political prisoners. This project inspired an Amnesty International advertising campaign that earned him a Gold Lion Award in the 2011 Cannes Lions International Festival of Creativity, and won the OSF – Moving Walls 21 in 2013. He also received the Estação Imagem grant in 2010, and was a finalist for the Henri Nannen and Care awards in 2011, and the Alexandra Boulat Grant in 2009.

In 2014, he finished his longest personal project, documenting the remants of Operation Condor, a large-scale secret military operation to eliminate political opposition to the military dictatorships in South America during the 1970s, resulting in his second book CONDOR.

His third book 46750, to be published on the spring of 2018, will focus on the ongoing urban violence in Rio de Janeiro and the city’s transformation over the past decade while preparing for the 2014 FIFA World Cup and the 2016 Olympic Games.

He is a faculty member of the International Center of Photography in New York, and a regular lecturer and teacher of photography workshops.

 Currently he is a Nieman Fellow at Harvard University for 2017/2018.

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Joao Pina

Caleb Stein – Down by the Hudson

Caleb Stein

Down by the Hudson



“Down by the Hudson” is an ongoing project, a record of my walks and interactions, mostly along a 3-mile strip of Main Street, in Poughkeepsie, NY. Poughkeepsie is a small city, population around 32,736. Approximately 19% live below the poverty line. 



Recent years have brought a great deal of economic hardship to this lively, character-filled place. Some people attribute this to the downsizing of IBM’s local headquarters. Others say that fault lies with the Poughkeepsie Galleria Mall, or the additions to the highway system, both of which have de-emphasized the role of Main Street. Some blame local colleges Vassar, Marist, the Culinary Institute for their lack of engagement with the community. In any case, Poughkeepsie is still a beautiful, resilient city with beautiful, interesting people. Lots to learn from them, no question about it.



I plan to continue documenting my interactions with Poughkeepsie and its communities for the next 12 months. I’m working as a busser at a local restaurant to pay my bills, but – as is the case for lots of young people with a passion for art and photography – money is tight and the amount of hours that I can devote to this project are unfortunately not as many as I would like or hope for. The Emerging Photographer Fund grant would be an amazing opportunity to devote more time to developing this project, which one day I’d love to make into a book.



Short Bio

Caleb Stein, (b.1994) graduated from Vassar College in 2017 with a degree in art history. He has interned at Christie’s Auction House and for Magnum photographer Bruce Gilden (2015-2017). He continues to run Gilden’s Instagram and is currently in pre-production on a documentary on Gilden. His work has been featured in Hamburger Eyes, The Heavy Collective, Burn Magazine, LensCulture, and Creative Quarterly and has been exhibited in group shows in Portland and Los Angeles. He lives in Poughkeepsie, NY with his partner.


Related Links



The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Karim El Maktafi – Hayati

Karim El Maktafi




Hayati (“my life” in Arabic) is a visual journal realized exclusively with a smartphone. Hayati reflects on my identity as a second-generation Italian. Son of immigrants, born and raised in Italy, balance between two realities that at first sight might seem incompatible. To produce this story, I became both its subject and its object. I was born in Desenzano del Garda, a village near Brescia, Italy, from Moroccan parents. Growing up between two worlds forced me to sharpen my gaze and to compare these perspectives which often diverge from each other.



Embracing a single identity is not easy; feeling out of place or like an odd cultural hybrid often happens. Yet, while trying to define this identity, one understands the privilege of “standing on a doorstep” at the edge of two environments. One can decide who to be, where to belong, or to create new ties, while keeping alive the experiences learnt along the path. One must learn to juggle multiple languages, cultural taboos, references, prohibitions, and learn to teach those who are not also standing on the doorstep. I had to travel inside my own life and family. I faced doubts, hesitations and afterthoughts, but I realized an honest portrait of how I have lived until today.



The most interesting aspect of this story – of my story – is the creation of a less restricted reality. One that is undefined, in which various beliefs and experiences thrive and form a unique harmony. Hayati was made between Italy and Morocco during a year-long scholarship at Fabrica, Benetton Group?s communication research centre based in Treviso, Italy.



Short Bio

Karim El Maktafi is an Italian-Moroccan photographer born in Desenzano del Garda (IT) in 1992. In 2013 he graduated from the Italian Institute of Photography in Milan. He has collaborated with several photographers in various fields: commercial, fashion, editorial production and major advertising campaigns. His photographic research explores the concept of identity through through documentary methods and portraiture. His work has been presented in exhibitions at the Brescia Photo Festival, the Festival of Ethical Photography, Fotografia Europea, Fotoleggendo, Area35 Art Gallery in Milan and YES Collective in Auckland, and has been featured in magazines such as Internazionale, Vice, Topic stories, Playboy Italia, C-41 and Spam, among others. He has also received the Alessandro Voglino Young Talent Prize at the FRAME Foto Festival. Between 2016 and 2017, during his residency at Fabrica, Karim realized the project “Hayati”.


Related Links



The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Alexey Shlyk – The Appleseed Necklace

Alexey Shlyk

The Appleseed Necklace

[ EPF 2017 – FINALIST ]

Every time I think of my country (Belarus), I am reminded of how wonderfully resourceful and creative the people are. Probably those qualities were inherited – together with tolerance – from the Soviet period. As I was born in 1986, I was a citizen of the Soviet Union for part of my early childhood and I still remember my passport with the hammer and sickle on it and the empty racks in the stores.



This series is based on once predominant DIY culture in the country of my origin that developed in the time of my childhood. As I stage my photographs today, I refer to my memories and nostalgic feelings for the things that I have seen and heard in the past, events that I have participated in.



In the Appleseed Necklace I am talking about creativity, craftsmanship, diligence and typical recycling that were natural to the people living in conditions of constant shortages. It was a time when one had either to find a way to “snatch” what was needed or to make it out of the accessible materials.

Although today this lifestyle is more often seen in domestic decorations, I am trying to revive in my photographs what once was a vital necessity.



Short Bio


Born in 1986 in Minsk, Belarus, Shylk graduated in 2008 with honors from the Belarus State University, specializing in Mathematics. Since starting to work in Fine Arts photography in 2009, Shlyk has had solo exhibitions in Belarus (Museum of Modern Fine Art, Minsk), Russia (Russian Museum of Decorative and Applied Art, Moscow and Erarta Museum of Contemporary Art, Saint-Petersburg), China (Duloun Museum of Modern Art, Shanghai) and participated in several international photo festivals (Breda Photo 2016 in Netherlands, Format 2017 in Derby and Belfast Photo Festival the UK). In 2017 his work was shortlisted for Prix Levallois and Shlyk became a laureate of Carte Blanche at Paris Photo. He is currently enrolled in the master’s program at the Royal Academy of Fine Arts Antwerp with Bert Danckaert and Geert Goiris. Today he lives and works in Antwerp, Belgium.


Related Links



The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation