Eight Seconds: the Quebec Rodeos
“In the little time I spend with them, the men strike me as a mix of athlete, performer, daredevil and innocent country boy. Despite the danger and the grievous injuries–fractured jaws, broken noses and collarbones, spinal cord injuries–and the risk of death, they persevere because the rodeo has an addictive hold on their souls, and because the ride is their chosen way of life. Watching these men, I feel an unfamiliar nostalgia not only for a time that is passing, but a way life that never existed here. And yet this way of life, the life of the cowboy in Quebec, is not merely decorative and it is so much more than spectacle.” Author Madeleine Thien, 2007
Rodeos were introduced to Quebec, Canada in the early 70′s, a short while ago compared to western Canada. From 2003 to 2005 I researched and documented Quebec rodeos and their cowboys, witnessing the development of a sub-culture that includes not only Quebecers but also attracts cowboys from across Canada and throughout the United States. This relatively new activity and its associated culture are taking shape in rural Quebec. From late spring to early fall, Quebec hosts about 25 rodeos annually. The relationship between these cowboys is stunning. The common love for the sport dilutes any prejudices of race or language and unifies the cowboys like a happy dysfunctional family.
Most Quebec cowboys don’t have a usual cowboy upbringing and are not necessarily raised on a farm. The cowboys come from across the province; they are from cities, from suburbs and from towns. These cowboys are out of the ordinary because most of them have come to adopt and fall in love with the cowboy lifestyle. Most started riding in their 20′s, rather late when compared again to Western Canada and the American cowboys, where they are often raised with a cowboy mindset and start riding at a young age.
This documentary project is not only about the 8 seconds, the danger, the hype and glory but also to explore the Quebec rodeo experience and the uniqueness of these cowboys.
Photographs: Aislinn Leggett
Music: Brad Barr
Website: www.aislinnleggett.com
A suggestive look. excellents pictures … 1, 11, 14 ,18 and 19!!
Perfect that the entire essay is in black and white. I love some of the use of high contrast, grain, and blur. The pictures seem to be moving, yet are frozen in time, in a place where cowboy history is relatively new. The essence of the essay comes through with a powerful punch and leaves the viewer with wonderment about a life charged with danger and adrenaline, passion and loyalty, and the wicked sense to conquer. I really enjoyed this…
Well, that was just wonderful Aislinn. The whole shebang. Music/soundtrack and all… Grit and poetry. Thanks.
Beautiful work. The images work together nicely as a whole to create that nostalgic feeling you described. The idea of the the essay is also pretty intriguing, cowboy culture still being relatively new to the area. But, I would have liked to see pictures that somehow communicated this sort of cultural appropriation (if you could call it that). With cowboy/rodeo projects I think its a little easier to rely on the graphics of the cowboy hat and the iconography associated with the old west, but its a little harder to communicate conceptually about how/why little enclaves like this still thrive against the backdrop of a more modern society. Hope that makes a sense. Cheers.
Rodeo cowboys are hard photograph meaningfully. It’s difficult to get beyond the “yes ma’am, no ma’am” facade they erect. Behind that facade tends to be difficult, hard-living individuals who seem to find a lot of trouble. I liked the essay and the pacing. Not convinced all the fuzz and grain added to it.
Good work.
Enjoyed the piece alot. First and foremost, that it takes place in Quebec!!! I’d heard from a dear friend, photographer Ali KutluRaza, that there was a rodeo circuit in Ontario (he shot it) and parts of Quebec, but somehow I’d never (ever) imagined cowboys and a rodeo in Quebec. For those who are not from Canada or who’ve never spent some time in Quebec, the amazing aspect of this story is that it was shot in Quebec, instead of Alberta, Saskatchewan, or Manitoba. It’s just surreal and I’m still wrapping my head around the pics imagining they were shot in Quebec. It is an example of what i’d written yesterday about what I cherish in work, particularly documentary work, is that it speaks to me of a place or people or life that I’d never known about before: a reimagination of things.
