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	<title>Comments on: Jim Estrin &#8211; Conversation</title>
	<atom:link href="http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/</link>
	<description>burn is an online feature for emerging photographers worldwide. burn is curated by magnum photographer david alan harvey.</description>
	<lastBuildDate>Sun, 19 May 2013 20:47:00 +0000</lastBuildDate>
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		<title>By: How much should contributors be paid for online journalism? &#124; dvafoto</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-129055</link>
		<dc:creator>How much should contributors be paid for online journalism? &#124; dvafoto</dc:creator>
		<pubDate>Wed, 06 Mar 2013 21:45:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-129055</guid>
		<description><![CDATA[[...] the quote at the top shows it can be even worse for photographers (as we all know). I was happy to read last year (search for &#8220;Well, I think it has to do with paying people&#8221;) that the NYT&#8217;s Lens [...]]]></description>
		<content:encoded><![CDATA[<p>[...] the quote at the top shows it can be even worse for photographers (as we all know). I was happy to read last year (search for &#8220;Well, I think it has to do with paying people&#8221;) that the NYT&#8217;s Lens [...]</p>
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		<title>By: Post Foundry Notes: South East Asian Photographers, Our Countries as A Working Grounds and The Future. &#124; N O T I O N</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-112270</link>
		<dc:creator>Post Foundry Notes: South East Asian Photographers, Our Countries as A Working Grounds and The Future. &#124; N O T I O N</dc:creator>
		<pubDate>Sun, 09 Sep 2012 07:19:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-112270</guid>
		<description><![CDATA[[...] up David Alan Harvey; (Magnum) conversation with James Estrin; (NYT Lens Blog), on BURN Magazine, they are stating that how becoming a photographer today is one of the best days of becoming one [...]]]></description>
		<content:encoded><![CDATA[<p>[...] up David Alan Harvey; (Magnum) conversation with James Estrin; (NYT Lens Blog), on BURN Magazine, they are stating that how becoming a photographer today is one of the best days of becoming one [...]</p>
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		<title>By: What makes @jamesestrin tick (NTY&#8217;s Lens Blog Editor) &#124; we produce beautifully crafted multimedia</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111985</link>
		<dc:creator>What makes @jamesestrin tick (NTY&#8217;s Lens Blog Editor) &#124; we produce beautifully crafted multimedia</dc:creator>
		<pubDate>Tue, 28 Aug 2012 15:40:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111985</guid>
		<description><![CDATA[[...] What makes @jamesestrin tick (NTY&#8217;s Lens Blog Editor)  duckrabbit posted this on August 28th, 2012 &#8220;I want to feel something. You know, make me laugh, make me cry, make me think about something... [...]]]></description>
		<content:encoded><![CDATA[<p>[...] What makes @jamesestrin tick (NTY&#8217;s Lens Blog Editor)  duckrabbit posted this on August 28th, 2012 &#8220;I want to feel something. You know, make me laugh, make me cry, make me think about something&#8230; [...]</p>
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	<item>
		<title>By: Lenore Koch &#187; It’s a myth that it was easy twenty-five years ago Lenore Koch</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111413</link>
		<dc:creator>Lenore Koch &#187; It’s a myth that it was easy twenty-five years ago Lenore Koch</dc:creator>
		<pubDate>Tue, 07 Aug 2012 01:33:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111413</guid>
		<description><![CDATA[[...] via david alan harvey in conversation with jim estrin &#124; burn magazine. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] via david alan harvey in conversation with jim estrin | burn magazine. [...]</p>
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		<title>By: Conversation with Jim Estrin — RetortaBlog</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111378</link>
		<dc:creator>Conversation with Jim Estrin — RetortaBlog</dc:creator>
		<pubDate>Mon, 06 Aug 2012 15:46:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111378</guid>
		<description><![CDATA[[...] on www.burnmagazine.org             Cancel [...]]]></description>
		<content:encoded><![CDATA[<p>[...] on <a href="http://www.burnmagazine.org" rel="nofollow">http://www.burnmagazine.org</a>             Cancel [...]</p>
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		<title>By: It’s a myth that it was easy twenty-five years ago</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111374</link>
		<dc:creator>It’s a myth that it was easy twenty-five years ago</dc:creator>
		<pubDate>Mon, 06 Aug 2012 15:13:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111374</guid>
		<description><![CDATA[[...] via david alan harvey in conversation with jim estrin &#124; burn magazine. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] via david alan harvey in conversation with jim estrin | burn magazine. [...]</p>
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		<title>By: The Digest &#8211; August 5th, 2012 &#124; LPV Magazine</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111352</link>
		<dc:creator>The Digest &#8211; August 5th, 2012 &#124; LPV Magazine</dc:creator>
		<pubDate>Sun, 05 Aug 2012 19:45:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111352</guid>
		<description><![CDATA[[...] A Conversation with Jim Estrin, New York Times Lens Blog [Burn Magazine] [...]]]></description>
		<content:encoded><![CDATA[<p>[...] A Conversation with Jim Estrin, New York Times Lens Blog [Burn Magazine] [...]</p>
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		<title>By: Kenneth Dickerman</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111334</link>
		<dc:creator>Kenneth Dickerman</dc:creator>
		<pubDate>Sun, 05 Aug 2012 03:02:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111334</guid>
		<description><![CDATA[David Alan Harvey

