Author Archive for burn magazine

ellie brown – capsule relationship

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Ellie Brown

Capsule Relationship

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The story started with a Craigslist advertisement. The story ends with a true collaboration on the project. This resulted in a narrative of a truncated relationship based on social norms that both Zach Webber (the creator of the concept) and myself (the photographer) don’t necessarily fit into in our own minds. We wanted to try living this life in a way that is not making fun of those who choose this path, but rather to try it on for size so to speak. There were many unexpected emotional layers that surfaced for both of us during the project, mainly resulting from unexpected real reactions in fictional situations.  Mostly we are proud of how convincing this project was for us as well as the people we encountered along the way.  We didn’t know what to expect going into the project and the outcome was the result of an organic collaboration. In the end, we formed not only a working relationship, but a real romantic relationship within the boundaries of a fictional relationship. This brings into question the power of social scripting and how in trying to look at it critically, we fell into it. Like all relationships, the fictional and real relationship came to a perhaps predictable ending filled with emotional drama. Zach Webber chose to move on from the project and pursue a relationship outside of the work we did. He is no longer affiliated with the project and so all that remains is the documentation and experience of the project. The project was emotionally intense and difficult at times, but a wonderful mirror into how each one of us functions within the script of a relationship. Please read more details here: http://sevendayrelationship.blogspot.com/

below is a copy of the actual advertisement as it appeared on Craigslist:

Seeking partner for conceptual seven-day-long relationship
Reply to: xxxxx@craigslist.org
Date: 2009-03-24, 4:03AM
Okay, here’s my idea: 
I want to participate in a conceptual capsule relationship, which would essentially be an attempt to artificially concentrate a long-term relationship of several years into a period of seven days. During the seven-day span of our relationship, we’d move from the stage of initial flirtation into marriage, child-rearing, and finally divorce. This would involve a lot of play-acting at times, since once we set the relationship in motion, our actions and expressed emotions would be heavily shaped by the constructs of a stereotypical relationship. The goal would be to stick to our imposed guidelines as much as possible, placing ourselves in various situations in order to watch how the scenes play out between the two of us. It’s sort of the relationship equivalent of a haiku: very structured and very short. 
I’d imagine we’d want to talk prior to officially starting our relationship in order to hash out the details, but here’s a basic, day-by-day outline of what I’ve got in mind:

  • Day 1: We arrange to have a ‘chance meeting’ on the street, where we strike up a conversation and exchange numbers.
  • Day 2: We have our first date, we go out to dinner, catch a movie, maybe hold hands afterwards.
  • Day 3: We’re head-over-heels in love! We go on a romantic walk, we cuddle, we share a malted at a diner and stare deeply into one another’s eyes. 
-At some point during the day, I propose to you in a public place. You accept. 
-That night, we separately hold bachelor/bachelorette parties with our own groups of friends.
  • Day 4: Our Wedding Day. That morning we get somebody to pretend to marry us in a private ceremony. Maybe we can tie tin cans to the backs of our bikes and ride away. 
-After our wedding, we embark on our honeymoon. Regional Rail to Atlantic City, right?
  • Day 5: We’re expecting. You put a balloon under your shirt and we go around to baby stores, checking out the merchandise. We sure are excited!
  • Day 6: Having secured a thrift-store stroller and a baby doll, we heavily swaddle our child in blankets and push the little cutie around the city. -Unfortunately, we start to bicker. As the day wears on, this bickering worsens.
  • Day 7: Dramatically, we split up. One of us gains full custody of our child, and the other is deeply resentful. 
-In the final act of our capsule relationship, we bump into one another, once more, in a public place. This time, it’s very awkward. 
At this point, our capsule relationship will have ended, and we will be broken up.

NOTE: A friend of mine had an idea for an alternate ending that would involve you and I aging and gradually growing disenchanted with one another, which would necessitate rearranging some of the above “days” around to allow for a “boring domestic day” in which we’d spend a few hours sitting around the house watching serialized television together and not having too much to say to one another over dinner (spaghetti?) when we ask each other how our days have been. So, you know, all of this is totally up for discussion! 
I think it’d be a lot of fun, and I really hope somebody wants to do this with me. Even if you’re not interested in actually participating yourself, I’d love to get your feedback. And yes, I am willing to send a photo your way if you’re legitimately interested and feel that a photo is something you’ll need to see. 
Please email me with any questions or comments.