I love the conviction of the work and a number of the pics are just drop dead gorgeous or terrific: 1, 4, 9, 11(!!!), 18, 19, 20, 22(!!, like mirror of 11, romance ;) ), 24, etc….but i really love the intense use of shadows and shooting into light(s)…not only casts an ‘halo’d’ feel but also suggests for me the brutality of the physicality. but i love too the clausterphobic feel of many of the shots, the intensity of their bodies and hats and shoulders all in close quarter: the intensity of this community and the rodeo….And yes, the soundtrack is wonderful!
enjoyed it…gotta, i guess, get my son over to Quebec to check a show out….
thanks so much for sharing…
cheers
bob
I love it. Amazing, wonderful stuff. I could do without some of the heavy grain, maybe it was un-avoidable, I hope not added. Doesn’t need it, only distracts. Love the graphics. Best stuff I’ve seen for a long time. Thanks from a fellow Canuck.
for me,
this piece is driven by the images
and audio..
together..
at times it felt as if they were moving images..
and
I like the grain…
its rough
and
raw..
just like
a cowboy….
**
The Rodeos is a topic that is inspiring several of you (Lance, Cathy) and it is clearly a great topic…. I have really enjoyed this essay with my favourite images being 1, 4, 7, 13, 14, 17, 18, 20, 24. I could not stop wanting to go back to the essay of our friend Lance Rosenfield that I had previously seen on Road Trips and compare….different essays clearly but both B&W and both on cowboys/ rodeos… I think that Aislinn has done a real god job capturing the event, maybe managed to get more a feeling of being inside…there is also sort of a mystic feeling in some of the photographs that I really like (Pictures 1, 13, 14, 18, 19, 29)… Lance on his side has done a better job in my view showing the life of the roads of these cowboys and also capturing the soul of these men with some closer more impactful portraits…. Tough job to pick as both are very fine essays and in a way complementary but I might be more touched by the soul of the cowboys…
Would be good to also show the essay of Lance soon. I am curious to know what others would think when looking at the work of these two fine photographers at the same time…. Now, both also have tough competition with Allard on that topic as they continue to develop their stories…. they seem to be up to the challenge….
Eric
#1 is transcendent.
I completely agree..
thats why I think the audio is so important in this piece…
without it,
it could be..
Wyoming….
ERIC…
i thought of Lance first when i saw this Aislinn piece…i called him and talked about it as well….Lance is not quite ready to publish , but as soon as he is, we will publish it here…his essay is a bit different in that Lance goes outside of the rodeo itself and more into the personal lives of the cowboys…you are quite right, it will be interesting to see the stories compared…
cheers, david
Now I know what it means to have audio & visual in perfect sync. Aislinn’s photos coupled with Brad Barr’s audio track literally took me inside the world of these rodeo cowboys. I’ve now watched/listened to this essay three times and with each viewing I see and feel more tangibly the raw power of these men, the animals and the rodeo environment where risk is normal and pain a way of life.
I’d love to know how Aislinn managed to get access to this world. Her images come from an insider’s perspective judging by the vantage points from which she shoots and her closeness to both the action in the ring and the scenes backstage.
Technically speaking, her use of black & white and a mix of grainy blurred images and those in sharp focus works for me. It heightens the sense of drama, of never knowing what the next moment will bring.
My hat is off to Aislinn and Brad for a remarkable body of work.
Patricia
I’ve been living in Montreal for 10 years now and never knew that such a thing exists in the neighborhood. Well, isn’t this a place full of surprises?
Eric, you said: “Lance on his side has done a better job in my view showing the life of the roads of these cowboys”… Perhaps these ‘cowboys” in Quebec do not live the “cowboy life” outside of the arena and that could be the reason. Seems to me, from Aislinn’s statement above that these man simply blend in the “ordinary” life when not participating in a show. Probably following them “of the roads”, going outside of rodeo and into the personal lives, wouldn’t add much to the essay… uness that would be the point. But that is me guessing.
