Monthly Archive for August, 2009

ara oshagan – father:land

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)

Ara Oshagan – Father:Land

My father died in June 2000.

A few years before that, he and I decided to embark on a project about Karabagh: a remote mountainous area next to Armenia. A region where the Armenians fought and won a fierce war of independence after the collapse of the Soviet Union. A region still with militarized borders and no political recognition. A place in transformation: the people, the land, the very way of life in political, social, existential upheaval. A place that is part of our distant homeland.

Until the nineties, neither one of us had stepped foot in that part of the Armenian homeland. Both our generations were born and came of age in the sprawling cities of the Armenian Diaspora: in Jerusalem, Paris, Beirut, Philadelphia, Los Angeles.

Before his passing, my father and I made one trip to Karabagh together, in 1999. It coincided with the birth of my first son. After his passing, I continued work on our project for another six years. And my every trip back marked a new birth for my family and I. The project spanned four births in all. And one death.

And so this project took on a further meaning. Upon that land of our forefathers—there for over three millennia—from within the people who were living that history, came a quest to find the father. Through the eyes and senses of the emerging father.

Father:Land is a project about origins and identity. A project about a place and a people emerging out of a dark history, transforming, forging a new identity, searching for themselves and a new way of life. And also about a very personal becoming, an emergence.

Bio:

Ara Oshagan’s work revolves around the themes of identity, community and aftermath.

Since 1995, he has been photographing survivors of the Armenian Genocide, a project that includes oral history and is called The Genocide Project. Working with photographer Levon Parian and a team of oral historians, this work was exhibited at the Downey Museum of Art in 1999 and attracted national attention, being the main feature in an NPR Morning Edition story.

Oshagan has also been photographing extensively in Nagorno-Karabagh for a book project with his father, well-known author, Vahe Oshagan. This work was featured in Photo District News and was awarded third place in the prestigious Visions 2001 National Photographic Project Competition sponsored by the Santa Fe Center for the Visual Arts (now known as “Center”).

Working with the USC Center for Religion and Civic Culture, Oshagan received a California Council on the Humanities Major Grant in 2001 to photograph the Armenian experience of Los Angeles. This work, called Traces of Identity, was exhibited at the LA Municipal Art Gallery at Barnsdall Park from September to December 2004 and in 2005 at the Downey Museum of Art. The exhibit was reviewed in Art Papers, artcircles.com and featured in the LA Times, LA Weekly and LA Magazine’s “Top 10 Things to do in LA” in December 2004.

Oshagan has also been working in collaboration with Leslie Neale of Chance Films on a project to document high-risk juvenile offenders being tried as adults in California.

Oshagan’s work is in the permanent collection of the South East Museum of Photography in Daytona Beach, Florida, the Downey Museum of Art in Downey, California and the Museum of Contemporary Art in Yerevan, Armenia.

Photographs: Ara Oshagan
Website: www.araoshagan.com


Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

manuel garcia – the georgia colors

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)


Manuel Garcia – The Georgia Colors

I think that first and foremost I like to watch the world in all its complexity. I get dragged to places where, despite of the stories of misery and war, life still goes on. I like that blend of things. At the same time, it also has to do with the memory of my childhood images, and the fascination with the remains of ancient Europe. In the “Georgia Colors” project I want to explore the unknown of a country where horror and beauty go hand by hand. These pictures have never been published.


Bio:

Manuel was born in Madrid in 1975. He left home to enroll the Army in 1995 and went to Bosnia for 6 months. He quit two years later to study Audiovisual Comunication and Photojournalism in Barcelona, and was drawn to photography for being able to live “adventures” and “experiences”. After he obtained his degree he went on to live in London in 2002, and started traveling to Central America and Eastern Europe, where he developed some personal photography projects.