Related links:

sevendayrelationship.blogspot.com

vicky slater – colourblind

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Vicky Slater

Colourblind

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Alain de Botton wrote…..”Portraits can reveal sides of yourself that you are unused to seeing, over which you haven’t extended ownership….they can pick up on features that you don’t identify with and made no claim over….aspects of yourself that you don’t recognize and haven’t yet made friends with. Your character can be read from different angles, in different lights, through different lenses, through different lovers.”

It could explain why I can take a portrait of someone and think they look beautiful whilst they wrinkle up their nose and say it looks nothing like them. It could also explain some of my feelings about these photographs.

When I began this series it was simply an exploration of pinhole photography, something I hadn’t tried before. I soon found myself seduced by the saturated colours and the painterly qualities that pinholes could produce, all the time turning the camera on myself as  I was reluctant to ask someone else to give the amount of time that these pictures require. Obviously not being able to see through the lens, I couldn’t compose these long exposures so never really knew what I was going to get and there are many, many more failures than successes, especially as I am deliberately moving slightly during the exposure, to express a feeling of time and motion. And though I find it interesting how unfamiliar the images are to me, they are a “me” I don’t know…  it’s the colour, the abstractness and sense of passing time that keeps me making more.


Bio

Vicky Slater resides in Salisbury, Southern England with her husband and three children. She is passionate about photography, using mainly vintage film cameras and natural light. Whilst she loves all methods from pinholes to polaroids and digital to darkroom, she always finds herself returning to colour film and a medium format camera. Vicky is interested in the passing of time, memory, simple beauty and honesty, and has a headful of projects that she wishes to pursue, given the opportunity. She has had one solo portrait exhibition and contributed to many others. Her work has been published in various books and magazines, is part of many private collections, and has been merited with Fujifilm distinctions awards.


Related links

www.vickyslater.com

www.vickyslater.blogspot.com

www.photargo.com


Editor’s note:

Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

panos skoulidas – wandering in greece

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Panos Skoulidas

Wandering in Greece

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…I lived half of my life in Grecolandia…& half in Los Angeles….
Half of my life i was dressed up in sheep-skin and half of my life in plastic…
Half of my life i was riding donkeys and half driving wild mustangs…
Half of my life i was staring mustaches and half staring at platinum blond highlights..
It wasn’t curiosity that brought me back…im not here anyways but i’m not there either…
Homer made it back to Penelope..Made it back to Ithaca…
but Homer was a lier in the end..He lied to please the king…
but Kavafis…ahhh Kavafis told the truth…Its all about the travel..not the destination…
it’s the doomed , the holy trip to that imaginary Ithaca…the El Dorado does not exist…
it’s the search for the El Dorado that counts…
When i left from the “sheep” city to find my “el dorado” i made it to the “plastic” city…
Half of my life i was believing in Homer…
Half of my life later i realized that there are no El Dorados..Its just a vast endless ocean ahead..
that leads nowhere but …but im not afraid anymore..i can accept it now..im not scared..
Things dont change..but we do..
Almost a month ago my boat decided to revisit…
Highway 61 Revisited as my good friend Bob Dylan said…
Above (essay) is what i saw..how i got connected with Grecolandia in the period of a month…
I’m riding a tired donkey once again…
I left my pirate ship back in venice beach to take a break…
Now im on the fast lane of that Grecolandia Highway 61 , speeding…on a slow donkey..
Reuniting, reconnecting with my family…

whats not to love?

