The light inside St. Peter's Basilica has alway fascinated me. Rome, Italy. Photo by @giovannicoccophoto
Archive for the 'dialogue' Category
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Snapshots. Whatever is coming down around me at any moment. That is what I like about Instagram. For me a personal diary and I hope now for this audience as well. I think this is the best way for us to launch BurnDiary and for this audience to have a platform in real time.
Your best Instagrams, if you are the designated photographer for the week, will appear here on Burn.
Somehow Instagram just feels right. I started going to my Iphone for even serious shooting a couple of years ago and right at the same time wanted to do Instagram mostly just to stay in touch with my family. Then I simply liked it as a new creative and useful exercise.
I like shooting everyday and I vowed that my Instagrams would never be shot of any subject that was more than 20 feet away from wherever I happened to be anyway, as in the above picnic shot. In other words I do not “go anywhere” to shoot an Instagram. That is my parameter, but does not have to be yours.
I just like the egalitarian nature of these little pictures on my phone. A level playing field for all. For sure it does not preclude serious shooting or books or anything else. It simply is what it is. Matter of fact, what it is may well be taken very seriously. I see more evidence of this everyday.
So now BurnDiary is a platform for you. A platform to be used any way you choose.
For those of you who are thinking of photography in a professional way, this is the time to “prove” you can do it. That is, producing on demand. So my friends here is your stage. Your time to show what you can do. If you can have a week of shooting and make a few really nice pictures, editors will notice. Almost everyone has a few stunning pictures in their portfolio. Want to really make an impression? Show editors what you can do NOW.
OR simply relax, chill, and let the joy of photography as your personal diary become the imperative. It is all up to you.
You can do a mini essay or simply shoot random. Whatever suits your spirit. Whatever shows your authorship. Whatever is just fun for you.
We had been looking at a good way to do BurnDiary and for many reasons, technical and otherwise, Instagram seemed like the best way to let this audience shoot right before our eyes in real time. In the next 12 months, we will have 52 photographers that we will choose to let us see you “produce on demand” for a week. Give it a try. Let us know if you want to try it. This is sort of a trial run we are doing now starting with last year’s EPF winner Matt Lutton.
Here’s how it works:
Each week, a different photographer will be taking over BURN instagram, sharing and posting photos taken with their mobile device in real time. The contributing photographer will hold the reigns and take on the challenge, curating @burnmagazine to their own design and posting 1 or 2 photos a day.
The best of the best posted will be shared on BURN at this new page: BurnDiary
For those of you who don’t know much about Instagram, it is an application which can be accessed on your iPhone, Android, or tablet. The application is free – anyone can sign up.
Week 1 starts off with EPF 2012 winner Matt Lutton. He’ll be taking over BURN and Instagram for 1 whole week starting June 31.
Follow along with BURN on Instagram at this handle: @burnmagazine
Start fishing around and you will see many truly serious photographers using Instagram. I would like to see you be one of them.
Sunset. Yoga. Dog. Frisbee. Beach. Home. Friends. Sand. Now.
I love taking family pictures… this shot of my 25 year old niece Hannah, left, waiting for a taxi after lunch is only one of dozens I hv shot of her since she was a tiny baby. She just got engaged while assisting in the loft workshop.
My schedule has been a bit crazy lately. Or maybe it always is. I have a really hard time saying “no” to stuff. Especially if it involves wide eyed youngsters who I can see are just craving some words of “wisdom”.
Of course this seems often strange to me, since I am craving words of wisdom myself!!
The recent marathon to Rio to giveaway a magazine version of (based on a true story) and then straight to Jamaica to work with Usain Bolt and 25 young photographers leaves me feeling like I just ran the 100 meter sprint and the mile on top of it. I was a long distance runner in my youth, so that mentality does come in handy for almost everything I do. You can always “kick it” just a little bit more even if you just can’t. Works.
My team of Eva-Maria Kunz, Roberta Tavares, Candy Pilar Godoy, Michelle Madden Smith, and Mike Courvoisier made it all work. Ever since I started Burn it has been the collaborative effort that rules. None of us can do much alone. Finding great collaborators will change your life if you have not already figured that out. I always tell my students, “find ONE person you trust” to help you with your work . To be a second set of eyes. To be an advisor. To kick you in the butt. Works.
Now I only do this post for one reason. As a story about inspiration. And inspiration is THE fuel for doing any damned thing. If you are not inspired, you might as well stay in bed. You need fire in the belly. Forget exotic places, the right camera. Without the “fire”, pasa nada.
Readers here know by now I come up with a lot of crazy ideas. Including the evolution of Burn in so many ways. Some (most) of my ideas do not work. Yet some do. Again, if you can complete one out of ten ideas you have, you are in the upper percentile of people who can FINISH something.
One of my crazy ideas was to giveaway half of the print run of (based on a true story) the magazine version. It was a crazy idea, it still is a crazy idea, and I did it and I “lost” financially and yet for me this was maybe the very coolest most successful thing I ever did. For sure the most rewarding. Sure I always “give” when I am shooting. Bringing back prints to people I have always done. Buying my subjects a cold beer or dinner or whatever I have always done.