Photographs: Manuel Garcia


Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

eve morgenstern – abandonment and foreclosure

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)


Eve Morgenstern – Abandonment and Foreclosure

The recent foreclosure crises has spread like a pandemic across the country, wreaking havoc on cities and their neighborhoods and leaving abandoned homes to begin their process of neglect and decline. It is not unusual to walk down a street in some cities and find three or even more homes in a row that are abandoned and in some stage of foreclosure.  This new landscape of empty homes brings with it higher rates of crime and the sad, derelict appearance of desertion.

This photographic series, Abandonment and Foreclosure is a long-term project I am working on that documents recently foreclosed and long abandoned homes in cities across the country. Here the house no longer represents the American dream of belonging and security but of uncertainty and loss – a loss of identity and of specific personal histories both past and future. My process of documenting these structures is both a kind of preservation and an attempt to bear witness to the facts of what happened there.

Influenced by Walker Evans’s images of vernacular architecture in the United States and Bernd and Hilla Becher’s images of houses and industrial buildings in Germany, this project will be an extensive archival record of the unstable state of the American home today and will expand to include images from Las Vegas, Stockton, Tampa, Denver, Buffalo and Cleveland.  Plans include an exhibition and a book.

The images were published this year in a special Le Monde 2 magazine issue devoted to the election of Barack Obama and they were featured in Jen Bekman Gallery’s Hey Hot Shot blog in a piece about photographers making work about the recession: http://www.heyhotshot.com/blog/2009/06/11/photographing-the-recession. As an artist I am interested in stories about home and impermanence and explore this in my documentary film in progress: Cheshire, Ohio: http://rainlake.com/development/cheshire.html.


Bio:

Eve Morgenstern is a photographer and filmmaker from Brooklyn, NY now living in San Francisco, CA. She has received grants for her work from the New York State Council on the Arts, The Anthony Radziwill Documentary Fund, The Park Foundation and Next Pix/First Pix for “humanistic media”.  Her photographs have been published in Le Monde 2, The New York Times, View Camera and The Saint Ann’s Review and have been exhibited across the country. She received her B.A. in Art History from Vassar College and her M.F.A. in Photography from The San Francisco Art Institute.


Photographs: Eve Morgenstern
Website: www.evemorgenstern.com


Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

brent lewin – body collectors

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)

THIS ESSAY CONTAINS EXPLICIT CONTENT

Brent Lewin – Body Collectors

The Por Tek Tung Foundation is Bangkok’s largest provider of emergency medical services (EMS) and is made up mainly of volunteers who have regular jobs during the day but moonlight as rescue workers.  In a city where hospital ambulances are few and often stuck in traffic, the Foundation is widely recognized by doctors for its efficiency.

Por Tek Tung was started by Chinese immigrants in the last century and started out by providing free funeral services to the poor. Since then, the Foundation has grown into a large organization run through a temple and mostly responds to accidents on the dangerous streets of Thailand’s capital.

Their main function is rushing victims to hospitals and transporting dead bodies to police morgues. The Foundation provides their services free of charge, relying entirely on donations to their affiliated temple from the community. Although it employs 30 loosely trained EMS workers, the Foundation has over 1000 volunteers who patrol the streets each night on the lookout for accidents.

Bio:
Brent Lewin is a documentary photographer that splits his time between Toronto and Bangkok. His work mainly focuses on the plight of the Asian elephant in Thailand and has been awarded from Pictures of the Year International, Photo District News, the International Photo Awards and Prix de la Photographie Paris (Px3). Brent’s work has been featured in National Geographic, GEO and American Photo among others. Brent is represented by Redux Pictures.


(editor’s note: Brent has elected to take the “no comments” under the essay option afforded to all who are published here on Burn…many thanks for respecting his wishes….our Dialogue section is of course open…dah)

Photographs: Brent Lewin
Website: www.brentlewin.com

wall of death by jonnek jonneksson

wall-of-death

Wall of Death by Jonnek Jonneksson

This photo is taken at a traditional motorcycle show that takes place since 1930 in USA, Great Britain and some countries in the Balkans. It’s called “Wall of Death”, as the man who rides the motorcycle and overriding the law of gravity climbing on a vertical wall, risks his life.

