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Emerging Photographer’s Fund grant 2010


The paraguayans

8×10 moonlight photograph by Alejandro Chaskielburg, 2009 EPF recipient, from his essay The High Tide



DEADLINE EXTENDED to May 1st, 2010


We now announce on Burn our third annual Emerging Photographer Fund grant …for 2010 we are offering a $15,000. stipend for an emerging photographer to finish an ongoing personal project…the deadline for entries will be April 15, 2010….funding for the EPF comes from generous anonymous donations from our audience here on Burn to the non-profit  Magnum Cultural Foundation…these are very specific donations to the MCF and are apart from the general subscriptions and donations to Burn….

this year we must set up things a bit different from the last two years…we have no choice but to have a $25. entry fee per submission….last year almost killed Anton Kusters and yours truly with the almost 1200 submissions….we cannot do that again…this year the $25. will be well spent…we will be using a program called Slideroom to facilitate you entering and us having the grant juried in a first class manner…..with Slideroom you open a free account and you will literally have a “room” where you can work on your edit for the next two months…i.e. put in one picture today, four next week, change your edit, play with the pictures, do whatever you want, then hit the  submit button on or before deadline..if you decide not to enter after all the editing etc., then simply do not hit submit and you are not charged…the system is way easier to use for all  than anything before and makes it possible for us to have a wide prestigious jury (to be named soon) who can view your work at their leisure online and yet be communicating with each other all along…

so the financial breakdown is:  $8. will go for this  Slideroom program which is of great benefit to all of us (this is their fee to us per entrant)…$5. will go to a Haitian relief agency…and $12. will go to cover our admin costs for the EPF at Burn,and the costs associated with creating a sophisticated slide show and presentation of finalists and winner at this  summer’s one time special Burn/Look3 event for emerging photographers in June…we realize this fee may keep some from entering….we considered this and came up with the lowest price we possibly could and still be able to continue this grant program at all …we do not feel this fee will discourage any serious entrants…

all details for the correct entering of project essay submissions will be seen under EPF 2010 in the right hand column of Burn…

i look forward to seeing all the new work….

-david alan harvey


The EPF grant 2010 submission link:

http://burn.slideroom.com


Deadline for submission: May 1st, 2010

The winner will be announced in June, 2010


a collectors’ edition…

burn-mag-cover5


dreams, fantasies, and idealizations….all ethereal in nature….and hardly anything one can grasp or hold onto…yet, this is what i live for and form the basic building blocks for anything i have ever done….the starting point….and what always keep me going…my crazy ideas are usually just that…gone with the wind…however, sometimes and only sometimes , does something come out of it….

Burn Magazine is one year old today….i have no idea if Burn will ever be two!  but, i take things one day at a time, one idea at a time, and with a combo of fate and hard work will do all i can to keep this audience driven magazine alive and well…

2009 has been a year of surprises (like the Lucie Award) and born from a “crazy idea” that popped into my head for no apparent reason right from the table where i now write here in Durango, Colorado…yes, Road Trips conceived right here, and Burn first published right here on this date last year….from the very room where my father Alan died peacefully on a snowy Christmas morning with family gathered,  and in the house where my mother Maryanna now lives…a room with memories and conversations that speak of the future…of optimism and fulfillment and warmth…in our family, possibility is always the order of the day…

the dummy cover above is such a possibility….well, a bit more than a possibility, and much more of a reality….hard copy….to be published as an on-demand collectors’ print magazine within the next few weeks….Anton Kusters and i are both working  to make this happen….again, the above cover is dummy copy…the final edition could be a bit  different than what appears above, but this gives you an idea…..yes sure, there will be hurdles as usual…but, while the major print publications are scaling down hard copy production and moving to the net, we have already our presence on the net and will move now towards some hard copy production in both magazine and book formats….

any of you who have followed me from Road Trips days knows that i always start with a dream/idea and do my best to make it come true…some ideas fall by the wayside, but some move forward to reality….you can go back and read right through everything that was being talked about and all that has happened…

for our Burn birthday today,  i now announce  a $15,000. stipend for the Emerging Photographer Fund grant for 2010 to be awarded to a worthy young photographer….details and deadlines to be announced by early January 2010…Sean Gallagher and Alejandro Chaskielberg have both been recipients in 2008 and 2009…if you track their work and their efforts you will quickly see the grant has been well placed…a jury of peers from our craft will be chosen to pick the EPF recipient 2010 from a selection of 10-20 finalists…