Enjoy…because i dont know how long my “donkey” will last…


Bio

Panos Skoulidas bio,

or

the story of “Till Eulenspiegel”…

…According to the tradition, he was born in Grecolandia around 1300. He travelled through the Holy Roman Empire (Americanlandia , especially Northern US, but also the Low Countries, Bohemia, and Grecolandia. He is presented as a trickster or fool who played practical jokes on his contemporaries, exposing vices at every turn, greed and folly, hypocrisy and foolishness…With Eulenspiegel’s death occurs the entry of the embodied trickster-animus into the medium of things spiritual, the form of existence of pure spirituality so that the soul has seen through itself by way of its own spirituality and knows itself as living spiritual life: Eulenspiegel is still alive.The literal translation of the High German name “Eulenspiegel” gives “owl mirror”, two symbols that identify Till Eulenspiegel in crude popular woodcuts. However, the original Low German is believed to be ul’n Spegel, meaning “wipe the arse”.


Related links:

FOTOGRAFEVI agency

picasaweb.google.com/innerspacecowpanos

panajournal.blogspot.com

web.mac.com/innerspacecowpanos/Panoblogomania

web.me.com/innerspacecowpanos/VENICE_BEACH/ORGY_IN_VENICE

photofarts.blogspot.com

homepage.mac.com/innerspacecowpanos/iMovieTheater17

www.youtube.com/watch?v=_4sXRxs_8qg


Editor’s note:

Comments are wide open on this essay.. Panos will surely jump in whenever he can..

Many thanks… david alan harvey

marcus bleasdale – the rape of a nation

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Marcus Bleasdale

The Rape of a Nation

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The Democratic Republic of Congo (DRC) is home to the deadliest war in the world today. An estimated 5.4 million people have died since 1998, the largest death toll since the Second World War, according to the International Rescue Committee (IRC).

IRC reports that as many as 45,000 people die each month in the Congo. Most deaths are due to easily preventable and curable conditions, such as malaria, diarrhea, pneumonia, malnutrition, and neonatal problems and are byproducts of a collapsed health care system and a devastated economy.

The people living in the mining towns of eastern Congo are among the worst off. Militia groups and government forces battle on a daily basis for control of the mineral-rich areas where they can exploit gold, coltan, cassiterite and diamonds.

After successive waves of fighting and ten years of war, there are no hospitals, few roads and limited NGO and UN presence because it is too dangerous to work in many of these regions. The West’s desire for minerals and gems has contributed to a fundamental breakdown in the social structure.


Bio

Marcus Bleasdale was born in the UK to an Irish family, in 1968.  He grew up in the north of England and initially studied economics and started work as an investment banker. Although he was a director in a large international bank he resigned in the mid 1990s and began to travel through the Balkans with his camera. He returned to study photojournalism at the prestigious London School, during which time he won the Ian Parry, Young photographer Award for his work on the conflict in Sierra Leone. He has established himself as one of the worlds leading documentary photographers concentrating on Conflict and Human Rights. He has been awarded many of the worlds highest honors for his work and continues to highlight the effects of conflict on society. He is a member of the photo agency VII. He lives with his wife Karin Beate in Oslo, Norway.


Related links

www.marcusbleasdale.com
www.anthropographia.org
www.viiphoto.com


Editor’s note:

Comments are open on this essay… If you have any questions, feel free to ask Marcus, he will be jumping in on the comments soon…It is with great pleasure that I present Marcus Bleasdale on Burn through Matthieu Rytz from Anthropographia… Marcus Bleasdale is the recipient of the Anthropographia Award for Photography and Human Rights… Many thanks Matthieu for your ongoing efforts…

… david alan harvey

marco simola – metro

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Marco Simola

Metro

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Metropolitan (Subway): “means of transportation, urban, on rails, characteristic of big cities; it joins the urban center with the suburbs and lies on a site that is proper to it, generally underground, on the ground or on an elevated surface”. (definition).

I define it as a place.

A place where people, all people without distinction, the poor and the rich, the doctor and the sick, the employee and the laborer, the commuter and the tourist, he who eats three times a day and he who eats every three days, he who takes a cruise across the Mediterranean and he who crosses in the hope of reaching Lampedusa (Italy’s southernmost island) meet and walk by each other several times a day, they brush past each other, sometimes talk to each other, sometimes say hello, sometimes recognize each other, other times ignore each other, run into each other, smell each other, like each other or disgust each other, fall in love with each other or break away from each other.