This specific show that I have photographed took place in northern Greece, at a traditional popular fun fair. The show with its material components is passed from father to son since 1950 and it runs through 3 generations so far. They are supposed to be the last “Wall of Death” showmen in Europe and one of the few that perform it in the world.

Website: www.jonnekjonneksson.com

self portrait 1 by carrie roseman

Roseman1


Self Portrait 1 by Carrie Roseman

This photograph is part of a long term self-portrait project that I started during David Alan Harvey and James Nachtwey’s LOOK3 workshop, aptly entitled “The Art of the Photographic Essay”. The subject of the essay that I would create eluded me until the start of the workshop. Really wanting to challenge myself, I decided to point the camera to myself, and create images that reflect this exciting time in my life. After having experienced some hardships over the last few years, I wanted to celebrate the good that is happening and show a beautiful hopefulness in this project. My goal was to create fine art photographs that hold a dreamlike quality and emit an ethereal feeling. I knew that I wanted to capture myself in a very artful way, and I feel that I really got into a groove when I made this picture. This photograph was the shining moment of the start of this self-portrait project.

Website: www.carrieroseman.blogspot.com

jeff charbonneau & eliza french – massillon

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)


Jeff Charbonneau & Eliza French – Massillon

Massillon is a group of performance-based pictures loosely inspired by the life of one of our ancestors who lived and died in Massillon, Ohio at the turn of the 20th century.  We are transposing her life story into an ongoing fairytale inspired by our own dreams or fantasies, creating single-frame narratives that can be read individually or in tandem.  Our basic themes are a woman’s suffering, her longing, her searching, and her interior fantasy life.   We shoot on large format or medium format film and manipulate the images using traditional darkroom techniques.  The images in this essay feature Eliza as the subject and were taken and printed between 2006 and 2008 in Northern California primarily.

Bio:

We have been working together since 2004 and our images are created through a partnership from conception to finish.  They have been exhibited in galleries, and international art fairs since 2006.  Our work is currently published in the companion catalogue for the exhibition “The Art of Caring: A Look at Life Through Photography” on view at the New Orleans Museum of Art.

Photographs: Jeff Charbonneau & Eliza French
Website: www.sevensistersasleep.com



Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

rafal pruszynski – riverside

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)



Rafal Pruszynski – Riverside

I shot “Riverside” at the same time as I shot Little Pieces of us, and both are still on-going projects. The shooting, and showing of Pieces was a very intense experience since it was highly personal and highly intimate. I began Riverside first as simply a visually interesting project, but it quickly turned into a counter to Pieces. Whereas Pieces was very intense, Riverside was a way for me to get away from that, to step back, become more contemplative. Riverside and Pieces are opposites in many ways. One is black and white, one is color. One is more in the moment, shot on intuition, the other more composed. Riverside, became an escape from Pieces, and as such it can even be viewed as another side of the same coin. With Pieces I had co-authors very much involved in the project. With Riverside it was just me.

One thing I’m most interested in with the projects I shoot is to explore my immediate world. I don’t travel often and when I do I find that I am never happy with the photos I take. With my immediate surroundings I can take time to explore and to get what I intend. Most of the photographs in this project were shot within walking distance of where I live or work.

Riverside is a chapter in a larger on-going project entitled “Marooned”. South Korea though not technically an island, is still cut off from the rest of Asia by North Korea, a barrier more difficult to cross than any sea or ocean. It is therefore a de-facto island, an island I have been living on for the last 8 years. “Marooned” is my look at the island that has been my home for nearly a decade, and will remain so for another 2 years.

Bio:

Rafal was born in Poland and moved to Canada at the age if 10. He has been living in South Korea for the last 8 years. He has had one essay previously published on Burn.

