david alan harvey – cuba

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David Alan Harvey

Cuba

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My images above, as well as my Cuba book, are available
for purchase through December 25, 2014 here. >

 

 

I am very excited about the recent developments between the U.S. and Cuba and feel it has been long overdue for a real dialogue that would lift the U.S. economic embargo on Cuba. I am sure it is not on fast track, yet at least it is moving.

Since Cuba was one of my most favorite projects of all time and since it is Christmas and also Burn’s 6th Anniversary, I thought this might be a good time to celebrate all of the above with a super good deal print and book sale. Some of my esteemed colleagues found out about this and have suggested I am underselling the market. Well I always do this with every book for example. I sold (based on a true story) high, and with the profit gave it away free in Brazil. So for this, and I do expect to sell very well, I am giving a break to the emerging photographers for whom Burn is all about. It’s holiday time. My now old Cuba work is appropriate for the moment. If I make a profit, I will take the money and go shoot pictures in Cuba…How could I not.. My only choice for sure. There goes relaxing at home. Karma

So in this spirit of Burn, which supports mostly young, emerging photographers, I felt that I could give a really good art object deal for a low price for this one time and at this time. Business altruism I think. Make everybody feel things are right. That my friends is just me.

I first went to Cuba because Magnum secured for me an assignment for Time Magazine to photograph Cuban scientists. I am not a science photographer, but I was looking for any way to get to Cuba and to get my hands on the oftentimes elusive visa that was required due to the negative U.S./Cuba relations. It did not take me long to fall in love.

Later, I went back as a tourist and shot some on my own before getting a full on assignment from NatGeo. This led to three NatGeo stories and a tv documentary for them about me shooting on the island. From this also came my CUBA book.

For sure I will also head down to Cuba just as soon as I can. I want to be there for the next year or so as things move into a new Cuban realm. I do not expect everything to somehow suddenly be perfect. As a matter of fact I suspect some real problems will develop when inequality of income will cause some to go from socialist idealists to unhappy have nots. This could take Cuba from no crime to a bit dangerous. We will see. At the same time, overall I see a potentially booming island economy with more good than bad as the result.

In any case, if you click HERE you will see the details on the prints and CUBA book offerings I am making available exclusively through BurnMagazine.

Please go to Cuba! You will find a warm vibrant culture. It might be awhile before you can fly from New York to Havana, but easy enough to go in through Mexico or Canada. You may not bring back any goods, but you will bring back some great memories I promise….

Thank you Barack

-dah-

Click here for our celebratory CUBA Book & Print Sale >

 

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mike young – beer, bait & ammo

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Michael Loyd Young

Beer, Bait & Ammo

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A SOUTHERNER…by definition is an American who lives in the south…It’s more than that…from Texas to the Carolina’s the south is a way of life. Considered Rednecks, Bubbas and Good Old Boys they live by an unwritten code.
If you kill it you grill it, if you catch it you fry it, if you meet someone in a bar you buy them a beer. An outsider is not a stranger, he’s your neighbor.
Music still comes out of jukeboxes in the Ice houses and honky tonks. Bait shops that sell everything from beer to pickled eggs dot the landscape from one end to the other. Motor Courts and RV Parks welcome travelers who venture away from the franchised interstates. Two lane black top roads stretch across the south connecting the small towns main streets where Family owned diners serve home cooked meal with a smile.
American flags are proudly displayed on store fronts and school yards. Freedom has a special meaning and change doesn’t come easy. Most are desperately holding on to their past..this is the South…my backyard.