Wonderful photographs.
Veba
Veba, my copy of “The Lazarus Project” arrived yesterday and I am already hooked! Your photos are such an addition to the story and, of course, Aleksandar Hemon is a masterful writer. I recommend this novel to anyone who loves excellent writing, superb photography and a spellbinding story!
Patricia
I really, really enjoyed this Aislinn; congratulations and thank you. I have looked at your website and see good, consistent work. Good eye!
I find the transplanting of another culture fascinating; it may as well be English sheepdog trails in Japan – very surreal. Not only that but do we see a culture transplant or a transplant of the myth of a perceived culture? Does it exist in the American West or is that, too, nostalgia.
For both Lance and Aislinn, I would love to see the subjects away from the rodeo. How much of creed of the cowboy is infused into daily life?
As Carrie says above; good use here of high contrast, grain and blur. Very evocative essay.
Best wishes,
Mike.
Eric:
when i saw the pics, i too thought of my silent amigo from Austin…but I also knew he’s been working and extending True Grit and so after the initial reaction, I settled in the saddle here and kicked up some dirt and really got into the Aislinn’s story (again, I wanted even more pics, Im insatiable ;) )…while both ‘appear’ similar, they’re very different stories and have very different ‘souls’….for me, Aislinn’s is about the community of this group, the joy and the wild rides and the spiritual bonds they share….for me, Lance’s is like Cormac Mccarthy novel: full of loneliness and sadness and existential questions, the heroic sadness of the individual and the attempt to make that often difficult life rhyme. I love Lance’s story so much, but this deep bond with his work and his sensibility and poetry did not at all detract from Aislinn’s story for me: i really really enjoyed Quebec Rodeo….though, I cant wait to see Lance’s story here…but I think they will both complement each other very well, as both stories are well shot, passionate, intimate and up-close….the ying and yang of the Burn rodeos ;)))…
all stories are the same, all subjects have been explored (though i never saw quebec rodeos before!), so what makes things ‘new’ for me is just that: the exploration and the celebration of the life before the eyes….
again, wonderful piece Aislinn! :)
b
BOB,
As often my friend :):):) you have captured with your words exactly how I felt when looking at both essays… “the joy and the wild rides and the spiritual bonds they share for Aislinn vs the heroic sadness of the individual and the attempt to make that often difficult life rhyme for Lance…. so well put Bob and so spot on!!!!! If only I could master the english lamguage (or French for that matter) as you are, I would be a happy man!!!!!
Cheers,
Eric
Very nice essay.
eric :)))…
if i could master french (my wife and son laugh at my pronunciation which is pretty horrible), i’d be a happy man too :)))
ok, back to the Quebec rodeo show :)))
hugs
b
BOB…ERIC
what neither of you mentioned, but which i found interesting, was to see a woman’s view of this all macho ritual….i think there is a certain tenderness with Aislinn’s work ..many of her photographs would seem to reveal a feminine touch …even her action picture #20 and most particularly her photograph #31 puts some macha into the macho..
even Lance’s all macho title, Thirst for Grit, lets us know exactly from whence the pictures come…when we publish the Lance essay , i think few will actually compare the two in terms of structure..yes, it happens to be at least partially the same subject…but please remember , Lance goes home and out drinking with his cowboys…sees them with their wives, girlfriends and children…Aislinn frames her essay strictly at the rodeo grounds….she covered the EVENT exquisitely.. ….Lance will take us more into the cowboy LIFESTYLE…
cheers, david
david:
totally agree :))…and that’s why i think the 2 of their stories are complementary and wonderful thought of/seen together…: one communal, tender (the 2 pics which, though separated, seem like a love song together: #11 (2 cowboys with black hats) and #22 (3 girls watching the boys) and one lonely…..
as i said, ying and yang ;)))….
enjoyed both alot..
cheers
running
b
sorry, typo: that is Communal (aislin) and one Lonely (lance) and pic 11 has 3 black hat cowboys and pic 22 3 girls watching the boys (the tenderness of symmetry and conversation between pics, which to me, shows how ‘senstivie’ this Quebec story is to a story beyond the specifics of the event :)))…it’s that subtle ‘tender’ side of this story that i loved: very subtle, but an open sensitivity sees that clearly :)))…
Beautiful compositions- a series of “decisive moments” that capture an apparent alternate dimension of the whole experience.