Photographs: Rafal Pruszynski
Website: www.flickr.com/photos/jinju/collections/72157606643568147/



Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey


miss kim by eric lafforgue….

eric_lafforgue_2455778473_19e44a0165_o


Miss Kim by Eric Lafforgue

Miss Kim is a guide in the War Museum in Pyongyang, North Korea. She speaks perfect  French as she lived in Algeria when she was a kid. So in 2008, she took care of the 25 French tourists who came in her museum.

Q
Do Americans come to visit this War museum? What do they think of the visit?

R
They make excuses!

Q
The American tourists?

R
Yes, at the beginning of the tour, they won’t admit it, but after visiting the museum, they admit their crime, and apologize.

later…

The guide:
This helicopter left South Korea, and went over the military demarcation line, there were two pilots in the helicopter, one died and the other survived, this is the confession he wrote, it’s an apology letter from the United States government.

Q
Do you think that the two American journalists who were recently captured will have to endure the same fate, that they will have to apologize for entering the territory?

R
I don’t know…

Q
The (NK) government said that they will be sentenced to ten years manual labor.

R
Ten years? We have received a letter apologizing, we have sent him (the helicopter pilot) back to his country… ten years? (She seems very surprised)

Q
Last month, two American journalists, two women, were caught by the government.

R
Last year?

Q
No, this year, a month ago, did you not hear about this? All the media are talking about it, in France, in the US.

R
Two women journalists? Americans?

Q
Yes yes, they wanted to film and take photos at the border, and the government said that they would get ten years manual labor. You hadn’t heard of this story?

R
No, it’s the first time I’ve heard of this, but they deserved it, no?

Q
They deserved it?

R
Yes, they deserved it. Spying is not good.


Website: http://www.ericlafforgue.com/

the church tent by paul russell

paul-russell_chuch_tent


The Church Tent by Paul Russell


Taken at the end of the day at The New Forest and Hampshire County Show. Part of the series, Country Show, www.paulrussell.info/galleryshow/01.html


Website: www.paulrussell.info

joni karanka – last orders

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)

THIS ESSAY CONTAINS EXPLICIT CONTENT

Joni Karanka – Last Orders

Cardiff, capital of Wales, is a young city. The port that shipped coal to the empire sleeps now, yet the dwellers of the valleys still come down to the city. The night draws everybody into a high in which every act is excusable and freedom is at the reach of the fingertips. This is a chronic of Cardiff when last orders are called.

Bio:

Joni Karanka (Helsinki, 1981), is a member of Mindfist based in Cardiff. He is a finalist of the 2008 edition of the Emerging Photographers Fund and his work has been shown in The Night of the Year in Rencontres d’Arles and the Festival of Photography of Phnom Penh. Currently he is as involved in his own projects as in finding ways of promoting photography (such as Dr Karanka’s Print Stravaganza).

Website: www.mindfist.com/jkaranka
Dr Karanka’s Print Stravaganza: www.flickr.com/groups/1073150@N22/


Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

jason andrew – twilight country

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)



Jason Andrew – Twilight Country

The Anonymous Republic of Abkhazia

Through a poetic sense of light and color, I find an attraction to the atrocities brought on by Mother Nature and mankind. The contrasting beauty between the savagery of ruin and rebirth of destroyed lives creates a romantic idea of what once was there, conveying a different feeling for each person that witnesses the images. The loneliness and solitude is what drove me to document the apocalyptic scenes of Abkhazia, its people, and how they continue to suffer from the effects of war 15 years later.

The Images take us on a sinister, eerie tour of a country whose only existence centers around their military and patriotism. Alone and stagnant, Abkhazia struggles with the meaning of war and self-declared independence, clutching the ankles of Russia for support while shadowing themselves from the economic and social embargoes imposed on them from Georgia and the rest of the world.