-Michael Loyd Young-

 

Commentary by Diego Orlando Photo Editor BurnMagazine

“A Southerner in the South taking pictures of the South. This how I see Mike’s book and this is has been my first impression when I had the chance to see the journey at its earlier stage.  Mike’s five year journey took him from the tip of Texas to the Florida Everglades. For me – as European – has been a surprise. Stereotypes are among the most used key to pretend to understand the reality we do not know – and I was not an exception. So being dragged with pictures into a lifestyle so faraway from my own world, made me curious. And I started to look beside the images.. what emerges is a culture explored with no judgment, without overwriting it, without filters. Way more than a diary of a journey. No, a real exploration done by one of the subjects photographed there.. That’s why this book is so authentic: Mike is the photographer, but he could be one of the subjects, it could be one of the fishermen or one of the hunters on the frames easy to find in many of the bars there. Tones and lights, composition and places.. everything contributes to picture the South in a way I have never seen before.”  Diego Orlando – BB&A Curator

 

see  the interview  between David Alan Harvey & Michael Loyd Young about BB&A

 

SOFTCOVER version




HARDCOVER version




 

 

Bio

Michael Loyd Young is a photographer based in Texas, travelling from there all around the world. His main work focuses on exploring the Southern part of the U.S. through the daily life of people.

BLUES, BOOZE & BBQ, published by Powerhouse Books. B,B, & BBQ won the Mississippi Institute of Arts and Letters Award for photography.

CHANGES IN LATITUDE, published by Burn Books, was released in June 2012.

BEER, BAIT & AMMO release date March 2014 published by Burn Books. BB&A documents the southern half of the United States, or the “South”. A world of its own where change comes slow and the right to live the way you choose is a way of life.

Recent exhibits include Photo Week Washington, DC — Houston Photo Fest — Powerhouse Arena, Brooklyn –Delta Blues Museum, Clarksdale — Rouen, France — Lille, France — Vannes Jazz Festival, France — Rennes, France — Sydney, Australia

Michael lives in Texas.

 

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Michael Loyd Young

@loyd

 

 

 

 

sheila zhao – komorebi

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Sheila Zhao

Komorebi

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To be completely honest, I don’t believe that I lead a life particularly out of the ordinary. Most days are a series of self-prescribed routines and social interactions with a self-prescribed group of people that passes peacefully and quietly. I recognize that I have been bestowed many blessings in my life, of course, and have the privilege of calling many wonderful people my friend, both of which I’m tremendously grateful for. However, I am also aware that day-to-day or month-to-month, there are not many happenings or stories that I can tell which are of marked interest to anyone other than those who know me. I think it is because of that, consciously or subconsciously, life’s smaller moments have always interested me more. The French author, Georges Bernanos, was quoted to have said: “Little things seem nothing, but they give peace, like meadow flowers which individually seem odorless but all together perfume the air.”

Komorebi is a personal series that I have been photographing since 2011, exploring these small moments of life, which are continuously at play around us. Seemingly mundane moments are for me tiny seconds-long scenes to be appreciated. They are seconds of mystery, longing, love, flight, humor, whimsy – they are the scenes of life. Komorebi is a Japanese word, which means sunlight that filters through the leaves of trees. Like the soft patches of light that comes through the leaves above, this series is my own meditation and subsequent collection of the quieter moments of life that has made my otherwise ordinary life quite extraordinary.

 

Bio

Sheila Zhao is a photographer based in between Shanghai and Beijing, China. She has worked on documentary and reporting projects around Asia. Her work has appeared in publications such as BusinessWeek, GlobalPost, and Globe and Mail.

 

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Sheila Zhao 

EPF 2014 – the winners

 

 

 

 

EPF 2014 WINNERS

 

Alessandro Penso, winner – $10,000

Birte Kaufmann, runner-up – $3,000

Kiana Hayeri, honorable mention

 

 

EPF 2014 FINALISTS

 

(in alphabetical order – out of a total of 1135 entries)
Laia Abril
Dominic Bracco II
Max Cabello Orcasitas
Marco Casino
Alejandro Cegarra
Stephen Dock
Ditte Haarlov Johnsen
Meeri Koutaniemi
Justin Maxon
Annalisa Natali Murri
Jordi Pizarro
Valerio Polici

 

 

The full essays of the winners and finalists will be published here on BURN over the next few days and weeks,
as well as the list of the shortlisted selection. Stay tuned!