I went to check Aislinn site to see if this essay was done by a man or woman. I was not surprise it was from a woman, as I’ve guessed from the poetry evolved is most photographs. Not that a man can’t be poetical, but I think that women photographing style are very different from men. This is a topic for a long discussion I guess :)
It’s a great essay! Cowboys are different everywhere. I’ve photographed some portuguese “cowboys” (let’s called them this way) that you can see here http://pontosdevista.net/expoi.php?id=359 and here http://pontosdevista.net/expoi.php?id=87 as two very different realities in the same country.
The only thing I miss in Aislinn essay is the lack of photos of action in the arena. I guess she preferred to stay a more in the backstage and capture the moments of instrospection and happyness. I also know that’s hard to capture good moments of action, because all is going too too fast and sometimes brutal.
I meant to say “the lack of more photos of action in the arena”…
I seriously commend Aislinn for all the effort in putting this together, and I am pleased that it elicits such a positive response from everyone thus far, but in putting in my 2 cents if I am honest I have to say I had a hard time with it… Certainly a nice essay that communicates the sense of the event, and generally smart compositions going on in the frame with poignant light and some stimulating motion or mood shots, but overall I didn’t feel any form of emotional connection to these people. Maybe I am over saturated right now with images..I know how much it takes to put something this good together, and I do think it was good, but I was left wanting more. What I am becoming aware of is how crazy hard it is for a photographer to be truly excellent.
Talent is common these days. To rise above the merely talented takes an extraordinary amount of work and commitment. Few are willing to make that sustained commitment.
here’s the other thing..it would be helpful to understand something about the photographer and their level of experience and their goals before offering feedback..for example, someone said that on his site Victor places himself as an art photographer..that would have been helpful knowledge. I don’t think it is important to have information about how many years someone has been photographing, their goals. perspective, etc. to have a pure reaction to the work, but it does help in being able to respond to the photographer wit regard to feedback. For all I know could have only started shooting a couple of years ago, and may be pleased with my feedback knowing that I saw many strong elements, or may be a seasoned photographer thinking I should take a hike…
should have been “for all I know, Aislinn could have started shooting..”
wish we had a preview button
or an edit button! for typos etc… :)
The essay was well constructed and had some pictures that gave me pause. However, while I was watching it my mind kept referencing Winogrand’s ‘Fort Worth Fat Stock Show and Rodeo’ photographs. I think I prefer more of an odd take on the rodeo than images that reinforce my visual ideas. Winogrand’s pictures do this for me. In his photographs I feel that he’s there chuckling at the absurdity of the spectacle.
Now, this doesn’t mean that this essay isn’t effective. I think it would be a nice piece in a local Quebec magazine or some other outlet like that. Perhaps a bit more digging into the specific Canadianness of the events would add a bit of the oddness I’m seeking. Because as we all know, Canadians can’t help but being odd….
I quite like it.It has a nice feel to it. The choice of treatment works well for me also. I do not see the feminine vs masculine POV raised earlier, but then again I would not really be looking for it. Good solid PJ work on a subject that is probably quite hard to get an angle on that is not entirely hackneyed.
True James, true. In fact it may be possible to make an argument for the most successful photographers not necessarily being the most talented. I said it MAY be possible. We all know (or should know) that it takes more than talent to succeed and not just at photography. That’s why I’d like to see input from a few magazine editors etc. to explain why one essay is publishable and another isn’t.
Have you seen anything here at Burn that you would publish as a newspaper editor James?