I appreciate your response. I shouldnt have made the post, it was an impulse after seeing Brian&#039;s post. I just want to clarify a couple of things. I dont live in Mexico, I live in New York, we have never talked on the phone but we have met in person numerous times, I submitted essays to Burn because you invited me to, I received an email from one of the editors saying they wanted to run one of my essays. And then the lines went dark. Thus the frustration on my part. I have been in the business for over a decade and I am pretty aware how it, sort of, works. I have also worked as a photo editor and am very familiar with communicating with photographers about submissions etc....But it&#039;s all good :)

Thanks again for your response and keep up the great work, I do love frequenting the site and seeing some really great work that, alot of the time, wouldnt make it before people&#039;s eyes.

Cheers,

Kenneth]]></description>
		<content:encoded><![CDATA[<p>David Alan Harvey</p>
<p>I appreciate your response. I shouldnt have made the post, it was an impulse after seeing Brian&#8217;s post. I just want to clarify a couple of things. I dont live in Mexico, I live in New York, we have never talked on the phone but we have met in person numerous times, I submitted essays to Burn because you invited me to, I received an email from one of the editors saying they wanted to run one of my essays. And then the lines went dark. Thus the frustration on my part. I have been in the business for over a decade and I am pretty aware how it, sort of, works. I have also worked as a photo editor and am very familiar with communicating with photographers about submissions etc&#8230;.But it&#8217;s all good :)</p>
<p>Thanks again for your response and keep up the great work, I do love frequenting the site and seeing some really great work that, alot of the time, wouldnt make it before people&#8217;s eyes.</p>
<p>Cheers,</p>
<p>Kenneth</p>
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		<title>By: Imants</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111332</link>
		<dc:creator>Imants</dc:creator>
		<pubDate>Sat, 04 Aug 2012 22:04:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111332</guid>
		<description><![CDATA[Then you could consider an attitude similar to that of many in the  Australian Olympic team ...........and that smacks of a prima donna attitude]]></description>
		<content:encoded><![CDATA[<p>Then you could consider an attitude similar to that of many in the  Australian Olympic team &#8230;&#8230;&#8230;..and that smacks of a prima donna attitude</p>
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	<item>
		<title>By: Imants</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111331</link>
		<dc:creator>Imants</dc:creator>
		<pubDate>Sat, 04 Aug 2012 21:48:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111331</guid>
		<description><![CDATA[Then again for many it is their ego that is at stake]]></description>
		<content:encoded><![CDATA[<p>Then again for many it is their ego that is at stake</p>
]]></content:encoded>
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	<item>
		<title>By: Imants</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111330</link>
		<dc:creator>Imants</dc:creator>
		<pubDate>Sat, 04 Aug 2012 21:39:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111330</guid>
		<description><![CDATA[a person who lacks confidence, is irresolute and wishy-washy]]></description>
		<content:encoded><![CDATA[<p>a person who lacks confidence, is irresolute and wishy-washy</p>
]]></content:encoded>
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		<title>By: Imants</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111329</link>
		<dc:creator>Imants</dc:creator>
		<pubDate>Sat, 04 Aug 2012 21:39:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111329</guid>
		<description><![CDATA[&quot;crybaby&quot;]]></description>
		<content:encoded><![CDATA[<p>&#8220;crybaby&#8221;</p>
]]></content:encoded>
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		<title>By: Imants</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111328</link>
		<dc:creator>Imants</dc:creator>
		<pubDate>Sat, 04 Aug 2012 21:36:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111328</guid>
		<description><![CDATA[Simple trust your own work, and with a bit of luck you get somewhere. If not and your work deteriorates then you just weren&#039;t good enough.]]></description>
		<content:encoded><![CDATA[<p>Simple trust your own work, and with a bit of luck you get somewhere. If not and your work deteriorates then you just weren&#8217;t good enough.</p>
]]></content:encoded>
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		<title>By: mw</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111326</link>
		<dc:creator>mw</dc:creator>
		<pubDate>Sat, 04 Aug 2012 19:44:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111326</guid>
		<description><![CDATA[Tom, no that certainly wasn&#039;t my intent and I&#039;d be surprised if that&#039;s how Estrin took it. One would send a rejection notice rather than nothing at all. What&#039;s that got to do with personal responses? 

