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ESSAY CONTAINS EXPLICIT CONTENT
“Stavrogin: … in the Apocalypse the angel swears that there’ll be no more time.
Kirillov: I know. It’s quite true, it’s said very clearly and exactly. When the whole of man has achieved happiness, there won’t be any time, because it won’t be needed. It’s perfectly true.
Stavrogin: Where will they put it then?
Kirillov: They won’t put it anywhere. Time isn’t a thing, it’s an idea. It’ll die out in the mind.”
– The possessed, Fyodor Dostoevsky.
During the winter in Leningrad the night falls in love with time that seems never want to end. And the white mist all around suggests all lovers never to leave each other, and keeps company to the city youth.
After the end of the Communist dictatorship the young russian cultures strongly felt the influences of their contemporary american and european neighbours, so much that 20 years later even the myth of being a city of sex tourism has been lost.
Today in the city of the Great Peter you can breathe european air, and it can be compared to generation dream cities like Berlin and London.
Crossing Leningrad is about post-perestroika youth who wants to go beyond the time they couldn’t see certain films, couldn’t listen western music, radio stations and even wearing jeans.
Alfredo Chiarappa was born in 1982 in Melfi, a little town in southern Italy, and currently lives in Milan. He holds degrees in communication design from Politecnico in Milan and studied documentary photography at Rome School of Photography. His work is focuses on street culture and young people everyday life. Currently, he is a freelance photographer and he works on his personal projects. He also teaches Digital Media at Politecnico in Milan.