Best,
Mike.
I have previously seen this work published on stilldancing.
I think Aislinn has very good technique and did a really nice job of putting the piece together. Love the audio clip.
That being said, she doesn’t show me anything I haven’t already seen a million times, maybe two million times, including in my own rodeo photography. There are the cowboy getting ready shots (#3,6,26) the ring action shots (#4,9,17,20,23,28) the cowboys praying or listening to the national anthem with hat off shots (#18,29,31) the closeup of guy in chute shot (#15)…I could go on thru each image but by now you get my point. A lot of these photos are very well done…#2 shot from above, cowboy in chute just before the gate opens is a favorite of mine.
When I showed some of my own rodeo shots on burn David had a long list of questions for me…”What are you trying to say?” etc…These same questions should be asked of Aislinn, no?
What she said (in writing) was very interesting but IMHO the photos are not saying much other than “This is what happens at a rodeo” which is not particularily desirable around these parts.
(That’s rodeo talk for.. burn generally tends to like what is beyond the obvious :)
Lance also comes to mind for me. Not that we need to compare but Lance is saying more…or at least I am hearing more when looking at his photographs.
sorry…I meant to say when I showed some of my shots on road trip…not burn.
Nice job, … like the music mixed with the sound of the ambient.. and the noice on the pictures. as well.
Well I just want to thank everybody that has been posting and participating with the comments. I’m really excited about the dialog and it’s nice to see what works for some and doesn’t for others.
There’s one reason why I started following the rodeo circuit in Quebec and that’s because I didn’t really know it existed – actually, most people in Quebec don’t know much about it. The more research I did brought me further and further into the Quebec rodeo world. I knew when I started shooting the circuit and the cowboys that that particular subject (cowboys) had been documented many, many times. But for me, in my backyard, there was this entire world completely detached to Quebec’s normality’s. And that in itself was the base of the project.
These cowboys were and still are learning the ropes (no pun intended): How to ride and how to be a cowboy. Most of these guys are freelance cowboys. They have a somewhat steady job being a mechanic, construction worker, laboring jobs during the week, which pays for their weekend rides. They’re not born cowboys and I just find it fascinating that they’ve ‘learned’ to be cowboys.
The hype of the ride gets one pulled into the action, I mean that’s why the cowboys are there – to ride. Macho aside and them playing the part, these guys are real. When they turned that off, it was their vulnerability and their silence that got me. I’m speaking generally here, but as much as the guys can be boastful, loud, even arrogant, these are all attitudes they must have to be able to mount these beasts. So their “off” moments were the ones that really captured me. Another reason that attracted me to these more serene moments was knowing that there were a couple hundred people in the crowd to see the ride and only the ride. Spectacle, hype, pain, glory, leaving the world behind the chutes practically non-existent. So leaving the action shots to a minimum in my essay was a conscious decision. I stuck to behind the chutes because I didn’t want to alter my way of seeing these guys. I didn’t want to befriend them more than what I needed to. I liked that barrier that they put up with me because when it did come off, it made for the chance of a nice shot. Maybe it is because I’m a woman that these invisible barriers were there, on their part and just as much on mine.
To me the audio aspect of this project is really important. The audio playing now is a shortened version of the full length, which is about 20 minutes along. There is a lot more French dialog on the full length version where you can get a sense of the “Quebecness”. I think it was Wendy that even commented on this. (Thanks for picking that up.)
And finally, as this is getting a bit winded, all the images were shot on 35mm film. The grain and blurriness are all real. So there are absolutely no added treatments to these images.
Thanks
Aislinn
Beautiful light and composition. Great sense of movement. I think it stands on its own just as a “rodeo” piece very nicely. As others have said, there are a lot of rodeo pieces out there, but this one I think is particularly nice just because of the visual style.