I recognize this as something about which reasonable people can disagree. And that times have changed in so many ways. So maybe this is one of them? I&#039;ve been trying to examine the arguments from every perspective and can sympathize with other points of view. Some people would prefer to hear nothing at all than get a cold form letter. Others dislike hearing nothing at all. Whatever you do as a publisher, you&#039;re going to annoy a lot of people. Maybe the expectations have changed so much in recent years that few care if they don&#039;t get a response? Maybe it will annoy far more people by telling them the truth in a timely manner than simply ignoring them? Maybe it will result in far more intrusions by those pissed off by robot email than by those following up to see if their submissions were received? 

Ha, well, I don&#039;t know and I really didn&#039;t mean to make such a big deal out of it. I just enjoy friendly journalism chit chat and get carried away sometime. Sorry if I&#039;ve irritated anyone. 

Thomas, regarding your questions, and perhaps this will show how old fashioned I am in these matters: I don&#039;t photobomb the internet. I may send multiple query letters if there are multiple publications I think are good for the work, but I only make one submission at a time. My results, to put it charitably, have been mixed, but I don&#039;t think it&#039;s the fault of the method. I figure anyone who doesn&#039;t respond to a query is unlikely to respond to a blind submission. On the other hand, anyone who responds to a query will likely pay much more attention to the work than someone tasked with going through the slush pile. Do people still call it the slush pile? I&#039;d forgotten the term until Preston used it.]]></description>
		<content:encoded><![CDATA[<p>Tom, no that certainly wasn&#8217;t my intent and I&#8217;d be surprised if that&#8217;s how Estrin took it. One would send a rejection notice rather than nothing at all. What&#8217;s that got to do with personal responses? </p>
<p>I recognize this as something about which reasonable people can disagree. And that times have changed in so many ways. So maybe this is one of them? I&#8217;ve been trying to examine the arguments from every perspective and can sympathize with other points of view. Some people would prefer to hear nothing at all than get a cold form letter. Others dislike hearing nothing at all. Whatever you do as a publisher, you&#8217;re going to annoy a lot of people. Maybe the expectations have changed so much in recent years that few care if they don&#8217;t get a response? Maybe it will annoy far more people by telling them the truth in a timely manner than simply ignoring them? Maybe it will result in far more intrusions by those pissed off by robot email than by those following up to see if their submissions were received? </p>
<p>Ha, well, I don&#8217;t know and I really didn&#8217;t mean to make such a big deal out of it. I just enjoy friendly journalism chit chat and get carried away sometime. Sorry if I&#8217;ve irritated anyone. </p>
<p>Thomas, regarding your questions, and perhaps this will show how old fashioned I am in these matters: I don&#8217;t photobomb the internet. I may send multiple query letters if there are multiple publications I think are good for the work, but I only make one submission at a time. My results, to put it charitably, have been mixed, but I don&#8217;t think it&#8217;s the fault of the method. I figure anyone who doesn&#8217;t respond to a query is unlikely to respond to a blind submission. On the other hand, anyone who responds to a query will likely pay much more attention to the work than someone tasked with going through the slush pile. Do people still call it the slush pile? I&#8217;d forgotten the term until Preston used it.</p>
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		<title>By: tom hyde</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111325</link>
		<dc:creator>tom hyde</dc:creator>
		<pubDate>Sat, 04 Aug 2012 19:19:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111325</guid>
		<description><![CDATA[Thomas, if I submit something and I don&#039;t hear back in six weeks, then I move on. No big deal. I don&#039;t pester. I don&#039;t follow up because if it doesn&#039;t grab them by the gut right away, I don&#039;t want it published. I just learned something valuable. This is perhaps &quot;all wrong&quot; by conventional modern competitive group think standards but it&#039;s not my way to be that aggressive, golden rule and all that. I don&#039;t crosssubmit to multiple publications. Apparently that&#039;s antiquated but again, golden rule and all that. This is a bit academic since I don&#039;t widely push my work to begin with.

