Michal Siarek – Alexander



Michal Siarek



The very first thing that I saw in Skopje was the construction of a 25-meter tall figure of a warrior on horseback which, from what I later found out, was the statue of Alexander the Great. In 2010 the government of the Former Yugoslav Republic of Macedonia started an extensive project to revamp first the capital and then the entire country into the sense of connection with its alleged ancient roots.

Alexander the Great, one of the most recognized and powerful rulers in the history was acclaimed the father of present Macedonian nation. However, modern Macedonia is a young post-Yugoslav, poorly developed country. Dream of the lost nobility was the spark that ignited minds on the both sides of the border. Over 2000 years after the collapse of the empire two countries started the dispute of origins and history as distant as illusory. But generations already been born as Macedonians, within two countries and three geographical Macedonias. Greece was strongly opposing any claims of the piece of history that, they believe, is exclusively Greek heritage.

In order to protect its cultural consistence the government blocked foreign policy of the neighbor affecting isolation of the Republic of Macedonia. What was supposed to elevate the rising nation to its dignity broke its spine while the elected authority radicalized and began to rise concerns about the rule of the law within the country. Macedonian government engaged considerable public funds and serious propaganda apparatus to reinvent the tradition and stimulate national consciousness. Would it be even possible to create the hybrid identity and the establishing myth to give the nation its pride, by erecting monuments made of bronze or plaster? That leads to crucial questions such as what do constitute modern nations or who owns the antiquity – which is also the foundation of the western society.

However the Macedonian question remains unanswered.



Short Bio

Michal Siarek , Born in 1991, Siarek is a documentary photographer, student at cinematography department at PWSFTviT in Lodz, Poland. Fascinated by the Balkan Peninsula issues he has spent three years on his debut essay “Alexander” focused on myths, identity and nationalism in one of the ex-Yugoslav republic. Nominee for the 2016 Joop Swart Masterclass, he’s the co-founder of Paper Beats Rock publishing house.


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Michal Siarek



4 Responses to “Michal Siarek – Alexander”

  • There are lot of compelling pictures in this set and I enjoyed it a lot. It’s missing something for me though. Perhaps a deepening of the story and life behind the motifs?

    The marble quarry adds a new dimension, as does the showering worker. I would have liked to see more of that behind the punctuating monuments (or else maybe a stricter catalogue of symbols?).

    The detours into landscape hint at something more subtle, but stall before we get anywhere. Great work so far. I’d like to see it develop even further.

  • I liked the pictures, although I do wonder why the re-enactors are dressed like Roman legionaries and not Macedonian phalanxmen. If the purpose of all of this is to connect modern Macedonia to the glories of Alexander’s empire then you’d someone would be in charge of getting the details right.

  • Maybe the costume hire store only had these or Kermit suits left and they had to make a choice.

  • Kermit suits would be more believable, I think.

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