The added element of it being a cultural transplant to an Eastern Seaboard Canadian province introduces a conundrum: what is it that makes this rodeo different from a Wyoming rodeo? The text clues us in on this, and I could see where for this story the text could be a lot longer, possibly getting into the personal stories of some of the riders, some descriptions of the towns, etc. As for the photos, I’m not exactly sure what more–if anything–we need to see to get the sense that this is a bit of a spaghetti western, without diminishing the grit, determination and sheer ballsiness of the rodeo riders, and the fervor shared by riders and spectators alike.
I think this project could work well as a multimedia piece; a little bit of video, interviews with the riders, interspersed with Aislinn’s luminous, nostalgic action photos. You’ve already begun this with the audio…I’d say, do more…
OR, and this is just off the top of my head, more a thought than a recommendation: you might even consider doing some color photos, for example portraits of the riders, environmental shots of the area, the rodeo grounds, etc…That way, you could create a nice contrast between the “here and now” of modern-day rural Quebec, and the “once upon a time” nostalgic world of the wild west that the participants are entering into as an act of collective dreaming…
Depends on how much more time you want to put into the project. Already I think it’s beautifully shot and stands on its own just fine.
What a great sound!
What a great set of images!
Awesome! Awesome! Awesome!
This is a very fine example of how to combine the still image, live sound and music!
I admit, black and white makes the series pretty nostalgic, it could be 1970. Can’t you sneak in a mobile phone or something 2009ish?
Nice discussions here on burn! And awfully great images!
It is bed time over here in Europe!
More soon!
Reimar
CATHY…
you have asked all good questions…..
i wrote earlier today , maybe you did not read it, but Lance is not ready for publication…or says he is not yet…at least, i do not have his material…he never submitted it to Burn…i called Lance when i saw the Aislinn piece and asked him if he was ready to show..i would have given Lance the first choice…he said no…we will publish Thirst For Grit later which is quite a different piece altogether…you should go back and read my comments before about this…
now Cathy, i know you think i blast you sometimes, but i swear you set yourself up for me saying something to you that might hurt your feelings, and i hate hate to hurt someone’s feelings…but, now you are asking me a straight question, so i must give you a straight answer…while Aislinn does have as her coverage mostly pictures we “have seen before” as you say, she also has a few pictures that put her over the edge…
looking at your rodeo work i never thought you had those “edge” pictures…i will look again whenever you want, but i just do not remember anything that approaches the best of Aislinn…now , i know you and like you and i have never met Aislinn nor spoken to her at all…so, i am just talking about the pictures…i would rather publish Lance or you from a friendship standpoint, but Aislinn has it in pictures…see #1,7,12,18,20,31 those are the ones that put this in the above average category for me….all the others are just ok…
you could look at those and say “hey, those are no better than mine”..and you would be right about the “seconds” …but can you really say that about the numbers listed above?? honestly?? in any essay not every single picture is going to be the best you ever saw, but there has to be four or five very special ones to make it all sing….very few music albums contain all “hits”..but you need four or five super songs to carry the album…see what i mean???
there is another reality as well in magazine terms….who among the three of you, Lance, you , Aislinn has a story ready for publication?? who actually DID it?? finished it..delivered it…this is no small thing in magazine publishing….somewhere somebody has a brilliant idea, and somewhere else is someone with the idea DONE…think about this please…
Cathy i want you to have an essay here…and you can…you just need to go do it…which is what i have been saying all along…i will love love the day when this happens and i promise, as always, to facilitate any way i can…
be of good cheer amiga….
cheers, david
David,
The photos that you singled out made me look at rodeo in a different way than the way I normally do. And rodeo is one of my favorite events to shoot. I think you are right. These are the stars of the show. The rest are the supporting cast.
DAVID.
First of all, I DID see what you, Eric and others wrote about Lance. I was just adding to that.
I don’t know where you got the idea that I was comparing myself to Aislinn, saying “I’m as good as she is” or that I thought you should be publishing my photos instead of hers. Do you really think I was saying any of that??? … because your response sounds like you do and I ABSOLUTELY was not saying anything close to that. You brought all of that up…for what reason, I don’t know.