I do want to say that the best publication I have ever had the privilege to work with is the nonprofit American literary journal The Sun Magazine. They accept only black and white prints, they always respond within two months, they hold those photos accepted in a pool, they pay immediately upon publication (as in the very day of publication) and they pay a kill fee if they never use them. Wonderful people, and a great magazine that breaks many rules - no advertising, free copies to U.S. prisons, free subscriptions to any prisoner who requests one. I have several signed prints hanging in prison cells. Very proud of that. The Sun magazine is in my mind the very best in thoughtful, ethical publishing. A good model for doing business.

Hmm, I didn&#039;t mean that to be an advertisement, only an example of how some are still doing it, and keeping it personal.]]></description>
		<content:encoded><![CDATA[<p>Thomas, if I submit something and I don&#8217;t hear back in six weeks, then I move on. No big deal. I don&#8217;t pester. I don&#8217;t follow up because if it doesn&#8217;t grab them by the gut right away, I don&#8217;t want it published. I just learned something valuable. This is perhaps &#8220;all wrong&#8221; by conventional modern competitive group think standards but it&#8217;s not my way to be that aggressive, golden rule and all that. I don&#8217;t crosssubmit to multiple publications. Apparently that&#8217;s antiquated but again, golden rule and all that. This is a bit academic since I don&#8217;t widely push my work to begin with.</p>
<p>I do want to say that the best publication I have ever had the privilege to work with is the nonprofit American literary journal The Sun Magazine. They accept only black and white prints, they always respond within two months, they hold those photos accepted in a pool, they pay immediately upon publication (as in the very day of publication) and they pay a kill fee if they never use them. Wonderful people, and a great magazine that breaks many rules &#8211; no advertising, free copies to U.S. prisons, free subscriptions to any prisoner who requests one. I have several signed prints hanging in prison cells. Very proud of that. The Sun magazine is in my mind the very best in thoughtful, ethical publishing. A good model for doing business.</p>
<p>Hmm, I didn&#8217;t mean that to be an advertisement, only an example of how some are still doing it, and keeping it personal.</p>
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		<title>By: Thomas Bregulla</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111318</link>
		<dc:creator>Thomas Bregulla</dc:creator>
		<pubDate>Sat, 04 Aug 2012 18:29:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111318</guid>
		<description><![CDATA[question to everybody - 
1) how long would you be waiting for a response?
2) do you submit your work in parallel to different publishers?]]></description>
		<content:encoded><![CDATA[<p>question to everybody &#8211;<br />
1) how long would you be waiting for a response?<br />
2) do you submit your work in parallel to different publishers?</p>
]]></content:encoded>
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		<title>By: Paul</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111317</link>
		<dc:creator>Paul</dc:creator>
		<pubDate>Sat, 04 Aug 2012 18:09:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111317</guid>
		<description><![CDATA[I think Bob&#039;s got it totally right and it&#039;s a pity James Estrin is gonna start sending automated emails.]]></description>
		<content:encoded><![CDATA[<p>I think Bob&#8217;s got it totally right and it&#8217;s a pity James Estrin is gonna start sending automated emails.</p>
]]></content:encoded>
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		<title>By: bob black</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111315</link>
		<dc:creator>bob black</dc:creator>
		<pubDate>Sat, 04 Aug 2012 18:05:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111315</guid>
		<description><![CDATA[long long ago, i was asked by a friend who worked at the New Yorker to submit a poem that been awarded a prize in california as part of a cycle. the poem was one of that hadn&#039;t been published with others from that cycle. so, i submitted it. i never heard from the literary editor, ever. but, that was fine with me. i&#039;d been taught, in the dark ages before the web/emails/electronic submission, to get used to rejection letters (had a box of them before i ever got something published) and to see it for was it was, less an indigment on the work and more about what the desire/needs of a publication are at a given time. what matters is intent, including editors intent. an automated rejection response, to me, is simply like not having heard from that New Yorker editor at all. Same meaning, both meant &#039;silence&#039;. i used to keep one rejection letter from the new yorker (for a story i&#039;d written as a senior in university) taped next to the acceptance letter i received by a literary magazine that published my first essay (though more like a story/poem) side-by-side, just as a reminder. 