since this time of year is for taking stock and thanking those who have helped, i want to express my heartfelt gratitude to all of you who have made financial contributions to either Burn or to the EPF in 2009…each of you will receive a personal letter from me if you have not already…our new contribution button will now include the option for subscription, but of course all is totally voluntary and we will work just as hard for those of you who enjoy Burn as a free option as for those of you who are in a position to kindly contribute….we appreciate you all just being here…Anton and i alone cannot do any more than we are already doing with Burn and your contributions have at helped us to survive if not thrive…

we have two grant writers now working to see if we can receive significant support to not only maintain Burn but allow for payment to photographers…this has been our biggest hurdle and going for this funding is a full time job in and of itself……for us to do this is not so much a problem of sponsorship or grants which may come our way, but a requirement for a full time general manager…

the main thing is this…neither  Anton nor i  want to drop our life as photographers…we both have major projects going…for Burn to move forward in a significant way with regard to sponsorships and photographer commissions  will require a  full time full on person to manage these funds and the work flow….we both realized that if even a part of what we are asking for actually came in the door, then our lives as photographers would be over…for Burn to be more than what it is would take full on concentration from a management standpoint, not from a creative one…

the editing and curating and designing of Burn both online and in print can be managed by Anton and me  with no interference to our photographic lives, but the one step forward now of managing significant funding is a full time job for someone…i am interviewing for that “someone” now….that someone is a manager, not a photographer…that someone is a biz person, not an artist…

this is of course exactly how we structure the biz side of Magnum…..and that model is a model that works….a model that most likely will include Burn as a part of the upcoming new online presence for Magnum…while Burn obviously features non-Magnum photographers from this audience , Magnum’s overall interest in the development of new talent, education,  and the endorsement of a wide variety of  authored photography, and the rights of photographers  , falls well within the arbiter role that Magnum has played in general for 62 years…my push is for Magnum to be larger than Magnum….our place in history dictates a magnanimous role …

in one year, Burn has made  its place on the net…we think we have earned it and we humbly pledge to keep it that way…we are a boutique shop and we will stay a boutique shop….we have zero desire to become something we are not…we simply know we can be better…..the Lucie Award was significant only in that it was an endorsement for an audience driven online publication in a world of print and, more importantly, a bit of merit for our educational imperative….my other awards are packed in cardboard boxes in the attic…unimportant to me….the only one sitting on my mantle is this one…and it does not have my name on it…it is your award….a Burn award…..so, Happy Birthday to you!!


-david alan harvey

EMERGING PHOTOGRAPHER GRANT RECIPIENT

EMERGING PHOTOGRAPHER GRANT RECIPIENT


The recipient of the Emerging Photographer Grant 2009 is


Alejandro Chaskielberg

The High Tide


More details will follow soon.


The Judges:
Maggie Steber – Photographer
James Nachtwey – Photographer VII
Carol Naggar & Fred Ritchen – Historians-Authors-Analysts
Eugene Richards – Photographer
John Gossage – Curator
Scott Thode – Director of Photography Fortune Magazine
Gilles Peress – Photographer Magnum
David Griffin – Director of Photography National Geographic Magazine
Martin Parr – Photographer Magnum

alejandro chaskielberg – the high tide [EPF Finalist]

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Alejandro Chaskielberg – The High Tide
Emerging Photographer Fund – FINALIST  (number one of eleven)

With my photographs I create fictional scenarios with real people and situations.

I try to explore the limits of documentary photography, using technical processes to transform the natural perception of light, colors and spaces.

I am working on a project about the Paraná River Delta photographed in full moon.
The Paraná River supplies water for more than one hundred million people, including the cities of San Pablo, Buenos Aires and Asunción, Argentina. The whole Paraná basin is one of the principal reserves of sweet water in the world.

My photographs set out to document the life and work of the islanders of the Delta.
Using long-time exposures with full moon, they have allowed me to light part of the landscape artificially and also give the islanders a strange timelessness: an unknown source of light floods the scene with unreality and mysterious.

I think my pictures as slides of unfinished stories, having a script on my head. The images are carefully planned after days of observation, and they only have a body when the large-format camera initiates the slow subordination of the capture. It will take from five to ten minutes until this thick darkness sprouts what was secret.

I am interested in the poetical and visual power of the water, and the relationship of the people and the environment. I think that the health of this resource is a worldwide problematic issue today.

My intention is to work with photography in the border between reality and fiction.
Photography can transform reality and produce a magical view of people and life, and this is a part of its particular language.


Photographs: Alejandro Chaskielberg
Website: www.chaskielberg.com