What I did say was that I think many of her shots are similar to ones I commonly see, as are my own. In other words saying I am guilty of the same thing I was noticing in her work…that it doesn’t go beyond the obvious.
Here again is the “straight question” I asked you…
When I showed some of my own rodeo shots on burn David had a long list of questions for me…”What are you trying to say?” etc… These same questions should be asked of Aislinn, no?
I was sharing my experience of a critique I got from you as part of the comment I was making about her work. Was there something wrong with mentioning that?
I have absolutely no idea how on earth asking that question set up a situation where you feel it’s necessary to compare me to her, negatively no less and say that I asked for it???
For someone who “hate, hates to hurt someones feelings” what you said was totally unnecessary.
You are right…she gave you a piece to publish and you published it. Good for her. Why bring me into that? I had no problem with anything. I just wanted to comment on her essay, not start a war!
Since you made a point of bringing up my rodeo photography and comparing it to Aislinn’s I may as well remind you that the images you saw of mine were only from one rodeo!
Aislinn, thanks for sharing a bit of the story behind your essay. I’ve been to Quebec a number of times but would not have imagined it would have a cowboy culture. Your essay shows this cultural anachronism in a rather haunting way. As others have noted, there is an air of nostalgia in your images, but now I ask, “Nostalgia for what? A world these men imagine existed before their time or in a place much different from their own?” I’ve also been to Saskatchewan and Alberta. Now, cowboys BELONG out there!
Anyway, I commend you on discovering and exploring Quebec’s rodeo world. As with many viewers here on BURN I have seen some excellent essays that deal with this subject, but to my eye, yours is unique. As David noted, you have several stunning images, and, to me, the addition of Brad Barr’s audio track really sets this work apart from the rest.
Patricia
CATHY,
I can tell you are still upset but you really should not… You know that I am a friend… Honestly, after reading your comments about Aislinn’s pictures and this before seeing the response from David, I did think myself as well that you were comparing the work she had done with your own work and inviting David who had asked you some tough questions in the past to maybe provide some perspective on what was different about the work of Aislinn…. Clearly from your reaction, this was not your intent…. We joke about it but it is so true… It is so easy to misinterpret someone with email-web communication…. Now Cathy, do not get upset…. I do not think that David said anything mean at all…. I did read his response as an invite to you to push a given subject… You said it here in a way… You have been inspired by Rodeos I know but you only went to shoot one and only one Rodeo… I think that David would want you to sweat and work hard one topic until you get these very very rare but special pictures… I have heard him say that so many times. There is only a little thing, gap that separates good photographers from great photographers but this little gap is the toughest part to close… the difference between a good photograph and a great photograph…. now the good news Cathy is that these do not come easy to anyone I do not think…. I am sure that for most photographers even the most talented, it is hard work…. I did read David’s response to you as a push to get out there and finish a topic and really finish it…. like when you have nailed it by sweating over it, over and over again…. Do not get upset dear Cathy… We love you and David want syou to become the photographer you can be!!!!
Your friend.
Eric
CATHY….
after all this time (2 years) of trying patiently to explain a concept to you and writing extensively in the best way i could think of at the time and now answering you based on what i certainly thought you were asking or implying and obviously not succeeding very well and receiving a tirade (war?) after all of what i thought was well meaning photographic critique and phrased as such and after all this time of trying to get you to go out and shoot as so many here have managed to do in fine style and just absolutely getting nowhere, i have only three words left…..i am done.
AISLINN…
thank you…you are a “class act”…..
cheers, david
Can’t quite explain it but I love that feeling of very still movement. And there is just something about how the hats ties everyone together in more than just composition. Like a badge of proudness and honor
in this environment.
ERICA..
my thinking was that having the photographer’s web link right under their byline would give you all of that information and set up an overview of their work… if this is not enough , maybe we should encourage each photographer to give a little bio under their caption….make sense??
cheers, david