Monthly Archive for December, 2018

Annalisa Natali Murri – A Respectable Family (The Murri’s Affair)

Annalisa Natali Murri

A Respectable Family (The Murri’s Affair)

[ EPF 2018 FINALIST ]

This project comes out from my urge to put back together the pieces of an infamous story that has accompanied my family since September 2nd, 1902. That day Linda Murri, daughter of my great-grandfather, had her husband, count Bonmartini, stabbed to death in his house in Bologna. For this crime my great-grandfather Tullio, Linda’s brother, was unjustly accused and served a sentence several years in prison, marking the life of my family forever. This ongoing project, centered in identity, intimacy and memory, roots itself in my own family archives, official documents and other family heirlooms, and aims to preserve the thread between past and present: my wish is to recover connections within my own family heritage, inquiring about memory and how the events experienced by my ancestors have been affecting subsequent family generations, including myself.

 

 

Short Bio

Annalisa Natali Murri, freelance photographer, approached for the first time to photography at age 27, while attending Architectural and Urban Photography School in Valencia (Spain). After completing her studies in engineering, soon she began to alternate her work to photography, focusing on personal research works and documentary projects, mainly inspired by social issues and their psychological consequences.

In 2014 she was selected as an attendee for LOOKbetween mentorship program and in 2015 she was named one of the 30 emerging photographers to watch at PDN’s 30.

Her works have been awarded and highlighted in several international contests and awards, including 70th and 71st POYi, Sony World Photography Award, Burnmagazine Emerging Photographer Fund, Catchlight’s Activist Awards and PHM Women Photographers Grant.

 

Related Links

annalisanatalimurri.com

 

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Rosie Brock – And Ever Shall Be

Rosie Brock

And Ever Shall Be

[ FUJIFILM / YOUNG TALENT AWARD 2018 FINALIST ]

My childhood spent in the American South and the regionally specific encounters I had there served as the key motivation for this body of work. After spending three years in art school in New York City, I felt compelled to return to the area of the country where I had spent my formative years. Amidst the oppressive July air, I sought out individuals and scenes reminiscent of my own youth. The resulting visual narrative focuses on the nuanced relationship between the region’s deep-seated mythicism and its current socioeconomic reality. This confluence of past and present is furthered articulated by the recurring motif of the archetypal county fair.

 

 

Short Bio

Rosie Brock (b. 1995) recently received a BFA in Photography & Video from the School of Visual Arts and was a student winner in the PDN Photo Annual 2018. Born in South Carolina and raised in both Gulf Coast Florida and Virginia, she is heavily inspired by her childhood spent in the American South. Brock currently resides in Virginia.

 

Related Links

www.rosie-brock.com

 

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The Fujifilm/Young Talent Award is supported by Fujifilm

 

FujiFilm_Basic-Black

Tommaso Protti – Terra Vermelha

Tommaso Protti

Terra Vermelha

[ EPF 2018 FINALIST ]

The Amazon Rainforest is often referred to as the ‘Lungs of our Planet,’ still imagined as the unspoiled home of isolated, disconnected tribes. A thick, green stain on the map — the world’s largest — laid there by the hand of God, with no sign of man’s.

From up close though, it’s way more than woods, mines and dams: cities have grown out of the jungle, into a green favela. Fields are burning, and the dark, steady stream of the Amazon river a safe conduct for cocaine. The riverbanks are littered with trash, and bodies.

“Terra Vermelha,” which means red earth, is essentially a portrait of the modern day Brazilian Amazon that explores and illustrates the intersecting social and environmental crises of the region, in the states of Pará, Amazonas, Maranhao, Rondonia and Roraima.

 

 

In recent years, environmental destruction, rural and urban violence have reached unprecedented heights in the region.

The urban centres have become amongst the most violent in the world, the result of rapid and uncontrolled urban expansion that continue to grow and drug wars from increased cocaine production while Amazon pirates stalk the river robbing and killing as well as migrants brought by the crisis in neighbouring Venezeula and economic migrants to work on mega projects.