in the age of inhumanely large scaled submissions now (photo and written) married with the elephantine hubris that seems to have multiplied with the ease of publication (blogs/facebook/online outfits, etc) and virtual &#039;relationships&#039;, i couldn&#039;t imagine being offended by not hearing from an editor to whom i&#039;d submitted something, unless they had soliticed me. That too has happened (ask for work and never heard again from the publication, funny) and it seems to be part and parcel of the entire machinery. 

to me, its a simpler equation: marry your intent with your work and with your life and focus on that rather than the expectation of reciprocity. the day that happens, maybe we&#039;ll all be more polite and more professional with one another and then these questions will be mute....

etc

oh, and yea what both tom hyde and preston said :)]]></description>
		<content:encoded><![CDATA[<p>long long ago, i was asked by a friend who worked at the New Yorker to submit a poem that been awarded a prize in california as part of a cycle. the poem was one of that hadn&#8217;t been published with others from that cycle. so, i submitted it. i never heard from the literary editor, ever. but, that was fine with me. i&#8217;d been taught, in the dark ages before the web/emails/electronic submission, to get used to rejection letters (had a box of them before i ever got something published) and to see it for was it was, less an indigment on the work and more about what the desire/needs of a publication are at a given time. what matters is intent, including editors intent. an automated rejection response, to me, is simply like not having heard from that New Yorker editor at all. Same meaning, both meant &#8216;silence&#8217;. i used to keep one rejection letter from the new yorker (for a story i&#8217;d written as a senior in university) taped next to the acceptance letter i received by a literary magazine that published my first essay (though more like a story/poem) side-by-side, just as a reminder. </p>
<p>in the age of inhumanely large scaled submissions now (photo and written) married with the elephantine hubris that seems to have multiplied with the ease of publication (blogs/facebook/online outfits, etc) and virtual &#8216;relationships&#8217;, i couldn&#8217;t imagine being offended by not hearing from an editor to whom i&#8217;d submitted something, unless they had soliticed me. That too has happened (ask for work and never heard again from the publication, funny) and it seems to be part and parcel of the entire machinery. </p>
<p>to me, its a simpler equation: marry your intent with your work and with your life and focus on that rather than the expectation of reciprocity. the day that happens, maybe we&#8217;ll all be more polite and more professional with one another and then these questions will be mute&#8230;.</p>
<p>etc</p>
<p>oh, and yea what both tom hyde and preston said :)</p>
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	<item>
		<title>By: tom hyde</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111314</link>
		<dc:creator>tom hyde</dc:creator>
		<pubDate>Sat, 04 Aug 2012 17:04:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111314</guid>
		<description><![CDATA[I find it odd that photographers are arguing in favor of automated rejections over personal ones. Perhaps I&#039;m not getting it but did you just talk Estrin into sending out automated rejections over personal emails with perhaps just a bit of constructive criticism?]]></description>
		<content:encoded><![CDATA[<p>I find it odd that photographers are arguing in favor of automated rejections over personal ones. Perhaps I&#8217;m not getting it but did you just talk Estrin into sending out automated rejections over personal emails with perhaps just a bit of constructive criticism?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Imants</title>
		<link>http://www.burnmagazine.org/in-the-spotlight/2012/07/interview-with-jim-estrin/comment-page-2/#comment-111312</link>
		<dc:creator>Imants</dc:creator>
		<pubDate>Sat, 04 Aug 2012 10:21:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.burnmagazine.org/?p=12008#comment-111312</guid>
		<description><![CDATA[(Imants the RX100 is not going to help everyone)....oh yes it will because all you have to do is think and shoot, not shoot and think  which is the new dawn of photography  in the wwwdot world]]></description>
		<content:encoded><![CDATA[<p>(Imants the RX100 is not going to help everyone)&#8230;.oh yes it will because all you have to do is think and shoot, not shoot and think  which is the new dawn of photography  in the wwwdot world</p>
]]></content:encoded>
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