The Church Tent by Paul Russell
Taken at the end of the day at The New Forest and Hampshire County Show. Part of the series, Country Show, www.paulrussell.info/galleryshow/01.html
Website: www.paulrussell.info
burn is an online feature for emerging photographers worldwide. burn is curated by magnum photographer david alan harvey.
The Church Tent by Paul Russell
Taken at the end of the day at The New Forest and Hampshire County Show. Part of the series, Country Show, www.paulrussell.info/galleryshow/01.html
Website: www.paulrussell.info

Kite Board Lift Off by D. Ude
Avid kite boarder Wendi Palmer, “lives, breathes and dreams about kite boarding constantly” she says. “There is no feeling as free as being pulled into perfect wave by a kite and being able to shut the kite off and surf the wave, then pull out and do it all over again”. Wendi practices her art around Cape Hatteras, North Carolina, on both ocean and sound side, where the heritage of pirates, shipwrecks, and violent storms segues into the present summertime warm lusty winds and choppy waters.
The Saboteur by Todd R. Behrendt
Incorporating elements of collage and expressionism, The Saboteur is my response to hucksters who ruined the world economy with their rampant greed. This image is a silver gelatin print created in a traditional wet-process darkroom utilizing non-traditional techniques.
Website: www.trbehrendt.com

Tuscany Street 2009 by Clara Rojas
Pick up Lines by Kurt Lengfield
Under the watchful eyes of Mr. Miyagi, party animals seize the moment at THE BOX, a hip Charlottesville , Virginia nightspot for some fun, photography and a little bit of tail wagging. This image was taken for one of the LOOK3 Festival of the Photograph workshops in June of this past year. I hope this will grow into a photographic essay on societies night owls.
Website: www.kurtlengfield.com
Falling up by Tom Hyde
East Fork of the Satsop River, Washington State. July 3, 2009.
I shot film for years until I started shooting digital, and that’s mostly what I’ve done for a number of years now. Until two days ago. I dropped my Canon 5d, with its expensive L glass, all of 20 inches onto my gravel road. It landed just right, or wrong, and the mounts on both the lens and the camera broke off at the same time. The camera is … toast. I didn’t even get a conciliatory self portrait of shock and rage out of it. Actually, I may have gone through all the stages of grief. Silly really.
Now I shoot film in an old rangefinder without a working light meter and an apparent two stop shift in the shutter. I like it.
Faded box of cheap Kodak film courtesy of the Matlock Country Store (stored near the deep fat frier).
Processing and scanning courtesy of WalMart.
A good day courtesy of a bad event.
The results … well, whatever, it was a good day hunting and I never even tried to look at the back of the camera. Made some new friends. Left prints stuck on tree branches by the river bank.
They’ll find them tomorrow.
God I love summertime.
Website: tomhyde.viewbook.com
Snapshot on the Road by Marcin Łuczkowski
This picture was taken somewhere between Mietków and Milin (Poland). The image is a part of the “Everyday Snapshot” essay I started two years ago, and I will probably never finish.
In this particular image, a newly married man is standing staring in a field, while taking a break from the wedding photography session.
Website: www.marcinluczkowski.com
The Best Fall of my Life by Patricia Lay-Dorsey
Much of the time living with a disability is a big fat bother. But there are moments touched with magic. Like the early evening I was out taking self portraits for the photographic essay workshop David Alan Harvey and Jim Nachtwey were co-teaching during the Look3 Festival of the Photograph in Charlottesville.
I had turned the dial to self-timer, pressed the shutter release button and lowered my camera down to the red brick pavement. The light was good and I intended to get a shot of me riding my scooter up the hill in this quaint Virginia town. Knowing I only had ten seconds before the shutter would release, I pulled my scooter accelerator lever down hard.
As if a noose had tightened around my neck, I was yanked towards the left wheel of my scooter and thrown to the ground. I immediately knew what had happened because I’d experienced it once before: the long end of my neck scarf had gotten caught under the wheel. Whenever this happens I remember the famous dancer Isadora Duncan who had died like this in 1927, but she was riding in a sports car not a scooter.
