Julius Schrank

New Burma’s Shadows

Burma’s military regime is loosening its grip after more than 40 years of repression. Political prisoners are getting released, sanctions have been lifted and the regime opens towards tourism and foreign media. But as the country reforms, there are still numerous internal conflicts going on. Through Burma’s transformation, there were in fact even numerous new problems created. My project is a collection of the places where things still go fatally wrong. In the last four years, I visited the old conflicts – the places where there is fighting and dying for many decades. On the other side I’m looking on the new issues and problems that the country is facing. My first trip took place beginning of 2012. I visited the troubled boarder region of Thailand and Burma. Since 1948 the Burmese military is depressing the ethnic minority of the Karen people. Hundreds of thousands are living in refugee camps along the Thai side of the boarder. My second trip took place in February 2013. I went to Kachin State in the far north of the country. I visited the unofficial capital of the Kachin people, Laiza. In this region, there is still active fighting going on between the Burmese Army and the KIA, the Kachin Independence Army. So far, thousands have been killed in recent years. The third trip took me to the west of the country, where with the change of government a religious conflict flared up. In June 2012 violence broke out in Burma’s second poorest province – Rakhine State. In the regional capital Sittwe, buddhist Rhakines clashed with moslem Rohingyas. The riots lasted for over a week, resulting in hundreds of casualties and thousands displaced. At my forth and most recent trip, I investigated on the issue of Opium/Heroin production and the wide spread usage of these drugs. Burma is the worlds second biggest producer of Heroin for the global market. The usage of Heroine is a enormous problem under burmese youth, especially in the war torn regions in the north.

 

 

 

Bio

Julius Schrank is a German photojournalist, currently based in Amsterdam, the Netherlands. In 2007 he studied photojournalism and documentary photography at the Hannover University of Applied Sciences in Germany. Julius has mainly worked for the Dutch daily newspaper De Volkskrant. When he’s not working on assignments for the paper, Schrank spends a lot of time on his free longterm projects. Since 2011 he intensely traveled in southeast Asia and worked on story’s in Indonesia, Thailand, Laos, The Philippines, Cambodia and Burma. Beginning of 2012 he started the project “New Burma’s Shadows”, for which he recently finished his 5th trip and that was awarded with a first price in the category Daily Life – Singles in the 2014 World Press Award. Schrank is a regular contributor to magazines like National Geographic, Geo, Der Spiegel and others.

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Julius Schrank

6 thoughts on “Julius Schrank – New Burma’s Shadows”

  1. Attracted to some of the more striking and powerful photographs in this portfolio, I was compelled immediately to look at the photographer’s website: an experience that rewards the viewer with highly focused stories on Kachin State, Karen State, and Religious Conflict — these document what Julius Schrank calls “New Burma’s Shadows”. Excellent photojournalism. One question though: I wonder if Julius Schrank agonized whether to present this portfolio as it is or to base it on a selection from only one of the stories?

    My own experience in Burma is limited to a three-day visit in early 2014 to the Shan State: in a small tour bus with a dozen people on a Thai company tour; their main interest was in visiting Buddhist temples and shopping. We visited Tachilek, Mongla and Kentong. Two things struck me.

    First, Burma seemed to be the sort of place in which it was difficult to find out what was going on and what was true. For example, I wanted to know whether schools in the Shan state taught in Burmese or in the local Shan language. The Shans speak a northern Thai language. In Kentong, where they have access to Thai TV, most usually can understand standard Thai. That meant I could communicate in Thai. But when I asked what language was taught in the schools I got different answers: some people said Shan, others said Burmese — I found it hard to believe that state schools would not teach in Burmese, the national language. On the other hand, could it be that there are only private schools or temple schools, and that these teach in Shan?

    Second, while Tachilek has casinos and border trade with Thailand and Mongla (on the Chinese border) is studded with casinos, night clubs and shops selling luxury-brand products to Chinese tourists, it is difficult to see the economic basis for Kentong, the largest city in the Shan State. Kentong looks relarively prosperous and has a huge number of Buddhist temples. Yet it is located in in a countryside of subsistence agriculture. That would make it seem that its economy has been based largely on the narcotics economy. This would make it seem that displacing drug production and trade is likely to be difficult and take a long time.

    –Mitch/Chiang Mai

  2. Only one comment so far? What a pity…
    I think this is an excellent essay in every way. The photography ranges from good to great, it is on message, and each frame tells an eloquent story, all different but all related not only by subject but by mood, approach, aesthetic, etc.

    Where are all the old commenters hanging out these days? At least Mitch came through.

    Good luck to you Julius. Good work.

  3. You are right, Sidney. I miss the great Burn dialogues of old. My excuse this time is I am traveling in a situation in which I have no net service, but once or twice a day I drop into the lobby of a hotel casino and borrow their wireless and log in by phone for a short time. Phone is not a good medium to view and critique a Burn essay on, so I will just second your observations.

  4. I am back from my trip and am able to look at this on my 27 inch iMac, not just on my iPhone. Truly excellent essay – difficult and risky to have shot; informative, contemplative and thought-provoking – an essay worthy of good, old-fashioned, Burn commentary.

  5. You said it, Frostfrog. This portfolio, indeed, provides a lot of thought-proving basis for interesting discussion: in terms of the pictures themselves and the conditions under which they were taken, for example. The lack of comments, not just from the usual suspects, makes me wonder whether the viewership of Burn has declined?

  6. I hope not, Mitch. One can’t help but wonder. I do recall that David stated awhile back that their statistics showed the readership to still be strong. I hope that is the case.

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