In this place where some are born and some die, some laugh while some cry, some play an instrument and others sleep. Here, life flows under artificial light, it flows fast.

Because they all have somewhere to go to, a final destination …. and, curiously, are always running late.


Bio

I’m Italian, 44 years old, and I’m based in Lima, Peru, since 2007.

I made these images between 2003 and 2005 in a period where I was working in Milan, and every day of the week I spent around 40 minutes on the tube in the morning and other 40 in the evening. After a while I noticed that people in the metro look different than when they are outside of it. In the metro many of the passengers seem to be bored, sad and afraid, looking at empty space in a sort of open eyes dream. I tried to catch the expressions, the movements, the thoughts of these persons. I’ve organized the presentation like a subway travel, from the entrance on the metro, the waiting of the train, the transportation, the stops, the arrival and the way out.

These photos where first published in October 2006 at Spazio 10 Gallery in Ivrea, Italy during a personal exhibition.


Related links

www.marcosimola.jimdo.com


jacopo quaranta – naomi

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Jacopo Quaranta

Naomi

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Naomi was my neighbor, and the first person in London to say ‘hello’ to me. A strange woman, I thought… Yellow eyes, violent mood swings, desperate cries, and a lot of anger. She allowed me to photograph her.

She was always drinking and talking to herself: an internal monologue about war, rape, and her family who didn’t want her anymore.
Her dad had said ‘call me when you’re sober, otherwise don’t bother’. Only her older brother Thomas still passed by to take care of her.

She had a six year old daughter, who had been taken away, and now lived with her father. She had not been allowed to visit her since. She loved her, had her pictures on the walls… and looked at them all the time.

On April 23, 2008, Naomi died. She got hit by a van. Thomas sent me an e-mail:

‘Hi Jacopo. Naomi is dead. She died earlier today on Brixton road. She was hit by a Courier van and died instantly. I just thought you might want to know. I will post you details of her funeral to see if you can make it. all the best, Thomas Benjamin.’


Bio:

I graduated from a Technical Commercial high school in Rome in 2002. I have been involved in street theatre and experimental work by following the guidance of Lisa Ferlazzo Natoli. She has been an important figure in my development. With her guidance I had the opportunity to experiment with the theatre’s details, short backstages, and a reportage about her completed works.

In 2003 I joined the ISF-CI (Istituto superiore di fotografia e comunicazione integrata), where I took workshops with photographers as Antoine D’agata, Patrick Zachmann, and Letizia Battaglia. I graduated in 2006. In 2007 I spent a long time in London, where I made the project about Naomi’s life. Once back in Italy, I did an internship in the 10b Photography studio of Francesco Zizola and Claudio Palmisano, assisting with different work in the studio. I’m currently in New York attending a full year program in Photojournalism and Documentary photography.


Related links

www.jacopoquaranta.com



noah addis – sempre jardim edite

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Noah Addis

Sempre Jardim Edite

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The Jardim Edite favela, located at the foot of the landmark Estaiada bridge in an affluent section of Sao Paulo, Brazil, was once home to more than  550 families.  Most are gone now, as the government of Sao Paulo has forced them to leave their homes to make room for a new development.

Many of the residents of Jardim Edite came from the countryside, many from poor rural communities in the North, seeking opportunity in the bright lights of the city. They built their homes first out of scrap wood and cardboard and whatever else they could find, but over the years some of the homes have grown into reinforced concrete structures with running water and electricity.

The neighborhood was home to several bars and restaurants, a barber shop and beauty salon, a bicycle repair shop and several other businesses. Other residents supported their families working for businesses outside the favela, many worked long hours collecting recyclables to take to a nearby sorting facility.

City officials have long wanted to remove the ramshackle homes that make up Jardim Edite to build a modern housing development. In September of 2008, a court order sealed the fate of this tight-knit community when a state tribunal judge said the project could go forward and the occupants should be evicted.