The countries decaying skeleton is a physical manifestation to the pain and misery suffered by the Abkhaz people and their struggles to free themselves from the iron grip of a war long gone with Georgia. Abkhazia remains desolate and wounded, a dilapidated corpse left for dead. Only the internal sense of pride and joy can be seen through the military, their beacon of light and pride. Once the Riviera of the Caucus region, Abkhazia now caters to budget conscious Russians while struggling with their own sense of independence, crawling back to Mother Russia and into her womb in search of comfort and security, unable to recover from the economic disasters of a war long past.

Bio:

Jason Andrew was born and raised on the coast of California where he spent his early years surfing and snowboarding while exploring the small coastal villages of Baja California. Upon graduating with a Bachelors Degree in History from San Diego State University, he began photographing for a small music label while teaching elementary school.

He later moved to NYC where he graduated from the 2006/07 Documentary Photography and Photojournalism program at the International Center of Photography where he interned with VII photographer James Nachtwey.

In 2008, he attended the Eddie Adams Workshop and his Jazzland series about an abandoned amusement park in New Orleans was selected for American Photography 24. In 2009, he was named a Magenta Emerging Photographer and is currently among the “Emerging Talents” of Reportage by Getty Images.

His clients and publications include AOL, Courrier International, Le Monde 2, National Geographic Books, New York Magazine, Transworld Surf and Ventiquattro.

Photographs: Jason Andrew
Website: www.jasonandrewphotography.com



Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

kite board lift off…d. ude

Wendi Palmer


Kite Board Lift Off  by  D. Ude


Avid kite boarder Wendi Palmer, “lives, breathes and dreams about kite boarding constantly” she says.  “There is no feeling as free as being pulled into perfect wave by a kite and being able to shut the kite off and surf the wave, then pull out and do it all over again”.  Wendi practices her art around Cape Hatteras, North Carolina, on both ocean and sound side, where the heritage of pirates, shipwrecks, and violent storms segues into the present summertime warm lusty winds and choppy waters.

stray cat….

stray cat


i am not a cat person….never had a cat as a pet…never wanted a  cat…..i was always a dog man ….dogs were always happy to see me, followed me around…dogs responded to commands…..cats always just seemed aloof to me….now, i have a cat…..

on the fourth of july,  a hot summer night, little Simone just showed up….my son Bryan and his love Michelle and i were sitting on my porch having a glass of wine and  pretty much minding our own business ,  when along came little homeless Simone (sometimes Lulu) who just jumped into my lap….end of story…..or, should i say, beginning of story…..

now i am dealing with raccoon proof cat doors, dry food vs. wet food, auto feeding machines  and worse, yes, AFFECTION…damn!! ….the last thing i need in my life is a cat….i do not have time for a cat….i travel too much to have a cat or any pet….but, now i have a cat….or, rather she has me….she now owns the place….runs the show….wants affection sometimes, and shuns it other times….does what she wants when she wants to do it and my job is just making sure she is happy …and i now trip  all over myself to make sure this is so…..hmmmmm….

it is always the unexpected in our lives which seems to govern….all of us work so hard to plan plan plan and then , well, the “plan” becomes whatever “just happened” with perhaps a very slight twinge of the light of  original agenda….most of us i think then take whatever circumstances evolved and then turn it into our “plan” as if we had thought of it all along….pure justification or acceptance or , well, what else can we do???

certainly there must be adjustments in our creative spirit as well…if we all did what we started out to do, then i am sure that the results would be a whole lot less exciting then if serendipity rules…..yet, we also know from experience that not having any kind of plan in the beginning usually leads to no action at all…so, strange as it seems, we need a plan or a thought or an idea at the beginning that we know surely with change as we move forward…we should not be surprised that we become surprised with what actually happens , yet this is the ultimate surprise!!

