Una, Nessuna, Centomila
No name. No memory today of yesterday’s name; of today’s name, tomorrow. If the name is the thing; if a name in us is the concept of every thing placed outside of us; and without a name you don’t have the concept, and the thing remains in us as if blind, indistinct and undefined: well then, let each carve this name that I bore among men, a funeral epigraph, on the brow of that image in which I appeared to him, and then leave it in peace, and let there be no more talk about it. It is fitting for the dead. For those who have concluded. I am alive and I do not conclude. Life does not conclude. And life knows nothing of names. This tree, tremulous pulse of new leaves. I am this tree. Tree, cloud; tomorrow book or wind: the book I read, the wind I drink. All outside, wandering.
Luigi Pirandello, Uno, Nessuno, Centomila, 1926 (English translation One, No One and One Hundred Thousand)
Una is not The One
She doesn’t want to be you. Just anyone of you. Anytime, anywhere. (You need to be Caucasian, but it’s not her choice. She cannot stop being Caucasian and doesn’t like too much of photoshopping.) Una is not the photographer. Not wanting to be an artist, she is part of the picture. Not wanting to represent a whole life, she represents anyone’s life. Bits and pieces of it. Una multiplies her identities and roles walking in and out her pictures. She becomes mirror and model, photographer and subject. Her work is unique because it is serial. And she dissolves in it asking you what do you want to do with her. And yourself, maybe. Una is….. (please fill the blanks)
Veronica Fernandes, 2012
The photography project Donna Caucasica (Caucasian Woman) aims to give a an ironic profile of the modern Western woman by combining each image with an extract taken from ‘The Woman’s Encyclopaedia’, a 20 volume work published in 1963 by the Italian Editor Fabbri Editori. Borrowing from the language of stock photography (practically the only type of images featured in magazines), the project traces the stereotypical representation of femininity and, through the use of the self-portrait, gives a nod to the ‘profile pic generation’.
Una Fotografa is an Italian woman photographer in her thirties.