I heard myself cry out in pain. Two men came running over to help. I calmly instructed them on how best to lift me back into my scooter seat: “Stand behind me, put your hands under my armpits and lift me until I’m standing upright. Keep holding tight because I can’t walk on my own, then swing me over into the seat of my scooter.”
The fellow was strong so the lift went smoothly. His friend saw my camera on the pavement and brought it over to me. I thanked them and they walked away.
It was only then that my brain kicked in. Could I have captured the fall with my camera? I caught my lower lip in my teeth and quickly hit the playback button. There on the LCD screen was my body lying on the pavement, partially obscured by the rear wheels of my scooter, my mouth open in a cry. I was in clear focus with the foreground blurred and the whole frame perfectly composed. As if it had been set up.
I was so excited I had to share it with someone. My “lifter” was talking on his cell phone in front of a nearby restaurant. I scooted up and showed him the picture, but he didn’t seem to get it. I didn’t want to bother him so I smiled and scooted down to the pedestrian mall. Earlier I’d seen a classmate about a block away with his camera gear slung around his neck. I soon found him again. “Monte, Monte, you’ve GOT to see this!!!” He understood.
When I showed the picture and told the story to David, Jim and the class during our daily critique the next morning, David, who had been mentoring me on my “Falling Into Place” self portrait project for a year, let out a loud “Whoop!” and came over to give me a congratulatory kiss. Yes, my ribs were a bit sore and I had a small scrape on my knee, elbow and big toe, but that was nothing. Of the thousands of self portraits I’d taken since starting this project on June 11, 2008, this was the first and only TRULY authentic photo I’d ever taken. All the others, although reflective of my lived reality, had been consciously set up in one way or another.
I’ll always think of this as the best fall of my life.
Patricia’s essay on BURN: Falling into Place
Website: www.patricialaydorsey.com
Midnight Kiss, Avenue C by Chris Bickford
Under a waning moon in New York’s Alphabet City, two lovers pause by the glow of a streetlamp.
From the project In the Night , a journey through the the nocturnal world of New York’s “new” Lower East Side and the culture of youth, hip, art, love, loneliness, ambition, and abandon that populates its streets.
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“They were the crest of the wave, young, gifted, privileged, serious for now about making art or launching some kind of maverick free enterprise or just being citizens of the world, and not only reasonably confident in their ability to do so but also in their god-given right to do so. And why not, Eric thought, why not…”
–Richard Price, Lush Life
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Chris Bickford’s piece After the Storm made its debut on Burn in March of this year (view essay here) and has since been featured at the Look3 Festival of the Photograph and in Surfer’s Journal. In November it will be part of solo exhibitions in Michigan and Washington, DC. Images from the project will be featured in a piece for NYTimes.com later this summer. It is available in book form through www.chrisbickford.com/wp.
Website: www.chrisbickford.com
Travelogue: www.chrisbickford.com/wp
Eye of the Beholder by Anton Kusters
I’ve worked all day to prepare everything. Made galleries on my portable; made prints at Yodobashi Camera. Wrapped everything up nicely to present to him. When we meet at his office around 11pm, Soichiro, my brother, and I go through the whole collection of images i have made up till that point. I’m nervous as hell.
Slowly we go through every gallery, every image… Once in a while he flags one because he wants to ask a question or he wants me to make a print of it. To be presented to the subject on the photo… as a gift. This moment, the first showing of the images, the big first moment, “Are they going to like it? Will they approve?”, actually goes by without a glitch.
I also tell him i’m slowly starting to see the way i want to tell the story, so i show him my first sequenced spread layout on screen. only 20 images. I talk about my views, what i have seen, what i have learned, and that i am setting the mood in this “first chapter”. He agrees and thinks i should continue in the same way.
—
I’m in the front seat, riding with Soichiro in his car on his way to Shinjuku. “One cuts off one’s finger to make a point”, Soichiro explains while driving. “Usually to show the sincerity of an apology after doing something wrong.”