perhaps we all have different proportions of planning vs. serendipity……and , of course, this is all related to being able to FINISH what we start out to do…i think many of us do not finish what we start because a Simone shows up….changes the equation….priorities get scrambled……what we want today, may not be what we want tomorrow….

i do spend a lot of time with young ambitious photographers or photographers who are trying to make a mark….the single biggest difference i see between those who “do it” and those who do not is simply the ability to finish what one starts….

yes, of course,  talent is a must…visual acuity, sensitivity, spacial awareness, timing, balance….but, given two equal talents, the one who can actually complete a body of work  is the one who will rise….sounds simple, but it is the most complex compound  of all things facing any creative person….i see it over and over with photographers i mentor…..i have fought this with myself all along….i suspect a solid 80% of what i start goes unfinished….folks know of the other 20%, but i coulda shoulda woulda done more….blame it on Simone??

what about you??  do you finish most things, or sooner rather than later give it up??  be honest…we are all in this together…

ok, while you take on this question, i have to go feed the cat…..no joke…she is an hour away , and i am going to go feed her instead of taking a picture….woe is me….



massimo mastrorillo – indonesia: check-in at room 101

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)


Massimo Mastrorillo – Indonesia: Check-in at Room 101

This is a short selection from the on going long term project “Indonesia: check in at room 101” which began in 2005,  the day after the tsunami.

Taking a cue from the phrase “Room 101 contains the worst things in the world” from the novel “1984” by George Orwell, this project wants to tell that man, like Indonesia, seems to have lost on all  fronts.  One of these fronts is his environment:  Sidoarjo, the exploitation of resources and the intolerable levels of pollution in the Province of Riau, the deforestation in Kalimantan and in Papua.  Former American President Nixon defined Indonesia as “the largest booty in Southeast Asia” and in 1967 this loot was distributed to some of the largest Western companies. The future of Indonesia seems to be the footprint of a boot that has kicked in the face of humanity.

Bio:

Massimo Mastrorillo was born in Turin, Italy, and lives in Rome. He worked on long term projects about the Kurdish Diaspora and the poverty in Mozambique. From the year 2005 to the year 2007 he worked on his project The Lives of the Cities, a documentary project about 9 cities in the world. In the year 2005 he began also a long term project on the tsunami aftermath and the environment in Indonesia. This is an ongoing project. He is actually working on other two long term projects: “White Murder”, about the problem of death on the working places in Italy and “The Lands of Shattered Dreams”. Among the awards he received: the World Press Photo, the Pictures of the Year International, the Best of Photojournalism, the PDN’s Photo Annual Contest In Photojournalism, the International Photography Awards, the FNAC Prize Attenzione Talento Fotografico 2007, the International Photographer of the Year at the 5th Annual Lucie Awards, the Sony World Photography Awards.

Photographs: Massimo Mastrorillo
Website: www.massimomastrorillo.com


Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey


john delaney – kazakh golden eagle nomads

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)


John Delaney – Kazakh Golden Eagle Nomads

“Fine horses and fierce eagles are the wings of the Kazakhs.” – Ancient Kazakh Proverb

Nobody knows exactly when man tamed the golden eagle of Central Asia. Herodotus refers to nomadic hunters in 5th Century B.C. Genghis Khan is said to have had over 5,000 “eagle riders” in his personal guard. We do know that since the 15th Century, nomadic Kazakh tribes on horseback with Golden eagles have roamed freely across the borders of what is today Russia, China, Kazakhstan and Western Mongolia.

Every fall, soon after the first snowfall these majestic men will head up into the mountains in search of prey.  They will lose their eagles on any unsuspecting fox, rabbit, and even wolf.  At one time this hunt provided needed food and furs for harsh winters. Today it has become an honorable tradition and a right of passage for the Kazakh men.

But at the dawn of the 21st Century, the nomadic way of life is fragile and in danger of being eradicated.  History has long threatened these legendary horsemen: the Bolshevik Revolution, Stalin’s purges and China’s cultural revolution drove roaming Kazakhs to the mountains and valleys of Western Mongolia, where they found refuge and freedom to live as they have for centuries.