An architectural drawing, posted in the window of a nearby building used as a base for the social workers, demolition crews and others hired by the government to work on the project, shows eight new buildings with a park in the center. Government officials declined repeated requests for interviews about the specifics of the planned development project or a proposed time frame for its construction.

Some residents, those who were previously registered with the city as official occupants of the favela, are eligible for rent subsidies or cash payouts if they leave their homes.  But these payouts are often not sufficient to find suitable housing , so many families end up moving to other favelas.  Meanwhile, the neighborhood, where some have lived for more than 30 years, is slowly being demolished.

This story will be part of a larger project focusing on life in the world’s urban squatter communities. While much is written about the crime and poverty endemic to squatter settlements, the realities of everyday life are often lost in the headlines. Many squatters are hard-working citizens who, through lack of education or poor job opportunities, are forced to work in low-paying jobs and do not earn enough to rent or purchase a legal home. The vast majority are not criminals and are merely looking for a safe place to live. As one squatter living under high-tension power lines in a favela in Sao Paulo told me, “my dream is to have a legal address”.

Bio:

Noah Addis is a freelance photojournalist based in Philadelphia, PA. He graduated Magna Cum Laude from Drexel University in Philadelphia with a degree in Photography in 1997. He worked as a staff photographer for the Star-Ledger newspaper in Newark, NJ from 1997 through the end of 2008.

He has covered such stories as the growth of Christianity in Africa and the war in Iraq. Noah has won numerous regional and national awards including the New Jersey Photographer of the Year award three times. In 2001 he was the runner-up in the portfolio category of the National Press Photographer’s Association Best of Photojournalism contest and he has won General News and Feature awards in the Pictures of the Year International contest. His work has been shown in galleries in New York and Philadelphia.


Related links

www.noahaddis.com


Editor’s note:

Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

derry by david bowen

Marty getting the drinks in, 2005
Marty getting the drinks in, 2005


Sandinos Bar during the 'Celtronic' festival, 2004
Sandinos Bar during the ‘Celtronic’ festival, 2004


“Derry” by David Bowen

Over the past 12 years, since the Good Friday Agreement was signed in Belfast, Northern Ireland by British and Irish governments, a thriving electronic music scene has flourished in the city of Derry, due to the extraordinary efforts of the ‘Deep Fried Funk’ Promotion Team. Their inclusive attitude and passionate love for music and people, has helped to regenerate the music scene, and bring some of the freshest sounds from around the world to the city for the ‘Celtronic’ festival.


Jamie drags on a cigarette past dawn leaving an after-party, 2006
Jamie drags on a cigarette past dawn leaving an after-party, 2006


And so, as president Barack Obama, following the most recent anniversary of “Bloody Sunday” on January 30th, hails the latest steps in the ongoing Northern Ireland Peace Deal, it is well worth mentioning that young people have been ahead of the politicians in uniting both sides of the river Foyle. Intimate and compelling events, where an open attitude and a fierce desire to get along regardless of the past, are paving the way for greater understanding across the generations to come.


Bio

Since 1998 my main project has been to document the worldwide electronic music scene as it has evolved from free-parties and illegal raves in the U.K. to one of the highest selling genres of music. Today young people are united around the world by a music which transcends language barriers and borders.

I’ve been visiting Northern Ireland since 2004 to document the revitalization of the music scene there, and this is a continuing project.


Related links:

www.bophoto.co.uk


Editor’s note:

Comments are open for these photographs as per requested  by David Bowen… thanks, dah

roger ballen – boarding house

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Roger Ballen

Boarding House

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“It is difficult to explain this place except that I think it exists in some way or another in most people’s mind.” –Roger Ballen

These photographs are like images from a waking dream: compelling and thought-provoking, with layers of rich details, flashes of dark humor, and an altered sense of place. Blurring the boundaries between documentary photography and art, my work is both a social statement and a complex psychological study.

BOARDING HOUSE is a space of transient residence, of comings and goings, of people sheltered in a place they are using for their immediate survival. Basic and fundamental, the structure is furnished with objects necessary for an elementary existence, decorated with evocative drawings, and littered throughout with animals. Remnants function there as physical symbols of events that have occurred in the space; broken pieces of a functional reality exist as the leftovers of scenarios that have been played out there. The altered sense of place of this temporary abode creates a sense of alienation, which acts as a jumping off point for the imagination to run wild.


