I am totally exhausted. Whipped from traveling. Specifically from the recent Sydney HeadOn photo fest where (Based On A True Story) was featured at ACP, a Burn show was the most popular thing in town, and I did a workshop as well, with some brilliant essays the result. Yet too much. And wrong time zone. However, I do really get a lot out of these photo fests. I can scout out new talent, make real live contact with this audience, and see some terrific shows. Oh yes, for sure the dancing parties in Sydney in my house were almost non stop, so jet lag cannot be blamed for all. I am my own worst enemy.
Burn is just blowing up at these fests. The work from this audience is sought all over the place, all of the time. We cannot keep up unless we can hire a full time curator. You may remember we were featured in a big way at Visa Pour L’Image in Perpignan last fall. We will have upcoming a slide show in Arles, France, at Recontres d’Arles. NOW, next week the Burn EPF grant announcement kicks off the big Saturday event at Look3 in Charlottesville, Virginia. BurnBooks will have a book signing as well featuring “Burn 02″, Anton Kusters “Yakuza”, Michael Loyd Young’s new “Changes in Latitude” book, and I will be signing my new work from Rio “(Based On A True Story)”.
But right now, on this spectacular weather holiday weekend, I am at home. Luxuriating. Piddling in the garden, talking to my cats, riding my bike to the beach, reassuring my friends by email that I still love them, and preparing for Look3. For it is for sure Look3 that is my real HOME. Michael “Nick” Nichols and I go way back. Back to Magnum, back to NatGeo and well just close. A true friend. He and his wife Reba, sons Ian and Eli, are sort of part of my own family. We don’t see each other often, but we are close nevertheless. Nick’s original in his back yard showing of slides by the famous and the not so famous was like a family picnic with pictures, and has evolved into Look3.
Yup, Look3 is now a big event, but it is still totally “down home” and I have been looking forward to Look all year. I see my friends both local and international and well it is simply the place I really want to hang. If you want to come and show me work in the most relaxed atmosphere, come to Look3. Buy me a beer and I will do a portfolio review. Of course, I will end up buying YOU a beer and doing a review, but that’s just the way it goes. I do also have a two day official workshop on “How To Publish Your Book” before the festivities begin, so swing by there if you can. I might be able to help you. After that, my work is done, and I will just sit back and watch the shows, look at the exhibitions, and well just have a good time.
This year beloved maestro of ceremonies Vince Musi and Washington Post’s David Griffin are the curators of Look. Bruce Gilden, Alex and Rebecca Norris Webb, David Doubilet, Maggie Steber, Ernesto Bazan, Eugene Richards, Lynsey Addario, Donna Ferrato, Stanley Greene , Medford Taylor (“Bulldust” now on Burn) and a host of other friends are the super stars, but I will spend most of my time with this audience if you show up. I think everyone knows this already.
If you are an emerging photographer, there is just absolutely no better place to be. Editors from New York and Europe are on hand, and well if you have great work, this is the time to get “discovered”. Never that simple of course, but if I were trying to break into the biz, and I had work to show, this is where I would go above all other fests. When I was in my twenties, we never had anything like this. So Nick and crew, and me too, have tried to create something we never had. Like the way I feel about Burn.
Where was Look3 and Burn when I needed them? This is the point.
So come to Virginia. Southern hospitality. Advertised correctly as the fest of “peace, love, and photography”. Not to be too sentimental, but it really is Love3. Good vibes all around, and for sure a great way to get your summer started.
If I know you already, then great reunion to be. If I do not, then I am looking forward to meeting you.
LOOK3 Festival of the Photograph