Yet I have never been in a position to really really show the people where I was shooting exactly what I did. Most often they never knew. Never saw NatGeo or whatever magazine I was shooting for on a story. Yet this time I brought it back. As a thank you for allowing me to work in the Carioca community. Sure only a gesture or symbolic at best. Yet I could feel the vibe, the look in their eyes, the feeling of doing the right thing. After all (based on a true story) was not just a collaboration of my team but a collaboration with the subjects I photographed.
Segued right behind the Rio giveaway was a few days in Kingston, Jamaica with 25 young photographers aged 13-17 who belong to photo clubs around the island. The Usain Bolt Foundation and Samsung made this happen. These kids were amazing. Smart, focused, ready to learn, shooting well. We pulled an “all nighter” to get the prints made (thanks Mike, Michelle, Candy) for an on the spot exhibition of their work which was then viewed by Jamaica super hero Usain Bolt who also walked away with a signed free copy of (based on a true story)!!
Anyway, life is all one big circle. Yup, what goes around, comes around and a whole bunch of other cliches about paying back paying forward yada yada yada. Well all I can say, and I think my team would say, it is worth it, worth it, and worth it.
We are selling on Burn, and at Magnum, and at PhotoEye and possibly other venues the other half of the (based on a true story) print run…At the lowest price possible. The collector edition, now gone, was what it was and expensive by nature. Yet while I do like appealing to collectors my heart can never be elitist. The success of the collector edition paid for at least part of the giveaway and the sales of the second part of the print run should get us at break even point. Good biz? Nope. Yet the right thing all around.
And besides, “breaking even” if you are leading the life you love, and may help a few others to do so, is a nice reward. What more to ask for?
So, I implore you to pick up your camera and do “your thing” and at the same time make it another person’s “thing” as well…Make it a two way street. Either with the pictures themselves. Or by passing on any knowledge you have to somebody else.
Give it away. Works.
Leme beach early morn.
© Bieke Depoorter
We are now officially announcing the Emerging Photographer Fund grant for 2013. We are awarding $15,000 to three winners and spreading the love. One top winner will receive $10,000 and two runner-ups will each take home $2,500.
Applications are now closed!
These grants are designed to support continuation of a photographer’s personal project. This body of work may be of either a journalistic mission or purely personal artistic imperative. It was initiated by David Alan Harvey in 2008 and is awarded by the Magnum Foundation. We offer this to support emerging photographers in our craft. All types of photographers. This is not a photojournalism grant, nor an art photographers grant, but could be garnered by either or both. We just want to support committed authored photography of any ilk. Please click here and see who has secured this grant in the past and who our jurors have been. 2013 jury will be announced shortly! Due to the fact that LOOK3 photo festival (where the EPF winners are traditionally announced at the opening of the festival) is happening 2 weeks later than last year, we decided to give young photographers as much time as possible to complete and submit, and
deadline extended accordingly to May 15, 2013 (6pm EST).
Over the next months, your essay will be reviewed by an independent panel of judges in the photographic industry. Past judges include Carol Nagar, Martin Parr, Gilles Peress, Eugene Richards, Maggie Steber, Fred Ritchin, Bruce Gilden, David Griffin, John Gossage, Susan Meiselas, and James Nachtwey. A maximum of 25 photos may be submitted. The submission fee is $25. All payments are final. Once your submission is complete, you will be unable to alter it. The winner will be announced in June 2013 on Burn and at this years LOOK3 Festival of the Photograph. The final selection essays will be featured on Burn. Past Burn finalists have been published in print via Burn 01 and Burn 02. Burn 03 is on the horizon and being cooked up as a limited edition magazine/book. Stay tuned.
The whole point of this I have written about prior, but most likely many readers just do not know….The collector version, which was expensive by nature as an art object or an artisan object if you will is gone…I like art and art objects… At the same time I hate to be in any way elitist with my work…so as a payback to the Rio community we are giving away free half of our 5,ooo press run to anyone who is Brazilian or pretends to be and who comes to an event…
We printed in Italy on the same paper brand as the book and selling the other half for 24 bucks in every place outside of Brazil to pay for the first half or at least almost….This is a super quality object at a super low price. Yes, less expensive yet not cheaper.
For sure the large magazine version is a whole different experience, but mostly we wanted to make it super affordable for those who could not afford the collector book…After all these years of working in various communities around the world, I always wanted to do something like this. Feels good, feels right.
dimensions and contents
380mm x 280mm (15 ” x 11 “)
66 full bleed photographs 550mm x 380mm ( 22” x 15 “)
1 roadmap for original re-assembling
offset printing by
EBS, Verona, Italy
$ 24.00 (excl. shipping)
layout and design: Bryan Harvey
concept and producer: Eva-Maria Kunz
coordinator: Diego Orlando
production: Andrea Barbato, Michael Courvoisier, Candy Pilar Godoy
THE MAGAZINE of (based on a true story) can now be ordered here:
THE MAGAZINE of (based on a true story) can now be ordered here:
For volume purchases or info please contact Kim: firstname.lastname@example.org
for the “making of” visit: www.theriobook.com
Eduardo climbs in Cantagalo community of Rio de Janeiro.