Bio

Roger Ballen was born in New York in 1950. Since 1982 he has been living and taking photographs in South Africa.

His work is represented in many museums including Maison Européenne de la Photographie in Paris and the Museum of Modern Art in New York.

Ballen’s work has been recently exhibited in numerous museums in Europe and the United States.


Related links

www.rogerballen.com


Editor’s note:

Comments are open on this essay… If you have any questions, feel free to ask Roger, he will be jumping in on the comments soon…It is with great pleasure that I present Roger Ballen on Burn…

… david alan harvey

imants krumins – etrouko the book I

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Imants Krumins

Etrouko the Book I

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“Etrouko the book I” ………. these are some of the images that will appear in the book, they are not photographs they are about photography.

I anticipate a book in print soon……….


Bio

………. lived most of my life in Australia

Exhibited on the Continent, The New World and The Old World………. No awards. no prizes, no commissions, no nothings etc

Author of some current Visual Arts textbooks


Music by Kevin MacLeod


Related links

www.imantskrumins.com

www.artouko.com

www.etrouko.com.au

www.iamparanoid.net


Editor’s note:

comments are open on this essay….

-david alan harvey

adam smith – fight journal

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Adam Smith

Fight Journal

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There is a moment before the fight when the rhythmic sound of warm-up punches and nervous chatter dissolves into a quiet stillness.

This moment only lasts a second or two. No one in the room says anything. There is nothing else to say.

Everyone knows what is about to happen. Months of intense training, sacrifice, pain, and fear will explode in a fury of disciplined aggression: A beautifully brutal storm of ugliness and heart.

They know that when it is over, the two fighters will stand in the cage, naked in their victory or their defeat. Each knowing the implication of the outcome: that had it not been for the rules, an instrument of mercy that stopped the fight, one could have killed the other.

This is Mixed Martial Arts.

Often referred to as cage fighting, it is one of the fastest growing sports in North America.

“Fight Journal”, shot over the last 12 months, profiles a group of professional and amateur fighters from the Pacific Northwest.


Bio

I am a freelance documentary photographer based in Seattle, Washington. I am primarily interested in using documentary photography to create anthropological records that show how people live today. Clients include Cole & Weber United, Tree Top Inc., Capella, Seattle Metropolitan Magazine, and Book-It Repertory Theatre.

I am also working on several long term documentary and fine art personal projects, of which Fight Journal is one.


Related links:

www.theadamsmith.com


Editor’s note:

Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

james nachtwey – struggle to live

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James Nachtwey

Struggle to Live – the fight against TB

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James Nachtwey has documented the resurgence of tuberculosis and its varying strains MDR and XDR in seven countries around the world. These countries include Cambodia, Lesotho, South Africa, Siberia, India, Swaziland, and Thailand. He has captured the lives of both patients and health care workers in the struggle against this ancient disease, which still remains very much a part of the present. Not only does TB remain a killer disease in its most recognizable form but it is mutating into even more deadly forms: multi-drug resistant (MDR) and extremely drug resistant (XDR) TB. While still a small subset of the TB cases, these new strains pose a grave global health threat. XDR-TB is a man-made catastrophe, resulting from too few resources being allocated for the proper diagnosis and treatment of TB patients in developing countries.

“Despite the fact that tuberculosis afflicts a huge number of people it’s not on the radar screen in terms of public awareness. Normal tuberculosis, if diagnosed and treated diligently, is very inexpensive and doesn’t take very long to cure. But if normal TB is not treated, it mutates and becomes 100 times more expensive, requires a two-year cure and a long stay in the hospital, which many of those infected cannot afford. The thought of XDR getting out of control is truly frightening,” says James Nachtwey.