The region is the deadliest in the world for land rights, environmental and Indigenous activists who are terrorized by land grabbers and violent extractive gangs in a violent grab for the regions vast natural resources. Poverty stricken illegal wildcat miners and timber cutters.

 

 

Deforestation, unregulated development, pollution, crime. All of these scenarios are driven by the same forces; poverty, weak institutions, corruption and savage self-interest. More than in other places, in the Amazon region it becomes clear that land is worth more than human life. And on the path towards the destruction of the planet, the first and closest step for mankind is still its own annihilation.

 

Short Bio

Tommaso Protti is an Italian photographer based in São Paulo, Brazil. He started his photographic career in 2011 after graduating in Political Science and International Relations. Since then, he has devoted himself on creating his own long-term projects. His works were exhibited internationally in The Royal Albert Hall (London), Greenwich Heritage Centre (Woolwich, UK), Benaki Museum (Athens), MACRO Museum of Contemporary Arts (Rome), 10b Photography Gallery (Rome), Fotoleggendo (Rome), Les Recontres d’Arles (France), Prix Bayeux-Calvados des Correspondants de Guerre festival (France), Belfast Photo (Ireland), C40 Mayors Summit (Mexico City), UN COP22 (Marrakesh, Marocco), PARTE Contemporary Art Fair (São Paulo, Brazil). Tommaso’s work was published in The New York Times, The Wall Street Journal, Time, National Geographic, The New Yorker, The Guardian, The Independent, Le Monde, Corriere della Sera, etc.

 

Related Links

tommasoprotti.com

 

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

David Molina – Go to Become

David Molina

Go to Become

[ EPF FINALIST ] 

Go to Become Is a fictional record inspired by Lycanthropy telltales that take Barcelona night-club scene as the main stage, where for its clubbers, the use of alcohol, psychoactive substances and the beats of techno, are a way to achieve a basic state of being in which people is lead by their innermost instincts, like Werewolves.

The idea of Transformation and the longing for a change to come in the aftermath of a great socio-economical crisis in Europe are key to the work.

 

 

An entheogen, from Greek language, literally means “generating God within.”

It is a psychoactive substance that induces a spiritual experience and traditionally have been used to supplement many diverse practices geared towards achieving transcendence.

But this transformation takes place only once a week, almost like an spiritual ritual in which its practitioners can escape from reality,

Almost touching the void,
almost touching God’s hand.

 

 

Short Bio

Born in Tarragona on 30 October of 1991, David studied Plastic Arts from 2009 to 2012 where he found his way of expression and started exploring photography.

In 2015, David embarked on a year-long placement at several refugee centres in Belgium as part of the European Voluntary Service (EVS). This experience gave raise to his work “The Long Way Home”, which was published in the British Journal of Photography’s September 2016 issue and was exhibited at the City University of New York that same year.

He reached the final in Burn Magazine’s 2015 Emerging Photographer Fund and was shortlisted for the renowned Gomma Photography Grant award in 2016.

With a passion for artistic expression and creativity, David Molina balances his time between his own photographic practice and his work as Artistic Director of La Nuu Photography Festival, held in Rubí (Barcelona).

 

Related Links

cargocolletive.com/davidmolinagadea/

 

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Ronghui Chen – Freezing Land

Ronghui Chen

Freezing Land

[ EPF 2018 FINALIST ]

We’re used to thinking of Chinese cities in the context of growth, but the country’s northeast region is an exception. Bordering Russia and North Korea, the region, with ample natural resources, was the first to develop heavy industries in the 1960s and prospered for decades. There were 15 million immigrants to northeastern China in the Mao’s era.

But since the 2000s, the northeast has become China’s most recessionary land as resources dwindled and other regions caught up. Dying industries and shortages of opportunities have been forcing people out of their home and to other parts of China in pursuit of work.