 

 

EPF 2014 JUDGES

 

(in alphabetical order)

Mauro Bedoni | Photo Editor, COLORS Magazine

Jim Estrin | Editor, New York Times LENS blog

Donna Ferrato | Photographer

Erik Vroons | Editor-in-Chief, GUP Magazine

 

 

Judge’s statement:

 

The amount of excellent work that we viewed made this an extremely difficult judging process.
Many entrants were worthy of recognition, but our job was to pick only a few.

Alessandro Penso brought new insight, and a sense of intimacy, to an important topic.
His story goes beyond what others have done on migration. The well composed images
reflect his commitment and the time that he has put into the story.

Birte Kaufmann gives us a look into the daily life of The Travelers,
an indigenous Irish nomadic group. The images are lyrical, yet also direct.
Her vision is pure and tender.  We hope this beautiful body of work will be developed further.

Kiana Hayeri was born in Iran but went to high school and college in Canada.
Her work has focused on  Iranians both in her home country and her adopted one.
She goes well past the stereotypical representations of Iran and brings us both an insider and outsider perspective.

 

 

Previous EPF Winners

 

The 2008 Emerging Photographer Fund grant was awarded to
Sean Gallagher for his essay on the environmental Desertification of China.

The 2009 Emerging Photographer Fund grant was awarded to
Alejandro Chaskielberg for his 8×10 format essay on the Parana River Delta ‘The High Tide’.

The 2010 Emerging Photographer Fund grant was awarded to
Davide Monteleone for his essay ‘Northern Caucasus’.

The 2011 Emerging Photographer Fund grant was awarded to
Irina Werning for her essay ‘Back to the Future’.

In 2012 three Emerging Photographer Fund grants were awarded:
one major to Matt Lutton for his essay ‘Only Unity’ and
two minors to Giovanni Cocco for his essay ‘Monia’ and to Simona Ghizzoni for her essay ‘Afterdark’.

In 2013 four Emerging Photographer Fund grants were awarded:
one major to Diana Markosian for her essay ‘My Father The Stranger’ and
three minors to: Iveta Vaivode for her essay ‘Somewhere on Disappearing Path’,
Oksana Yushko for her essay ‘Balklava: The Lost History’ and
Maciej Pisuk for his essay ‘Under The Skin; Photographs From Brzeska Street’.

 

 

Editor’s note:

 

I cannot express my thanks enough to Donna, Jim, Erik and Mauro.
This very fine EPF jury worked collectively so hard and so thoroughly to finely tune their choices…
They thought this through very carefully from every angle to award this grant to the photographers most deserving.
Of course once it gets down to the finalists, the choices become extremely difficult. This is where they really went to work.
Lots of back and forth discussion and yet consensus reached.

 

Burn Magazine revolves around the EPF. Our most important curatorial contribution
to the oftentimes chaotic landscape of photography today. By choosing a jury whose lifetimes have been spent in looking
at photographs and making photographs, we try to give our Burn readers a distilled version of the best work of all that
flows before their eyes everyday.

 

Most importantly our mission is to give recognition to the finest emerging authors out there and to provide some funding to at least
a few to keep going and to continue making a mark. Our previous winners prove this is not in vain.

 

Many thanks especially to my EPF Burn team of Anton Kusters, Diego Orlando, and Kaya Berne.
First off , they must deal with me!! Never easy. In all seriousness, they all show amazing dedication to the spirit of
doing something which just feels good. To provide a platform for the up and coming.

 

Special thanks to Susan Meiselas of the Magnum Foundation. Nobody on the planet is more dedicated to allowing new talent to develop.

 

-dah-


The Emerging Photographer Fund was created and is directed by David Alan Harvey,
and curated by Anton Kusters & Diego Orlando, with Kaya Lee Berne.