I have traveled twice to the far western edge of Mongolia to photograph the Kazakh nomads before these old traditions are lost forever. I shot this work with both large and medium format, and all with natural light. The project has been well received, winning a number of awards including the 2008 IPA/Lucie “Discovery of the Year”.

Bio:

John Delaney (1963) is an American photographer based in NYC. When not shooting he operates a small traditional B&W printing lab. His client list includes Bruce Davidson, Irving Penn, Richard Avedon, Annie Liebovitz.


Photographs: John Delaney
Website: www.johndelaney.net



Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey


the saboteur by todd r. behrendt

todd behrend the saboteur burn


The Saboteur by Todd R. Behrendt

Incorporating elements of collage and expressionism, The Saboteur is my response to hucksters who ruined the world economy with their rampant greed. This image is a silver gelatin print created in a traditional wet-process darkroom utilizing non-traditional techniques.

Website: www.trbehrendt.com

ryan scherb – emt

(click the red icon in the lower right hand corner, or press the “F” key at any time, to switch to the full screen version)


EMT

Emergency Medical Technicians are the men and women responsible for keeping you alive from the time you get hurt, to the time you get to the hospital.  They have to be able to deal with any and every possible situation where someone’s health and survival has become compromised.

It is an experience that holds the widest range of situations, circumstances and emotions.  One day they will celebrate with a family delivering a newborn child, and the next they will help a grieving widow who has just watched her husband pass away.  Emergency caregivers see it all.

While an EMT is well trained in the necessary skills to keep a person alive, the real training starts when they get in the ambulance and head to the call, where they know little if anything about what they will encounter.

It is important to recognize EMTs for the service they provide.  Without them, countless lives would be lost in the time it takes to get to a hospital.

This essay joins the Charlottesville Albemarle Rescue Squad (C.A.R.S.) in Charlottesville, Virginia as they go on calls.  It was shot over three days in June 2008 and three more days in June 2009 as an assignment for David Alan Harvey’s workshop, “The Photographic Essay”.  “EMT” has become a larger project now and I am currently riding in New York City with the St. Vincent’s Hospital ambulance squad.  After New York I will keep working on the project in the cities of Miami, Chicago and Los Angeles. This essay has not yet been published, as it is a work in progress.

Bio

Ryan Scherb is currently working as a fashion and advertising photographer in New York City and is expanding into the world of documentary.  Ryan also has a background as an EMT in Connecticut where he has ridden with the Georgetown Volunteer Fire Department.


Photographs: Ryan Scherb
Website: www.ryanscherb.com


Editor’s Note: Please only one comment per person under this essay.. Further discussions should take place under Dialogue..

Many thanks… david alan harvey

Tuscany street by clara rojas

clararojas_1080px

Tuscany Street 2009 by Clara Rojas


Clara Rojas was born in Caracas, Venezuela in 1975.
Her childhood was always related to art. Music and photography has been a essential part in her family and her growing process.
She studied graphic design in the Instituto de Diseño de Caracas in Venezuela. After finishing the career she went to New York City and studied Video Digital Production at NYU.
In 2003 studied at Venezuelan recognized Taller de fotografía de Roberto Mata, from that point she decides to focus on photography. In 2004 she moved to Barcelona, Spain where she is lives now and works as a graphic designer.

pick up lines by kurt lengfield

KurtLengfield-1


Pick up Lines by Kurt Lengfield

Under the watchful eyes of Mr. Miyagi, party animals seize the moment at THE BOX, a hip Charlottesville , Virginia nightspot for some fun, photography and a little bit of tail wagging. This image was taken for one of the LOOK3 Festival of the Photograph workshops in June of this past year. I hope this will  grow into a photographic essay on societies night owls.

Website: www.kurtlengfield.com