My project, Freezing Land, aims to explore descendants of immigrants living in the northeast. Meanwhile, Chinese President Xi Jinping started a campaign called the “Chinese Dream”. But what does this mean to the the once prosperous land? What’s the story of today’s northeastern China?

 

 

It is difficult to encounter subjects on the street in an environment of minus 30 degrees centigrade. Therefore, I used social video app, Kuai shou, looking for young people who were willing to share their stories. The young people I met were experiencing a sense of uncertainty. They were facing a choice to leave for challenges in bigger cities, or stay behind and embrace their fate. Their voices were sparsely documented by Chinese media or through other mediums. Few people knew about their stories, colorful, yet full of loneliness.

I also photographed the derelict landscape – places that are once lively but now forgotten. During this process, the emotion expressed by these young people – a mixed sense of hesitation, loneliness, and hope – has brought me resonance.

 

 

 

Short Bio

Ronghui Chen (b.1989) is a Chinese photographer and storyteller based in Shanghai, whose work focus on China’s urbanization in long term projects. He has devoted himself to the study the relationship between China’s urbanization and individual’s experiences. Known for his specific interest in these social issues, he had published his first collection of photographs named Chen Ronghui, which is one of the book among China’s Contemporary Photography Catalog. His projects have brought him many awards, including World Press Photo prize, Three Shadows Photography Award & AlPA special prize.

 

Related Links

ronghuichen.com

 

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Hajime Kimura – Mass/Remains

Hajime Kimura

Mass/Remains

[ EPF 2018 FINALIST ]

Mass/Remains is an on-going project that tries to discover the movement of the football histories during the 90s in former Yugoslavia which ended up to influence Japanese football milestone and could be connected to compose the current geopolitics that has been reconstructed by the societies of former Yugoslavia.

On 13 May 1990, at a football stadium in Zagreb, Red Star Belgrade vs Dinamo Zagreb. Through the TV in Japan, I still remember I just wondered why such a riot happened in a football game. A lot of spectators, hooligans and police all jumbled up and rolled into the field. They looked like a flock of waves rather than only a mob. I was 8 at that time, a couple of years before the professional football league (J-League) started in Japan. Over time, many Yugoslavian players came to Japan in the mid of the 90s, Dragan Stoikovich who was a great football player in the history of Europe was to join a football team, of course as a player. I was just excited without knowing why he had to play in Japan at the very peak of his career. I also played football when I was a teenager to be like him.

In 2016 in Belgrade, I met a Serbian man who was in the riot at that time and also whom I have watched several times in the football games in Tokyo when I was kids. His name is Miša Bukumirovic, 70, married with a Croatian wife and he has worked as a single official physiotherapist for Red Star Belgrade since 1986.

 

During my research for this project, Miša showed me a scrapbook which his daughter made to present for him. The scrapbook was full of his cropped images from newspapers and magazines in the 90’s. I just thought the note should be one of the important histories in the 90’s. From that point, I’d like to know how general media in former Yugoslavia broadcasted in 90’s in order to compare with personal history to understand “what could make history” and “what remains after all” being involved a general sport and personal memories including me.

 

 

 

Short Bio

Hajime Kimura is a Japanese photographer born in 1982. He was raised in the Chiba prefecture just outside Tokyo. Having studied architecture and anthropology in university, he began his career in 2006. In 2013, Hajime was awarded the 2nd prize at the Vattenfall Photo Award in Berlin. In 2014 he won the 3rd prize of Kassel photobook dummy award in Germany, and the book “ Scrapbook” was published in 2015. In recent, he has published “In search of lost memories” and “Snowflakes Dog Man” as handmade-book edition and “Path in between” published from L’Artiere Edizion in Paris in 2016. He is based in Japan and Switzerland.