Bio

James Nachtwey’s career as a war photographer began in 1981 when he covered civil unrest in Northern Ireland. Since then he has photographed more than 25 armed conflicts as well as dozens of critical social issues. He has received the Robert Capa Gold Medal, World Press Award, Magazine Photographer of the Year, and I.C.P. Infinity Award multiple times. He has been named recipient of the TED Prize, the Heinz Foundation Award for Art and Humanities, the Common Wealth Award and the Dan David Prize. “War Photographer”, a documentary about his work, was nominated for an Academy Award in 2002. His photographs are in the collections of the Museum of Modern Art and the Bibliotheque Nationale de France, among others. Nachtwey has been a contract photographer with TIME Magazine since 1984 and is a founding member of the photo agency VII.


Exhibition

401 PROJECTS

present

Struggle to Live – the fight against TB by James Nachtwey

401 west street NY, NY 10014

on view from:
january 20, 2010 to march 25, 2010



Related links

jamesnachtwey.com
xdrtb.org
www.viiphoto.com


Editor’s note:

I am very proud to be able to publish here on Burn our first sponsored photographer essay. This has literally been months in the making and representatives from BD came to us with James Nachtwey’s  blessing after our Burn presentation at the Look3 festival.

This will be revolutionary for Burn and the industry and perhaps serve as a model for future  online sponsorship for photographers. As most of you know, this has been my goal all along. To be able to pay photographers for online representation of their work with rates as good or better than current print rates for major publications.

We are starting by kicking the door down with James Nachtwey. However, in all of my discussions with BD and some other potential sponsors, my primary intent is to provide funding for the emerging photographers who are what Burn is all about. I intend for the ratio of iconic photographers like Jim to emerging photographers to be one to three. One icon, three emerging. I want to see a world where the icons lend a hand to the next generation of serious photographers in documentary and in art. By starting with this model, I hope I can help make this come true. At least now, we have a real start. I will continue to work to complete the circle.

For those of you who feel they should be “in the mix, in the running”, make sure I know your work. Either by submitting work to Burn or the EPF or by knocking on my door. This is happening. Now.

Customizing sponsors to specific photographers and projects must be taken very seriously. Matching the right funding to the right photographer is  imperative to the sponsor , to the photographer, and to Burn. This is where the net can excel. The nature of the net allows this to happen, and because we are a small operation, we can offer premium exposure and minimal investment to qualified sponsors, pay the photographer well, maintain all photographer copyrights, and bring enough income into Burn so that we can best serve more photographers and readers/writers in the long run.

At Burn, we are now in a position to customize sponsors with photographers and/or subject matter to be assigned. While this work in the Nachtwey essay was photographed prior, our goal is to finance original photography as well. We have the ability to build out an essay/project so that the sponsor is 100% pleased and the photographer is 100% pleased as well. On this one, and in everything we will build in the future, the sponsor and the photographer and we at Burn become symbiotic in nature.

We are very flattered here at Burn that a leading medical technology company like BD would choose our humble magazine to make their first online general magazine funding. We are equally flattered that James would choose Burn as well. So, we have done all we can to make it more than right for both parties.

We will do the same for whoever comes next.

-david alan harvey


This presentation was made possible through the kind support of:

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adrián arias – harvest of man

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Adrián Arias

Harvest of Man

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This story is about the everlasting relationship between man and land. I was always fascinated to see how such ancient labours have survived through the ages in such difficult conditions for their workers.

“Harvest of Man” is a portrait of the population of potato growers in the areas of Cot and Tierra Blanca de Cartago in Costa Rica, creating a link between the life of workers in the field and their family life. My intention was to use the camera as an excuse to get into the daily lives of these people. Each of the visits to the area led me in a particular way, putting aside preconceptions about this population. As a result, the photographic process is a testimony to the relationship I had with the potato growers.


Bio

Adrian Arias was born in Costa Rica in 1982. He currently works as a photographer of Colectivo Nómada in Costa Rica. He has worked as a contributor to Costa Rican newspapers and magazines, such as La Nación and Soho. He has attended photography workshops with Bruce Gilden, Antoine D’Agata, Kosuke Okahara of Agence Vu and Essdras Suarez of the Boston Globe, and participated in international exhibitions in Argentina, and Toronto and in various exhibitions of documentary photography in his country.