“You cut off a single digit of your own finger in a ceremonial way, while facing your boss, and then you present the severed finger on a folded napkin to him. It reinforces the power of your apology. It shows that you’re serious about what you’re saying.”
Somehow, i don’t feel like questioning that.
—
Post Scriptum:
A month ago, the annual go-around was banned by law; this is effectively the last picture of this happening in the streets of Kabukicho.
—
About the Work
Soichiro is the lead character of the story that i’m starting to tell, about a Yakuza family in Japan. After more than 10 months of preparation, my brother and I have been granted access to start a long-term project to document the visible and hidden life of that particular family. All names used in the account above (and previous and future accounts) are fictional.
Here on burn magazine, and on my own site, i will regularly provide visual and textual accounts of our adventures.
Previous chapters:
– Meet Soichiro
– As Light Shines on thy Thigh
Photographs: Anton Kusters
Website: www.antonkusters.com
Desert Storm by Sean Gallagher
A man pushes his bike into a suffocating duststorm on the outskirts of the town of Hongsibao, in Ningxia Province in north-central China.
Sand and duststorms have been one of the major problems as a result of desertification in China. As the spring winds blow, dry and degraded topsoil is picked up and thrown into the air to be carried in immense clouds of sand and dust. Each year, these spring storms plague northern China, originating in the northern central desert regions of the country. Moving east, the storms descend on China’s capital Beijing, shrouding it in a surreal yellow light. In recent years, these same sandstorms have been known to be carried on to South Korea, Japan and even as far as the west coast of the United States.
This image is one of a collection of images that I am currently producing for the Pulitzer Center On Crisis Reporting on the subject of ‘China’s Growing Sands’. The problems associated with sand and duststorms are but one chapter in the multifaceted subject of desertification that I am covering. Other chapters include environmental refugees, land management, tourism, water scarcity and abandoned cities.
I am writing articles to accompany my photos, which are being hosted on the Pulitzer Blog:
http://pulitzercenter.typepad.com/untold_stories/chinas-growing-sands/
editors note: Sean was the 2008 Emerging Photographer Fund stipend recipient…He took this grant funding and carried on all year long, doing more and more work on the desertification of China. This was his stated goal when applying for the grant -david alan harvey
My Daughter’s Question by Marc Davidson
We buried the remains of a family dog today. It must have reminded our four year old daughter Laurence of last summer when we buried my father’s remains.
Laurence has a vague understanding of death, or “going back to nature” as we have explained it to her; she knows Grandpa Davidson was in a building when a plane crashed and now he is back with nature.
But today was a new kind of question. A why question. A why question we didn’t know how to answer.
“Daddy, why didn’t the pilot watch for your dad?”
—
This diptych of my father’s remains are part of a long term project which began with an essay I did for David’s At Home Loft Workshop in September, 2008. David’s hope for us was to start an idea in class that we would continue after the workshop; an idea that would take us to the next level. My idea was Zero Ground, an essay on 9/11 and the identification and burial of my father’s remains who died in the World Trade Center.
The image on the right is my father’s identification card which was recovered from Ground Zero in December 2001. In June 2008, my father’s remains were identified using the latest DNA techniques and the image on the left is my brother Adam, holding a piece of my father’s rib.
And so, Zero Ground has led me to “Shared September”; a project on the effects of 9/11 which I am currently working on and hope to complete for the 10 year anniversary in 2011.
Website: www.marcdavidsonphotography.com

In Protest by Yalda Pashai-F
I am a 20 year old photography student currently studying at Ryerson University in Toronto where I learn to express my opinions and inner feelings through image-making. Born in Iran, I always believed in freedom and equality. In this spirit, I participated with the protest to close down the School of the Americas funded by the U.S. Army, located in Fort Benning, Georgia. The protesters are composed of various peacemakers and are here dressed as the dead. This particular image is from a series based on this protest.
(editors note: Yalda is a student assistant for the Magnum workshops going on now during the Contact Photography Festival in Toronto….i may also publish some of the best from all 6 workshops running now. -david alan harvey)
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