 

Related Links

hajimekimura.net

 

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Sanja Jugovic Burns – Fugue

Sanja Jugovic Burns

Fugue

[ EPF 2018 FINALIST ]

In 1980, Josip Broz Tito died. Yugoslavia followed him a decade later. My family emigrated to Australia in 1985, before the war (so this project is not about the war). I have no recollection of the plane journey there. I found Australia unwelcoming, but lived in comfort that one day, when sufficiently adult, I would be able to return home.

My first journey back to Yugoslavia was as a “foreigner” and a tourist, but not a stranger. It was summer of 1990. I witnessed a country preparing to slide violently towards its death and still denied this ever being a possibility. For a long time after, and elsewhere, I did not have a reason to bother recalling the country of my birth. Then my mother passed away. My very entry into this world disappeared and I needed to relearn the world, relearn that I was from nowhere.The idea that we are from some place has an irresistible magnetism, but what happens when that place is gone? One realises all we are is a collection of fragmented images. I return to my home town frequently to look for traces of life I have left behind, but all I find is an unceremonious blur playing out in a parallel universe. The life I have had is forever gone. I languish in nostalgia. The more nostalgic I become, the less I remember. All I have is my fragments.

 

 

To relay the complexity of this process of personal reconstruction, I attempt avoiding uniformity by using different film and camera formats, and images from family archives. There are no constraints and rules around locations and backdrops for this project. My aim is to manipulate senses and evoke an emotional response, not to document a place or an event. My approach is informed by the Balinese concept of Sekala (the seen) and Niskala (the unseen, the occult), where that which is unseen but sensed is attributed equal importance and it must be respected.

 

 

 

Short Bio

Sanja Jugovic Burns (b. 1970, Sisak, Croatia) is an emerging photographer currently based in Bali. She is a researcher specializing in cultural understanding and sensory perception. She is an Australian citizen and has also spent 14 years living in and working from Singapore.

“My interest in photography was awakened in my father’s makeshift darkroom in the late 70’s and early 80’s. Interestingly, my most vivid memory of this time is not the pictures but the smell of the chemicals. These chemicals were akin to magic potions making something of nothing; or unveiling the hidden (as well as Antun’s overexposed photographs).”

 

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation

Felipe Romero Beltrán – Magdalena

Felipe Romero Beltrán

Magdalena

[ EPF 2018 FINALIST ]

In the 1960s, an armed-conflict began in Colombia between mafias, paramilitary groups and armed guerrillas such as the FARC movement, who were all fighting to influence the decisions made by the government. The war ended in 2016, when the government and the FARC signed an historical peace deal. The bodies of many of the victims killed during the years of war were often mutilated and then thrown in the Magdalena River: a river that has been fundamental for the nation, it is a vital water source and has been established as the heart of the entire area. In the middle of the river, the zone called <<Magdalena medio>> fishermen have taken advantage of its abundance to feed entire villages. For years, the fishermen fishing in the river have found body parts in their nets and brought them out of the water. During years, the local populations have practiced relogious rituals to gain the favors of the dead.

 

 

Magdalena is a project that explores the processes of reconciliation in the post-conflict era in Colombia. The story is located in an area full of magic and at the same time a palpable desire for reconciliation and memory with the past.

 

 

Short Bio

Felipe Romero (25 years old) is a documentary photographer and artist born in Bogota, Colombia. After spending his childhood in his city, he earned a scholarship in Argentina and moved to Buenos Aires. By that time, he had developed an interest in photojournalism and traveled many times abroad for his projects. In 2014, he earned a scholarship in Jerusalem, at the Academy of Arts Bezalel and moved to Israel. Felipe developed projects in Palestine, Egypt and Israel, focusing on social issues. Years later, He got a MFA degree in photography (King Juan Carlos University) in Madrid, Spain. Felipe is currently working on issues related to post-conflict processes in Latin America and at the same time he is developing a Phd program in Fine Arts.

 

Related Links

feliperomerobeltran.com

 

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The Emerging Photographer Fund is supported by generous donors to the Magnum Foundation

Magnum Foundation