Related links

http://colectivonomada.com/fotografos/aarias/#portafolio


Editor’s note:

Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

david degner – uighur identity in xinjiang

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david degner

Uighur Identity in Xinjiang

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The Uighurs of Xinjiang are one of 55 minorities in China, but they are ethnically and historically closer to the Muslim Turkic groups of Central Asia.  The Chinese government is trying to cement its hold on the resource rich Xinjiang by suppressing cultural and religious differences in schools and workplaces and by resettling millions of eastern Chinese into the wild western region.

Racism, language requirements and lack of education prevents many young Uighurs from getting contemporary jobs while their traditional roles as traders and farmers have become unprofitable. As Chinese influence increases, Uighurs must adapt to the Chinese way or be left behind economically.

I arrived in Xinjiang about 5 months before the Olympics and spent that time learning the area and making contacts.  There has been a longstanding separatist movement consisting of attacks on police and government buildings.  My plan was to be in Xinjiang during the Olympics in case something broke out.  A few weeks before the Olympics started I was in a rural area near Kazakhstan looking into reports of a torched police station.  While in the small town of San Gong the police picked me and revoked my Visa, kicking me out into Kazakhstan.


Bio

David Degner is researching his next project while shooting commercial and journalistic jobs in South Florida.
These photographs will be shown at the Christopher Henry gallery in SoHo in the near future.


Related links

www.IncendiaryImage.com


Editor’s note:

Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

chloe dewe mathews – hasidic holiday

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Chloe Dewe Mathews

Hasidic Holiday: The Annual trip to Aberystwyth

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For over 20 years, British orthodox Jews have been holidaying in the Welsh seaside town of Aberystwyth, for two weeks every summer. Each family rents a small house in the empty student accommodation on the hill, and a large yellow and white striped tent is erected on the campus as a temporary synagogue.

They arrive in large groups, followed by huge removals lorries, bringing all their possessions from home, including children’s bikes, cookers and fridges full of food. Around a thousand people make the trip each year and although the majority of families come from North London, there are many others from further afield – from Manchester, continental Europe, Jerusalem and New York.

The Jewish community have been going to Aberystwyth instead of other traditional English seaside towns, like Blackpool or Brighton, as somewhere quieter, less populated and surrounded by rural beauty.  Over the years, the community have developed a real affection for the area, with accumulated associations of the annual family holiday.

After a morning of prayer, family groups rattle up the funicular “cliff railway”, push buggies along the pier and spend hours in the playground next to the ruined castle. The visual landscape of Aberystwyth is briefly transformed. Men in long dark coats and brimmed hats wander along the promenade as young families set up on the beach. Fully clothed even when swimming, the sight of these large family units together on the beach rekindles the Victorian notion of traditional British seaside holidays. This is in marked contrast to the rest of the beach goers – dog walkers, hobbling pensioners, single parent families and 20 something students still up from the night before.

Despite the long-standing relationship with the town, there is little contact or exchange between the Jewish community and the local people. On one occasion a visitor enquired at the tourist office, “Why are there were so many people in Welsh national dress on the beach?” on another it was asked, “When do the Arabs arrive?” Perhaps they get relatively less attention than they would elsewhere, as the town is so isolated, with a small tourist influx each year. However, multiculturalism has only come to rural Wales very recently, so although moments of confrontation are rare, they seem almost inevitable.

This year scraps of paper with swastikas on them were found littering the road near the student accommodation and a group of youths in the town centre chanted nazi slogans as a Jewish man walked by.


Bio

Chloe Dewe Mathews is a freelance photographer based in London.

After graduating in Fine Art at the Ruskin in Oxford, she worked in the commercial film industry for three years. Both inspired and frustrated she turned to photography, as a more immediate and intimate creative process. Working with different people in their natural environment, enabled her to engage with the world more directly.

She has been published in the Times, the Independent and Dazed and Confused magazine, and exhibited in London, Birmingham, Buenos Aires and Berlin.

Related links:

www.chloedewemathews.com


Editor’s note:

Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey